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Piano Solo - Level 5 - Digital Download SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovators Workshop #4627769. Published by Music Innovators Workshop (A0.984770). Earlier, I hesitated to publish this version that I arranged several years ago. This piece is so very well known and loved that I was concerned that a simpler version would not be well received. I recently changed my mind after playing through this version. This arrangement opens up playing this piece to many pianists who may find the original too daunting a challenge. Players and listeners will find that the arrangement sounds very much like the original. Some listeners may find it a little less full sounding - most won't be able to tell the difference.Here are the differences. (Of course its written on tablature, but that's a different issue.) First, the simpler version is not simple. It is very difficult. It just is not as difficult as the original. Second, it sounds very much like the original. It is a very full arrangement. The whole piece is there. It has not been shortened.The simplification consists mainly of removing some, but not all, of the doubling and tripling of notes. This lightens the feel of the piece just a bit. The recap of the theme at the end is simplified by changing the 4 note chords to 3 note chords, Where the right hand leaves the chords and moves very quickly down to double two bass notes and immediately back up to find the chords again, and again, the arrangement omits these few notes to leave the right hand where it is to play the chords.
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
Piano seul

$2.00 1.74 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.984700 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4357045. Published by Music Innovators Workshop (A0.984700). This is a piano arrangement of the Toccata portion of the famous Toccata and Fugue in D minor. It is notated on a key map tablature. Additionally, this wonderful piece has been simplified by removing some notes, but it has not been shortened. In this arrangement, it is still a wonderful piece for those who have not yet gained the skill to play the full piano arrangement. This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
Bach - Toccata in D Minor - Level C - Arr for Piano - (Key Map Tablature)
Piano seul

$2.00 1.74 € Piano seul PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1200857 Composed by Amy Marcy Beach. Arranged by edited by John M. Laverty. 19th Century,Classical. Score and Parts. 190 pages. Zephyrwindmusic.com #799514. Published by zephyrwindmusic.com (A0.1200857). American composer Amy Beach (1867-1944) published her epic work Symphony in E minor “Gaelic†in 1896, receiving immediate praise from audiences and musicians in both America and Europe. Consisting of four movements and with a performance time in excess of 40 minutes, it is considered by many to be the first significant symphonic work by an American composer. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation for Movement IV:2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniTriangleStrings.
Gaelic Symphony, Movement IV, Score and Parts
Orchestre

$25.00 21.71 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
Symphony in C minor - Full Score - Score Only
Orchestre

$50.00 43.42 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1200855 Composed by Amy Marcy Beach. Arranged by edited by John M. Laverty. 19th Century,Classical. Score and Parts. 87 pages. Zephyrwindmusic.com #799512. Published by zephyrwindmusic.com (A0.1200855). American composer Amy Beach (1867-1944) published her epic work Symphony in E minor “Gaelic†in 1896, receiving immediate praise from audiences and musicians in both America and Europe. Consisting of four movements and with a performance time in excess of 40 minutes, it is considered by many to be the first significant symphonic work by an American composer. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation for Movement II:Piccolo2 Flutes2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in FTriangleTimpaniStrings.
Gaelic Symphony, Movement II, Score and Parts
Orchestre

$25.00 21.71 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1141372 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Laverty. Classical. Score and parts. 93 pages. Zephyrwindmusic.com #741693. Published by zephyrwindmusic.com (A0.1141372). Mozart’s The Magic Flute Overture is one of the most popular works by one of the world’s greatest composers. This edition is based entirely on the original orchestra publication and can involve as many players as a conductor chooses. In order to do so, the owner is granted an unlimited Copy License for the individual parts, thus removing any copyright issues. Each part in this bound edition has a one-inch border allowing for greater ease in order to legally copy or scan parts. Instrumentation: 2 Flutes 2 Oboes 2 Clarinets in B-flat 2 Horns in F 2 Trumpets in B-flat 3 Trombones Timpani Strings.
The Magic Flute Overture
Orchestre

$30.00 26.05 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1200856 Composed by Amy Marcy Beach. Arranged by edited by John M. Laverty. 19th Century,Classical. Score and Parts. 90 pages. Zephyrwindmusic.com #799513. Published by zephyrwindmusic.com (A0.1200856). American composer Amy Beach (1867-1944) published her epic work Symphony in E minor “Gaelic†in 1896, receiving immediate praise from audiences and musicians in both America and Europe. Consisting of four movements and with a performance time in excess of 40 minutes, it is considered by many to be the first significant symphonic work by an American composer. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation for Movement III:2 Flutes2 Oboes2 Clarinets in ABass Clarinet2 Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.
Gaelic Symphony, Movement III, Score and Parts
Orchestre

$25.00 21.71 € Orchestre PDF SheetMusicPlus

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home†is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World†2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home†builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home†to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.
Goin' Home - From the New World Op. 95
Harpe, Flûte (duo)

$4.99 4.33 € Harpe, Flûte (duo) PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes  Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
Anim Zemiros
Chorale SATB

$3.00 2.61 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.6 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerTauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.6 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503597 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1079061. Published by Müller Publishing company (A0.1503597). Psalm 42 for Men’s Choir (TTBB) a capella Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. Whether for a concert, worship service, or special event, this piece is sure to move both singers and listeners alike.Key Features:Composer: AnonymousArranger: L. MüllerVoicing: Men’s Choir (TTBB)Format: Closed Score (two voices per staff)Text: Adaptation of Psalm 42 by L. MüllerIdeal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
Psalm 42 for Men’s Choir (TTBB) a capella
Chorale TTBB

$2.99 2.6 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503598 Composed by Anonimous. Arranged by L. Müller. Christian,Classical,Religious,Sacred,Spiritual. 6 pages. Müller Publishing company #1079062. Published by Müller Publishing company (A0.1503598). Psalm 42 for Men’s Choir (TTBB) with Organ Accompaniment Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) with organ accompaniment by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life, enhanced by the rich tones of the organ.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. The organ accompaniment provides a majestic and supportive foundation, making it ideal for concerts, worship services, or special events. This piece is sure to move both singers and listeners alike.Key Features:Composer: AnonymousArranger: L. MüllerVoicing: Men’s Choir (TTBB)Accompaniment: OrganText: Adaptation of Psalm 42 by L. MüllerIdeal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
Psalm 42 for Men’s Choir (TTBB) with Organ Accompaniment
Chorale TTBB

$2.99 2.6 € Chorale TTBB PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1460883 By Kumiko. By Joe Hisaishi. Arranged by Gabriel Altali - @altaliclarinet. 21st Century,Film/TV. Score and part. 1 pages. Gabriel Altali #1039787. Published by Gabriel Altali (A0.1460883). I'm sorry for any confusion earlier. Let's continue from D major.Discover the captivating charm of Joe Hisaishi's Merry Go Round of Life with this high-quality solo sheet music. Perfect for cello and set in D major, this arrangement accommodates musicians from basic to intermediate levels, allowing everyone to enjoy its enchanting melodies.Merry Go Round of Life is known for its nostalgic and dreamy qualities, bringing the whimsical essence of Howl's Moving Castle to life. This solo arrangement maintains the emotional depth and magical atmosphere of the original, making it ideal for both performances and personal enjoyment.Unlock the magic of Joe Hisaishi's beloved composition. Purchase your high-quality PDF sheet music today and bring the enchanting world of Howl's Moving Castle into your home or event.
Merry-Go-Round Of Life
Violoncelle, Piano
Kumiko
$4.99 4.33 € Violoncelle, Piano PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
1917: The Halifax Disaster
Orchestre d'harmonie

$22.99 19.97 € Orchestre d'harmonie PDF SheetMusicPlus


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