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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1308811 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898047. Published by AMA Editions (A0.1308811). Flexible Instrumentation:Transposed Score (E♭, B♭, Alto, Bass)I. E♭ or B♭ ClarinetII. B♭ Clarinet, Basset Horn, or Alto ClarinetIII. B♭ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet (to low D) or E♭ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for E♭, B♭, alto, and bass clarinet, however, any combination of the included parts is acceptable.A B♭ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three B♭ clarinets and one bass clarinet, however, it required transposing some passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The Part IV bass clarinet requires several low Ds so an extended range instrument is necessary. For a version that doesn’t require an extended range bass clarinet, BWV 549a in D-minor is available (AMA-008). This version also retains more of the original octaves in III. B♭ Clarinet.Richard originally arranged this work for SATB saxophone quartet and I have adapted it for clarinets. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
Quatuor de Clarinettes: 4 clarinettes

$20.00 17.22 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.772371 Composed by Traditional Greek. Arranged by Amir Awad. Folk,Standards,World. Score and parts. 9 pages. Amir Awad #3395815. Published by Amir Awad (A0.772371). Sirtaki or syrtaki(Greek: συÏτάκι) is a popular dance of Greek originThe name sirtáki comes from the Greek word syrtos - from σÏÏω (τον χοÏÏŒ), which means drag (the dance) -, a common name for a group of traditional Cretan dances of so-called dragging style, as opposed to pidikhtos (πηδηχτός), a hopping or leaping style. Despite that, sirtaki incorporates both syrtos (in its slower part) and pidikhtós (in its faster part) elements.This Dance is arranged for Flute and Harp , it may be performed by Violin , Oboe , Clarinet in C and Piano .
Sirtaki : Traditional Greek Dance for Flute and Harp (or any instrument in C "Violin , Oboe " and "P
Harpe, Flûte (duo)

$2.00 1.72 € Harpe, Flûte (duo) PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1153065 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Lucas Figueiredo. 19th Century,Christian,Christmas,Classical,Romantic Period. Score and part. 4 pages. Lucas Figueiredo #753312. Published by Lucas Figueiredo (A0.1153065). Ave Maria is a classical Christmas song, composed by Johann Sebastian Bach and Charles Gounod. This song has being performed by many important artists and musicians like Yo-Yo Ma and Kathryn Stott, Luka and Evgeny and others. This sheets were arranged for Cello with Piano accompaniment in C Major, one octave lower then the common performances which makes easier for begginer cellists.
Ave Maria (Bach-Gounod) in C Major for Piano and Cello
Violoncelle, Piano

$4.99 4.3 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. Published by Artaria Editions (A0.1488839). Artaria Editions AE434Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the C major sonata, the earlier of two works in this key, is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in D major (VB 159), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
Sonata for Fortepiano & Violin in C (VB 160)
Violon et Piano

$30.00 25.84 € Violon et Piano PDF SheetMusicPlus






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