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Concert Band - Level 2 - Digital Download SKU: A0.1275552 Composed by Ahmed Ghulam Ali Chagla (1902-1953). Arranged by Colin Kirkpatrick. Multicultural,Patriotic,World. Score and Parts. 32 pages. Colin Kirkpatrick Publications #867420. Published by Colin Kirkpatrick Publications (A0.1275552). PÄk SarzamÄ«n is the national anthem of the Islamic Republic of Pakistan and formerly that of the Dominion of Pakistan. The music was composed by Ahmad Chagla in 1949, having been selected from hundreds of other melodies. Two years later, lyrics in classical Urdu were written by the Pakistani poet Hafeez Jalandhari. Musically, it's a blend of Eastern and Westrn musical traditions and sometimes referred to by its first line Pak sarzamin shad bad (Blessed be the Sacred Land). This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. The arrangement consists of a score with six instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same PDF file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax)Part 1 in C (oboe, glockenspiel, violin)Part 1 in E flat (alto sax, E flat clarinet)Part 1a in C (octave above concert for flute, piccolo, oboe, violin)Part 1a in E flat (E flat cornet in brass band)Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax)Part 2 in C (violin)Part 2 in E flat (alto sax)Part 2a in C (octave above concert pitch for flute, oboe, violin)Part 2a in E flat (alto clarinet)Part 3 in B flat (tenor saxophone, B flat baritone)Part 3 in C (bass clef) (trombone, bassoon)Part 3 in C alto (alto clef) (viola)Part 3 in E flat (tenor horn, alto sax)Part 3 in F (French horn)Part 3a in B flat (8ve below Part 3 in B flat)Part 4 in B flat (tenor sax, baritone)Part 4 in C (bass clef) (trombone, euphonium, bassoon, cello)Part 4 in E flat (tenor horn)Part 4 in F (French horn)Part 5 in B flat (baritone)Part 5 in E flat (baritone sax, E flat bass)Part 5 in C (bass clef) (trombone, cello, euphonium, bassoon, double bass, tuba)There are also parts for timpani, percussion (3 players) and piano reduction.
National Anthem of Pakistan: PÄk SarzamÄ«n
Orchestre d'harmonie

$7.99 6.8 € Orchestre d'harmonie PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.588858 Composed by David McKeown. Concert,Latin,Standards,World. Score. 8 pages. David McKeown #5743975. Published by David McKeown (A0.588858). Merengue de Merlín is an exciting original composition by David McKeown, arranged as a duet for two Flutes.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de Merlín has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Merengue de Merlín, for Flute Duet
2 Flûtes traversières (duo)

$3.99 3.39 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Woodwind Ensemble - Digital Download SKU: A0.1013019 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5970335. Published by Na-Mara (A0.1013019). 'S Toigh Leam Fhìn Buntàta: this is a traditional Strathspey folk tune from Scotland, transcribed and arranged for two melody instruments, and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. In the key of D, 'S Toigh Leam Fhìn Buntàta can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from an album by the Scots-Gaelic singer Julie Fowlis, and the song she sings is all about liking butter and potatoes. Performance tips: this is beginner / intermediate level piece played Allegro or at a moderate fast speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Make sure the rhythm of the characteristic ‘Scotch snap’ is crisp and clean. The guitar accompaniment can be played with broken chords, or arpeggio style. This tune works well included as part of a ‘Ceilidh’ set.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences.  This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia:  mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/  
'S Toigh Leam Fhìn Buntàta - Arranged by Na-Mara

$1.99 1.69 € PDF SheetMusicPlus

B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Trombone,Tuba - Digital Download SKU: A0.830732 Composed by Juaquín Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3535385. Published by Richard Byrnes (A0.830732).   Juaquín Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence.   Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work.   This is an arrangement by Richard Byrnes for Piccolo, 2 Flutes, 3 Trumpets, 2 Horns, 2 Trombones, & 2 Tubas. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.   In addition to works by Turina, we offer works by J.S. Bach, Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Turina, & Vierne.  
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Brass Nonet + 2 Fl,Picc.)

$29.99 25.51 € PDF SheetMusicPlus






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