Piano - Digital Download SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. Published by THEMIS KOUTRAS (A0.1066576). The meaning of this song is that if we right something down like a message or film tape so on you can then hide it good well sometime in the future the item will still be there as long as it is not destroyed thus it will travel in the future the best way is on paper writings or stone tablets because in the future they may have or may not have the same technology as we do today for videos or tapes so on to see it or hear the message if someone in the future finds it off course it would have to be preserved from things like weather that can destroy it well the old saints preached the gospel everywhere but also wrote it down and hid it well well by miracle by praying GOD preserved it and now we got the holy bible this is proven that there was no way in the world that this holy bible could have survived preserved all these years unless GOD preserved it which he did this is the story of how the holy bible survived the time they found it they found it in different books lots of them in different places of the world this proves there must be a GOD out there who preserved it the HOLY BIBLE thus the song says s o s reaching the future thus it means as i said above

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200182 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #798984. Published by John Fries (A0.1200182). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This song was the fifth and final single from the album A Song for You by the Carpenters. It was originally only an album track; 2 years passed before it was released as a single. During 1973-74, the Carpenters found themselves with a busy touring schedule, which kept them from working on new material. As a result, they had no album issued for the year. They decided to choose this song for single release. It works well as a piano solo. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!

Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.915679 Composed by Traditional. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. Score and parts. 11 pages. Barber Music Company #3556955. Published by Barber Music Company (A0.915679).    I started this piece back in the 80's for flute with piano accompaniment. My youngest daughter recently asked me to write some more things she could play in church, and being too busy to do something from scratch, it occurred to me that this piece would work fine for violin. It is about six minutes long with some nice mood changes. It would make a fine prelude, offertory or special. It would also be a good concert or recital piece.    It is challenging -- not a good selection for anyone less than advanced intermediate. The piano accompaniment also has its challenges. However, people who have heard this piece have found it quite enjoyable and have said so.   I wish a had a recording of a live performance to share with you, but this Finale version is really not to bad, especially when you consider that I am not very good yet at using the human playback feature that Finale offers. Some people really no how to make it sound fantastic. Not me.   If you have any comments or questions about this piece, please contact me at aspiringtunerrjb@sbcglobal.net. I would be delighted to hear from you.

C Instrument - Level 4 - Digital Download SKU: A0.1149231 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 3 pages. John Fries #749368. Published by John Fries (A0.1149231). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This song was the fifth and final single from the album A Song for You by the Carpenters. It was originally only an album track; 2 years passed before it was released as a single. During 1973-74, the Carpenters found themselves with a busy touring schedule, which kept them from working on new material. As a result, they had no album issued for the year. They decided to choose this song for single release. It works well as a piano solo. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.

Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans:  This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon.  Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1227409 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwriter. Score. 3 pages. B. McCormick #823387. Published by B. McCormick (A0.1227409). Get ready to play and sing along to Eyes Closed by Ed Sheeran with our Piano Reduction sheet music! This arrangement features an easy-to-follow reduction of our vocal and piano accompaniment arrangement with slight alterations to help with playability. If you want to add an extra layer of richness to your performance, grab a friend to play the Guitar chords (which are helpfully located above the melody). This heartfelt and emotional ballad is sure to leave you feeling inspired and moved, so grab your sheet music and get ready to make some beautiful music. Notes On the Sheet Music Melody The melody alters slightly on repeating for subsequent verses etc. These are notated using smaller bracketed note heads and should only be played/sung on the appropriate repeats. The decision was made to not notate the final chorus as sung however when performed/sung the final chorus could be ad-libbed to emulate the original should the performer desire. Structure The sheet music follows the structure of the song as heard in the recording. If the repeats are not obvious each section (Verse/PreChorus/Chorus) is marked by boxed texts for ease of navigation. Length One of my main aims in arranging popular titles is to make the effort to try and minimise the amount of pages required. As a Musician I hate having pages and pages of music that could have been condensed using repeats and other structure markings. This arrangement fully utilises these and this is part of the reason why the decision was made note to notate the final chorus as sung in the recording. Alternatives I also have an Voice, Piano, and Guitar Arrangement, which has the melody on its own staff with the guitar chords above with a simple piano accompaniment under neath. For the guitar players out there I have also made this into a lead sheet with just the melody, lyrics and chords. For these arrangements and others that I have done you can click on my publisher link above, B.McCormick. That will take you to all of my arrangements on site. About Ed Sheeran Ed Sheeran is an award-winning singer-songwriter known for his soulful and introspective lyrics. Born in England in 1991, Sheeran began playing guitar at a young age and started writing his own songs by age 14. He rose to fame with his debut album + in 2011 and has since become one of the most successful and beloved musicians of our time. Sheeran's music is known for its honesty, vulnerability, and emotional depth, and Eyes Closed from his Subtract (-) album is no exception. Get our sheet music arrangement today and experience the magic of Ed Sheeran's music in your own home.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1217428 Composed by F. Key/J. Smith. Arranged by Bill ORANGE Lyons. A Cappella,Jazz,Patriotic,Traditional. Octavo. 4 pages. Bill ORANGE Lyons #813977. Published by Bill ORANGE Lyons (A0.1217428). This piece includes the Orangeman's CAD (Composer, Artist, Director) notes/suggestions. This may answer some of the questions you may have regarding the piece. Keep in mind these notes are merely suggestions. I found having talked to a music teacher or two, some appreciate the guidance these notes/suggestions provide. S-SB (III) sounds more difficult than it actually is. I wanted the piece to be interesting but not so far outside as to wake up Miles Davis. I think you will find the dissonance and syncopation interesting without upsetting. It is my favorite of the five arragements I have created. It does go to 3/4 for a couple of measures but that just wakes people up. If you have an excellent high school choir, you'll have no problem with this one. (If it's too difficult, may I suggest my arrangement, Star-Spangled Banner (I) available through UNCJazzPress.com).

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1028348 Composed by Cris Garcia. 20th Century,Contemporary. Score. 29 pages. Cris Garcia #3482125. Published by Cris Garcia (A0.1028348). This is the most beautiful Piece I have ever made. When I was working on a Garageband, I wanted to make an orchestration music piece. I do wanted to make it simple and Making it a lot of beautiful sounds. I like to add sound effects of this piece and making it sound like a realistic Area. For example at a rainforest, you are in the woods in the rainforest, Yes it is cloudy and rainy with thunder sounds, and no one is there to rescue you. you are alone and lost. So I was thinking of making this melody to make it sound beautiful. After I have finished making this song, It was for my assignment, The professor of my digital Audio Class enjoyed it and wanted me to keep it because of how beautiful it was. So I wanted to compose it and write the music down and I'll let the full orchestra to play this beautiful song. I know that it is kind of an unhappy piece. It is entirely in G Minor. However, the Music that I made in the DAW and the Scoring are not gonna have the same melody. It will be the same piece, but it will have a little bit of changes.   .

Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810). Artaria Editions AE198For flute, violin, cello, harpsichord, and basso (usually a second cello)The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court. This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer. As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

3, 4, 5 or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB904 Composed by John A. Behnke. General, Concerts, Schools. Score. 12 pages. Chorister's Guild - Digital #CGB904. Published by Chorister's Guild - Digital (C7.CGB904). UPC: 749193021880.Sandra Eithun and Michael W. Joy have created the Pathways to Musical Ringing collection in order to offer music that teaches a specific musical element (in this volume, Articulations), encourages success, and fosters growth in musicianship. These pieces have been carefully written and/or selected from folk, classical and sacred repertoire in order to spotlight particular techniques and articulations that are unique to handbells. In addition to being excellent teaching pieces, they are intended to be flexible for use in a variety of school, festival and sacred settings. With the inclusion of alternate titles, most have options for use in worship. As an additional benefit for beginning ensembles, all of the selections have no page turns, with the exception of Berceuse. The ten pieces in this collection range in difficulty from level 1 through 2. Contents: Agincourt Song (O Love, How Deep, How Broad, How High), Armenian Lullaby, Berceuse, Blow Ye Winds (Winds of Morning), The Blue Danube, Kum Ba Yah, Mist and Fog (Meditation), Mixolydian March (Festive Fanfare), Shimmering Reflections (Gentle Praise), The Trout.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Allan Badley.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve.   Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.

Piano Solo - Level 4 - Digital Download SKU: A0.1398326 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Film/TV,Jazz,Pop,Standards. Score. 7 pages. Martyn Johnson #981602. Published by Martyn Johnson (A0.1398326). This tune was written in 1933 by Jerome Kern with words by Otto Harbach for the musical 'Robera'. It has been recorded by so many great artists but perhaps most famously by 'The Platters'. I have arranged it for piano in the key of F which and then modulated into Ab second time round. It has further key changes within the tune during the bridge. I have reharmonised it significantly to give it a jazz feel. I have given it a semi-quaver/sixteenth note feel rather than a swing beat which I felt suited it as a ballad.Please note it is a piano solo and doesn't include the bass line that is on my YouTube recording. I write all my arrangements as piano solos first so it sounds perfect as such. I don't include pedal markings, fingerings or dynamics and prefer to leave this to the discretion of the individual pianist as you will get no two piano teachers to agree on these issues.It's a wonderful tune and I hope you have as much fun playing my arrangement as I had writing it.