Lever Harp - Level 2 - Digital Download SKU: A0.1518413 By Cat Stevens. By Cat Stevens. Arranged by Kim Kirkman. 20th Century,Pop,Singer/Songwriter. Score. 3 pages. Kim Kirkman #1092512. Published by Kim Kirkman (A0.1518413). Moonshadow arranged for lever harp in original key of D (no additional levers required).Follows the plan of the original song.There is a bridge that modulates a tone up in the original. I have left it in the start key so as to take away any lever changes.A beautiful tune. I have provided some left hand interest.Have fun.

Large Ensemble Alto Saxophone,Baritone Horn TC,Bassoon,Clarinet,Oboe,Trombone - Level 2 - Digital Download SKU: A0.1031572 Composed by Wolfgang Amadeus Mozart. Arranged by Bob Hayden-Gilbert. Classical. Score and parts. 23 pages. IBegin® Interactive Software #5037669. Published by iBegin® Interactive Software (A0.1031572). Children love this bright, jaunty ending to a Divertimento for 2 Oboes, 2 Horns in F and 2 Bassoons.  Clarinets, Alto saxes, Trumpets in Bb, Baritone T.C. and Trombone have been added to make it more accessible for groups not having the original instrumentation. No notes have been changed. American Band Grade 2/ABRSM Grade 3 standard. A4 Score and parts have been prepared to MOLA standards. Recommended paper is 100 gsm.

Easy Piano - Level 3 - Digital Download SKU: A0.843824 By Adele. By Adele Adkins and Paul Epworth. Arranged by Angela Marshall. Pop,R & B. Score. 3 pages. Avanell Publishing #3880287. Published by Avanell Publishing (A0.843824). Tired of searching for a pianistic arrangement of Skyfall? Look no further! This arrangement has been carefully adapted from the original recording to suit pianists who want music that stays true to Adele's version while also being fun to play. Listen to the recording to see how good you can sound with this intermediate level arrangement!A Note from the ArrangerAs a piano teacher, I love using music my students already know and love. It is my favorite way to keep them motivated and develop their skills. But it is difficult to find arrangements that are suitable for all levels! Much of the music is either too hard or doesn’t sound like the original tune. That’s why I started creating my own arrangements of popular favorites!Each of my arrangements has been meticulously created with beginning pianists in mind. I have transposed the melody to minimize accidentals and keep students in familiar hand positions. I have simplified rhythms where necessary while still maintaining the original feel of the piece.Most importantly, these arrangements have been used in the real world! Every piece I publish has been tested and approved by independent piano teachers, college professors, and music students of various ages and levels. I use their feedback to ensure each arrangement provides an enjoyable experience for pianists and their teachers. Now students can play their favorite music with confidence!Angela Marshall

Full Orchestra - Digital Download SKU: AX.00-PC-0015659_B1 Bassoon. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_B1). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).

Full Orchestra - Digital Download SKU: AX.00-PC-0015659_TN2 2nd Trombone. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_TN2). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).

Piano Solo - Level 2 - Digital Download SKU: A0.1518415 By Cat Stevens. By Cat Stevens. Arranged by Kim Kirkman. 20th Century,Pop,Singer/Songwriter. Score. 3 pages. Kim Kirkman #1092514. Published by Kim Kirkman (A0.1518415). Moonshadow arranged for piano in key of C (no black notes required).Follows the plan of the original song.There is a bridge that modulates a tone up in the original. I have left it in the start key so as to take away any lever changes.A beautiful tune. I have provided some left hand interest.Have fun.

Full Orchestra - Digital Download SKU: AX.00-PC-0015659_TB1 Tuba. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_TB1). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement  Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.834722 Composed by Albert Hague. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Film/TV,Holiday,Jazz,Pop. Score. 19 pages. Major Score Publishing #6599985. Published by Major Score Publishing (A0.834722). Vocalists, Music teachers & students, look no further! Have you been searching for a version of How the Grinch Stole Christmas by Dr Suess but need a different key signature than the original recording? Then you have made it to the right place! A perfect resource for Christmas recitals, concerts, auditions & small performances we have you and your audience covered with this highly enjoyable Vocal & Piano duet. Based off the original recording, this version has been transposed up to C Min more suited towards an alto/tenor voice. Be sure to listen to the 30 second preview to see if this is the correct vocal range for you! We offer many different vocal ranges all available here on SMP PRESS via our website! Enjoy!  

Easy Piano - Level 1 - Digital Download SKU: A0.1044307 Composed by Martin Woodward. Children,Instructional,Jazz,Pop,Traditional. Score. 142 pages. Martin Woodward #649059. Published by Martin Woodward (A0.1044307). Learn to Play Piano / Keyboard For Absolute Beginners A Self Tuition Book for Adults & Teenagers! SPECIAL EDITION You will not be disappointed with this superb self tuition book, which is probably the easiest and most user friendly book of its sort available! As the name suggests, this book has been written for the absolute beginner and assumes no prior musical knowledge - just the desire to do it! The contents are suitable for piano and / or electronic keyboard. Available as a (printable) eBook - instantly downloadable, or as a coil bound paperback (monochrome only) conveniently designed to lay flat on your music rack, or as a conventional book bound paperback as sold on Amazon etc. - Coil bound is best! Items covered include: Buying your first keyboard or piano; Reading music from scratch; Easy, effective finger exercises which require minimal reading ability; Important musical symbols; Your first tunes; Audio links for all tunes and exercises; Key signatures and transposition; Pre scale exercises; Major and minor scales in keyboard and notation view; Chord construction; Chord fingering; Chord charts in keyboard view; Arpeggios in keyboard and notation view; Arpeggio exercises; Playing from a Fake book with and without auto accompaniment; Plus more! Ok, but what is special about this ‘Special Edition’? Compared to Editions 1 and 2 (both of which are still available) this 'Special Edition' is both a lot more and a little less in the fact that I have only included the first three major and harmonic minor scales and arpeggios and removed the chord charts to make the paperback version more cost effective. BUT… to make this version much better I have included free links for the digital pdf versions of the items shown next: Hanon Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading; Scales & Arpeggios - every major / minor scale in every key, plus pentatonic / blues scales and modes in most used keys; Chords (complete) - just about every chord that you will ever need; Chords (short) - as above but only in keyboard view with diatonic chords; Easy Piano Music - for two hands; Easy Keyboard Music - for auto-accompaniment. Consequently, this edition offers far more ‘bang for buck’ and if you’re serious about learning you would eventually need to buy these other items anyway. After completing this book you should have a good basic understanding of music theory as well as a good basic playing technique, paving the way for more advanced study in your chosen field - jazz, blues, pop, classical etc. Check out the contents in the preview!

Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Flute Solo,Soprano Flute - Level 1 - Digital Download SKU: A0.1258530 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Traditional. Individual part. 1 pages. Glauco Fernandes #851786. Published by Glauco Fernandes (A0.1258530). 🎵 Exclusive Sheet Music! Easy Solo Flute Arrangement with Chord Symbols of Oh Susanna 🎵Are you ready to be enchanted by the captivating melody of Oh Susanna on the flute? We present to you the easy solo flute arrangement with chord symbols of this timeless song! With this unique sheet music in your hands, you can enjoy playing this classic piece on your flute while having the advantage of chord symbols to enhance your musical experience.The beauty of this arrangement lies in its simplicity, making it suitable for flutists of all levels. Whether you're a beginner or just looking to have some fun playing, this sheet music is perfect for you! The carefully selected notes and included chord symbols make it easy for you to master this captivating melody in no time.Imagine yourself playing Oh Susanna on the flute, captivating your audience with each sweet and vibrant note. Whether you're performing as a soloist, in an orchestra, or as part of a musical group, this sheet music will help you create memorable moments where music becomes the universal language that unites people.Additionally, by acquiring this sheet music, you'll have a valuable tool to enhance your musical learning. The chord symbols provide additional guidance, allowing you to better understand the harmony of the music and experiment with variations and improvisations in your interpretation.Don't miss the opportunity to add Oh Susanna to your flute repertoire. Feel the joy of playing this timeless melody, exploring the expressive capabilities of your instrument. Get the easy solo flute arrangement with chord symbols of Oh Susanna now and dive into this musical experience!Improve your flute skills, enchant your audience, and have fun playing this memorable melody. The music is waiting for you. Get your sheet music today and enjoy hours of musical pleasure! 🎶.

Full Orchestra - Digital Download SKU: AX.00-PC-0015659_T3 3rd B-flat Trumpet. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_T3). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).

Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 209. Ivan Howard #15Zj6pJDY5MZUCd9nAaZoD. Published by Ivan Howard (A0.484899). Key: C major.Description: All is in the name. This is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 90.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!

Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.