Piano - Digital Download SKU: A0.1066755 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 111. THEMIS KOUTRAS #5195391. Published by THEMIS KOUTRAS (A0.1066755). At the time I wrote this prophesy song I only knew that earth had rocket ships I had no idea of the space aircraft they have today until a long time after I wrote this prophecy song I do not know if they had them back then or not but I do know I did not know if they had them that is if they did have them back then as you see today its prophecy has come to pass as obvious as that they have had them for a while now

Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.   

Full Orchestra - Level 3 - Digital Download SKU: A0.1265447 Composed by Johann Strauss Sr. Arranged by Jasper Swank. Classical,Comedy,Jazz,March,Standards. Score and Parts. 77 pages. Jasper Swank #858266. Published by Jasper Swank (A0.1265447). This arrangement brings the jazz swing in the traditional well-known Radetzky March.Musicians who have played the original will have no trouble playing this arrangement. It’s pretty faithful to the original (well, one of the many ‘originals’) by Johann Strauss Sr.. But this twist will make it fun for the people who have played the straight version too damn many times by now. And the audience might be in for a pleasant surprise as well.Original title: Radetzky MarchOriginal composer: Johann Strauss I (Sr.).

Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.

Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.

Piano Solo - Level 5 - Digital Download SKU: A0.847962 By Simon And Garfunkel. By Traditional English Ballad. Arranged by Timothy Stapay. Baroque,Contest,Festival,Film/TV,Folk,Traditional. Score. 6 pages. Timothy Stapay #454662. Published by Timothy Stapay (A0.847962). Scarborough Fair is a traditional English ballad. A famous version was recorded by Simon and Garfunkel. The lyrics of Scarborough Fair appear to have something in common with a Scottish ballad titled The Elfin Knight (Child Ballad #2, collected by Francis James Child, which has been traced as far back as 1670. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task (For thou must shape a sark to me / Without any cut or heme, quoth he); she responds with a list of tasks that he must first perform (I have an aiker of good ley-land / Which lyeth low by yon sea-strand). Dozens of versions existed by the end of the 18th century. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, twixt Berwik and Lyne, etc. Many versions do not mention a place name and are often generically titled (The Lovers' Tasks, My Father Gave Me an Acre of Land. The references to the traditional English fair, Scarborough Fair and the refrain parsley, sage, rosemary, and thyme date to 19th-century versions, and the refrain may have been borrowed from the ballad Riddles Wisely Expounded, which has a similar plot. O, where are you going? To Scarborough fair, Savoury sage, rosemary, and thyme; Remember me to a lass who lives there, For once she was a true love of mine. And tell her to make me a cambric shirt, Savoury sage, rosemary, and thyme, Without any seam or needlework, And then she shall be a true love of mine. And tell her to wash it in yonder dry well, Savoury sage, rosemary, and thyme, Where no water sprung, nor a drop of rain fell, And then she shall be a true love of mine..

Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.792342 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 89 pages. Gordon Cherry #4806551. Published by Gordon Cherry (A0.792342). • The Rochut/Bordogni Etudes for Trombone or Euphonium have enjoyed immense popularity over the years.   • If you play the Trombone, Euphonium, or any brass instrument for that matter, you have most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room.   • David Ritt composed his 60 Melodious Accompaniments to compliment Rochut's edition of Book 1 (original) as duets.  • Performed as duets they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing on the Trombone or Euphonium as well as intonation, rhythm and style. • Book 1 includes Etudes 1-60, the entire collection of the accompaniments to vocalises from Volume 1 of the Rochut etudes and are contained in a handsome spiral-bound book of over 80 pages using 9 x 12 full-sized Concert Style paper.   • Beautifully engraved in bass clef, these accompaniments are perfectly suited for intermediate to moderately advanced performers. • The original Rochut Etudes are NOT included in this collection, just these accompaniments. • The sound clip provided is of etude No. 20 performed by David Ritt (taken from his audio CD of Nos. 1-20 which are minutely different in composition from this collection, but close enough to hear the beauty of the accompaniments).

Violin Solo - Level 1 - Digital Download SKU: A0.1258157 Composed by Stephen Foster. Arranged by Glauco Fernandes. Children,Instructional,Traditional. 1 pages. Glauco Fernandes #851401. Published by Glauco Fernandes (A0.1258157). 🎵 Exclusive Sheet Music! Easy Violin Arrangement with Chord Symbols of Oh Susanna 🎵Are you ready to immerse yourself in the enchanting melody of Oh Susanna on the violin? We are thrilled to present to you the easy violin arrangement with chord symbols of this timeless tune! With this unique sheet music in your hands, you'll not only enjoy playing the melody but also have the advantage of chord symbols to enhance your musical experience.The inclusion of chord symbols adds a new dimension to your violin playing. It allows you to understand and incorporate the underlying harmonies, giving your performance a richer and more expressive sound. Whether you're a beginner or an experienced player, these chord symbols provide valuable guidance and inspire creativity.Picture yourself playing Oh Susanna on the violin, exploring different chord progressions and adding your personal touch to the music. The combination of melodic lines and chordal accompaniment will captivate your audience and create a mesmerizing musical experience.Additionally, when you purchase this sheet music, you'll gain instant access to the digital PDF file. No more waiting for shipping or delivery – simply download, print, and start playing! This convenience allows you to dive into the world of Oh Susanna with chord symbols at your fingertips.By acquiring this exclusive sheet music, you'll be investing in a meticulously crafted arrangement by music experts who have carefully chosen the chords to complement the melody. This sheet music is compatible with online sheet music platforms, making it easily accessible for musicians around the world.Don't miss the opportunity to elevate your violin playing with the inclusion of chord symbols. Experience the joy of playing Oh Susanna with a deeper understanding of its harmonic structure. Get the easy violin arrangement with chord symbols of Oh Susanna now and embark on a musical journey enriched by chords!Enhance your violin skills, mesmerize your audience, and have fun exploring new musical possibilities. The music is waiting for you. Get your sheet music today and enjoy hours of musical pleasure!

Harp - Level 1 - Digital Download SKU: A0.963932 Composed by Reba Lunsford. Children,Concert,Instructional,Standards. Score. 24 pages. Reba Lunsford #4844781. Published by Reba Lunsford (A0.963932). All kids love dragons and dinosaurs. And we love the concept of this book! Reba Lunsford's very easy pieces for beginning harp players are printed on the left-hand pages, and a more advanced accompaniment is printed on the right-hand page. This allows the teacher to play a nice accompaniment along with the beginning student during their lesson. The accompaniments can also be played as a duet with another harp or piano by the student's sibling, parent, or friend.This book will have the kids wanting to practice! Subtitled Fun Songs for Beginners and Friends, it is an excellent supplement for any teacher of young students. The songs are very short, usually 2 or 3 lines, and have fun lyrics about dragons or dinosaurs. The first 7 songs have fingerings and placing brackets. Each tune has a musical concept the teacher can briefly touch on to reinforce theory, such as eighth notes, placing, measures, time signatures, intervals, accents, arpeggios, glisses, tempo, thumb slides, scales, pickup measure, accidentals, ties, and more. All of the pieces are in the key of C. One piece has a pre-set G#, and another has 2 pre-set flats, but there are no sharping lever changes in the music.Contains: Glowing Orbs in Darkness, Baby Brontosaur Blues, T-Rex, Whispering Wings, Triceratops Waltz, Happy Chinese New Year, Hiding, Hannah's Dragon, The Lost World, Come Out and Play, Dragon Treasure .

Small Ensemble Cello,Ukulele,Viola,Violin - Level 3 - Digital Download SKU: A0.1079697 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Luis Turina and Noname Musica. Folk,Multicultural,Wedding,World. Score and parts. 10 pages. Nonamé Música #683883. Published by Nonamé Música (A0.1079697). (Spanish below) Another of our arrangements prepared to be played changing a violin or the viola by an ukulele. You have a low pizz. part very simple, only 3 notes, to make the bass, an ukelele part (can be easily but not artistically correct with a violin), the cello part is the voice of Izrael Kamakawiwo'ole (pay attention to the glissandos) and a whole new accompaniment part for the other violin, composed by our arranger Luis Turina. Hope you enjoy it. Here you have score and parts. In case you are going to substitute the viola for an ukulele, you have an alternative part in treble cleff for the violin. Otro de nuestros arreglos preparados para ser tocados cambiando un violín o la viola por un ukelele. Tienes una parte de pizz. grave muy simple, sólo 3 notas, para hacer el bajo, una parte de ukelele (puede ser tocada fácilmente, aunque no de una forma artísticamente correcta, con un violín), la parte de violonchelo es la voz de Izrael Kamakawiwo'ole (presta atención a los glissandos!) y toda una nueva parte de acompañamiento para el otro violín, compuesta por nuestro arreglista Luis Turina. Espero que lo disfrutes. Aquí tienes la partitura y las partes. En caso de que vayas a sustituir la viola por un ukelele, tienes una parte alternativa en clave de sol para el violín.

Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.

Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.834719 Composed by Albert Hague. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Film/TV,Holiday,Jazz,Pop. Score. 19 pages. Major Score Publishing #6599973. Published by Major Score Publishing (A0.834719). Vocalists, Music teachers & students, look no further! Have you been searching for a version of How the Grinch Stole Christmas by Dr Suess but need a different key signature than the original recording? Then you have made it to the right place! A perfect resource for Christmas recitals, concerts, auditions & small performances we have you and your audience covered with this highly enjoyable Vocal & Piano duet. Based off the original recording, this version is offered in the ORIGINAL KEY OF G MIN more suited towards a Baritone voice. Be sure to listen to the 30 second preview to see if this is the correct vocal range for you! We offer many different vocal ranges all available here on SMP PRESS via our website! Enjoy!