Flute,Piano - Level 3 - Digital Download SKU: A0.791182 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Kevin P Holdgate. Pop. Score and part. 7 pages. Kevin P Holdgate #5349669. Published by Kevin P Holdgate (A0.791182). KPHMS Solo CollectionLady Gaga - for Brass?!! Really??This is a great song and works really well as an instrumental solo for brass instruments. It comes from the 2018 remake of the film 'A Star is Born' and is sung originally by Lady Gaga.I was asked to do an arrangement of the song for a young lady to sing with Boobs & Brass. I was struck by the quality of the words and the music and immediately thought of it as a great addition to the solo repertoire.In terms of standard, I would judge this to be around Grades 5 to 6 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811822 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Graduation,Holiday,Wedding. Score and parts. 100 pages. Piper Publications #6657067. Published by Piper Publications (A0.811822). The Divertimento, originally for an orchestra (flute, oboe, bassoon, 4 horns and strings) was completed in June 1772 in Salzburg.  It was probably written for an outdoor performance and Mozart certainly made full use of the opportunity to display his remarkable talents both to his prospective patrons and his talented fellow musicians who would have performed this extensive six movement piece.There are six movements, Allegro, a substantial sonata form piece; Adagio, a  sophisticated piece written for strings only; a gem of a Menuetto with three trios; Allegretto; a Menuetto with 2 trios and a final Adagio - Allegro molto - Allegro assai forms the grand finale. The scale and sophistication of this piece is far beyond that of the early symphonies which Mozart composed around the same time.The arrangement is suitable for advanced and advanced intermediate players.In editing and arranging the Divertimento for flute, oboe, clarinet, bassoon and horn it has been necessary to add phrase marks (shown in dashed lines) and extra staccato dots - not indicated. The lack of dynamic markings especially in the latter movements has been remedied in parentheses ( ). Some octave transpositions both up and down have been necessary and the glory of the four horn sections of the original have been re-scored as sympathetically as I am able.I do hope that quintet players will enjoy this arrangement of a very remarkable piece.

Flute Solo - Level 1 - Digital Download SKU: A0.1201337 By Fabio Eduardo de Oliveira. By P. I. Tchaikovsky. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Standards,Wedding. Individual part. 2 pages. Fabio Eduardo #799991. Published by Fabio Eduardo (A0.1201337). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadSwan Lake, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time.

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1401296 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Diego Marani #984483. Published by Diego Marani (A0.1401296). Swan Lake, Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time.The marvelous main theme, arranged for flute and piano is suitable for any occasion: repertoire, classroom, recital or for an impressive and touching encore.

Composed by William E. Dulmage. Military parades & ceremonies, War veterans--Civil War, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23969). - - - Johns Hopkins University Sheridan Libraries

Flute Solo - Level 4 - Digital Download SKU: A0.934488 Composed by Jason A. Taurins. 20th Century,Concert,Contemporary. Individual part. 3 pages. Jason Allan Taurins #3382785. Published by Jason Allan Taurins (A0.934488). Marsyas was a satyr from Greek mythology, and a virtuoso at the flute. Overcome by his pride, he challenged the god Apollo to a playing contest, to be judged by the Muses. Marsyas lost, and punished for his hubris. This composition is a musical depiction of this story, and based on a trumpet solo I wrote depicting the god Triton. It is like a short symphony in six musical episodes, and is accessible to college and professional flute players.

Piano Solo - Level 4 - Digital Download SKU: A0.879513 Composed by Jean-Paul-Égide Martini, Jean-Pierre Claris de Florian. Arranged by Dennis Frayne. Holiday,Love,Standards,Wedding,World. Score. 6 pages. Presto! It's Music Magic Publishing #6696167. Published by Presto! It's Music Magic Publishing (A0.879513). Plaisir d'amour, which means Pleasure of Love in French, is a classical/romantic love song written in 1784 by Jean-Paul-Égide Martini (1741–1816). The lyrics come from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. This famous and beloved song has inspired many arrangements, transcriptions, and re-inventions, including Elvis Presley’s hit ballad, I Can't' Help Falling in Love with You.This arrangement for late intermediate to early advanced piano remains true to the original vocal and piano accompaniment composition and offers the early advanced pianist challenging voicing opportunities, grace notes, and trills.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.746219 By Judy Garland. By Harold Arlen. Arranged by Michael Pilley. Film/TV. Score. 7 pages. Michael Pilley Music #4796637. Published by Michael Pilley Music (A0.746219). One of the most iconic movie songs of all time, Over The Rainbow is a must have arrangement if you are a vocalist. The tough part of arranging this number was that there are so many good arrangements out there already! Instead of reinventing the wheel, I decided to do a little mashup and bring together so many different aspects of all the great recordings of this timeless tune. So keep an ear out for Judy Garland, Frank Sinatra and your favourite version, they're all in here in some shape or form. Special thanks to The Idea of North, as their intro is my favourite and I just had to borrow it!Originally written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an intermediate level due to some extreme chromaticism and melodic lines that require a skillful accompanist, although the vocal part is simple to allow for any ad libs and should be comfortable for all voice types.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.

Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer

Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.