Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.991617 Composed by Antonis Koundourakis. Baroque,Contemporary,Instructional,Renaissance,Standards. 10 pages. ANTONIOS KOUNDOURAKIS #3459933. Published by ANTONIOS KOUNDOURAKIS (A0.991617). This piece was  written by Antonis to explore the timbre of the Flute and to utilise the relatively high register of the flute for harmony and counterpoint. There are many compositional techniques epmloyed such as immitation, use of the modes and chromatic alteration, but the overall style of the piece is that of a choral, intended to be close to the serene style of Palestrina, or Josquin Des Prez. This piece is to be played as if singing and the coordination of the 3 performers will be one of the challenges but also an interesting part of playing this piece. It could be played by a tutor and 2 pupils alternating the parts for extra practice benefits. If the students are experienced solo performers it could be also perfrormed prima vista to practice counting the pauses and re-entrances of the voices while the other players continue to play.   If you play this piece don't hesitate to contact me for feedback on the score legibility and playability of the piece and to let me know how you enjoyed the music! My e-mail: midnightnotesband@gmail.com .

String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1332095 Composed by James Pierpont. Arranged by Gispert. Christmas,Holiday,Traditional. 8 pages. Clara lamonaca #918872. Published by clara lamonaca (A0.1332095). Introducing a joyful musical arrangement that will have everyone singing and ringing in the holiday cheer—Jingle Bells like you've never heard it before! This specially crafted arrangement is tailor-made for beginners, ensuring that even those taking their first steps in music can join in the festive fun.With easy-to-follow notation and a simplified yet vibrant arrangement, this rendition of Jingle Bells is perfect for young musicians, music students, or anyone looking to add a sprinkle of holiday magic to their repertoire. The familiar melody of this classic tune is brought to life with a playful ensemble of instruments, making it a delightful experience for both performers and listeners alike.Whether you're a music teacher searching for a crowd-pleaser for your beginner ensemble or an aspiring musician eager to share the holiday spirit, this arrangement of Jingle Bells is the perfect choice. Capture the essence of the season, spread smiles, and create lasting memories with this beginner-level musical gem.Don't miss the chance to make your holiday celebrations even brighter. Get ready to jingle all the way with this festive and accessible arrangement of Jingle Bells!

Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,Horn,Medium-High Voice,Oboe,Organ,Piano and Keyboard,Piccolo,Rhythm Instrument,Synthesizer,Tuba - Digital Download SKU: A0.1143215 By Parry Gripp. By Amphibia Cultural Legacy and Parry P. Gripp. Broadway,Comedy,Disco,Musical/Show,Pop,Rock. 3 pages. Amphibia Cultural Legacy #741724. Published by Amphibia Cultural Legacy (A0.1143215). The internet is a beautiful place; every once in a while, it gifts us with something truly special. This time, we’ve been blessed with the epic remix of Parry Gripp’s I Love My Kitty Cat cover by Amphibia Cultural Legacy. The remix takes the catchy tune to another level, turning it into an upbeat and groovy orchestral piece that will have you rocking out on the dance floor.This remix will get your body moving with its driving percussion, funky bassline, and soaring strings section. Whether you’re a disco or rock n’ roll fan, there’s something for everyone here. The energy is infectious, and you’ll find yourself singing along to the lyrics in no time.But what sets this remix apart is its masterful use of orchestration.

String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.526387 By Glee Cast. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 25 pages. Sarah Cellobat Chaffee #6623631. Published by Sarah Cellobat Chaffee (A0.526387). Don't Stop Believin' is truly a song that needs no introduction! Widely recognized as one of the best rock anthems of all time, this song became everyone's favorite upon its release in 1983, when its instantly recognizable synth intro and catchy sing-along choruses helped it hit the top 10 on the Billboard charts. It soon went on to become the best-selling digital track of the 20th century and was named one of Rolling Stone's Greatest Songs Of All Time -- so you really can't go wrong having this one in your gig books! This Cellobat arrangement for your string quartet was originally written for a wedding reception, and with its powerful driving beat, catchy hooks, and soaring melodies, you're sure to get everyone singing along! I have played this song hundreds of times in my career, so I wanted to make my arrangement different -- I got tired of all the extensions and intonation issues in the song's original key of EM, so this version is actually transposed down to CM. My friends have loved playing this chart and prefer it over the usual ones, so I hope you do too! :) Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

Violin Solo - Level 3 - Digital Download SKU: A0.546857 Composed by Luiz Gonzaga and Ze Dantas. Arranged by Leo Silva. Latin,Traditional. 2 pages. MP Sheet Music #156794. Published by MP Sheet Music (A0.546857). “O xote das Meninas� is a xote by Luiz Gonzaga and Zé Dantas, originally recorded on February 5, 1953, becoming one of the most popular pieces in their repertoire. Gonzaga re-recorded it six years later, for his LP “Meus Sucessos com Zé Dantas� and an instrumental version, in 1972, for the LP “São-João Quente�. According to Zé Dantas: His verses begin by singing the mandacaru, a cactus that does not depend on the rain to bloom, a phenomenon that, when it happens in the dry season, makes the caboclo believe that the thunderstorm is approaching. This superstition led us to establish a simile between the mandacaru flower, a prodromal sign of the rain that arrives giving the earth fecundity, and the girl who, getting sick of the doll, becomes a woman.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1085394 By The Church. By Karin Jansson and Steve Kilbey. Arranged by Vicky Jacobs. Pop,Rock. Octavo. 15 pages. Victoria Jacobs #689544. Published by Victoria Jacobs (A0.1085394). This is a haunting SAB arrangement of an Aussie classic. The use of dynamics will make it a useful piece of repertoire for an intermediate level choir and they'll love singing it while they're developing these skills!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places.   The first piece to be written now forms the middle movement, though at first it was the starting point.   This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone.   This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement.   At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune.   The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others).   So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan.   Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates).   The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least.   The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance.   This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending.   This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.

C Instrument - Level 2 - Digital Download SKU: A0.1421804 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by B. McCormick. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. B. McCormick #1003150. Published by B. McCormick (A0.1421804). Discover the timeless hymn “In Christ Alone� like never before with our meticulously crafted Lead Sheet. This concise and comprehensive musical arrangement combines the melody line with harmonizing chords, making it a versatile resource for musicians, worship leaders, and music enthusiasts. About the Songwriters Keith Getty and Stuart Townend, the brilliant minds behind “In Christ Alone,� have left an indelible mark on contemporary Christian music. Their collaboration birthed this powerful anthem that resonates with believers worldwide. As you explore this Lead Sheet, you’ll connect with the heart and inspiration of these gifted composers. About the Song “In Christ Alone� stands as a testament to unwavering faith and the unshakable foundation found in Jesus Christ. Written in 2001, this hymn has become a staple in congregational worship, capturing the essence of salvation, hope, and redemption. Its poetic lyrics and memorable melody evoke deep reflection and praise.Significant Statistics:First Released: 2001Key: D MajorTime Signature: 3/4Tempo: Moderate About the Sheet Music Our Lead Sheet for “In Christ Alone� is a marvel of efficiency. Condensing the entire song onto a single page, it provides both the melody and essential chord symbols. Whether you’re accompanying a vocalist, leading a small ensemble, or playing solo, this sheet music ensures clarity and accessibility. The chord diagrams empower guitarists to strum confidently, harmonizing with the lyrics. Suggestions for Use: Worship Services: Enhance congregational singing during worship services, emphasizing the song’s profound message. Small Groups: Use it as a teaching tool for Bible studies or small group gatherings. Personal Devotion: Play it during quiet moments of reflection or prayer. About the Arranger: Barry McCormick Barry McCormick, a seasoned musician and arranger, brings a wealth of expertise to this Lead Sheet arrangement of “In Christ Alone.� Here’s a closer look at his qualifications and experience. With a Master of Arts (MA) in Music and Theology (with Honors) from the prestigious University of Glasgow: Barry’s academic journey seamlessly blended music and theology, enriching his understanding of the spiritual and artistic dimensions of music. Prior to this he studied and earned a Diploma from the Royal Conservatoire of Scotland: His formal training at this esteemed institution honed his technical skills, deepening his appreciation for musical nuances.Teaching and Performance:Resourceful Arrangements: Barry’s commitment to crafting accessible and meaningful music shines through in his arrangements. His Lead Sheet for “In Christ Alone� exemplifies clarity, precision, and musicality.Connect with Barry:Follow Barry on social media:@resourcefularrangementsExplore more of his musical endeavors, stay updated on new releases, and engage in conversations about music. Make sure to tag in your perfomances using our sheet music!

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1471956 Composed by Jim Shubert. Arranged by Jim Shubert. Christian,Praise & Worship,Religious,Sacred. 3 pages. James W. Shubert #1049589. Published by James W. Shubert (A0.1471956). 2 part choral arrangement with piano accompaniment (Treble/Bass Clef Voices).  Easy Intermediate Level.  A bluesy take on Mark 7: 1-8, 21-23.  Arranged with a range challenged, Senior Choir in mind.  Your choir will enjoy singing a piece that will be somewhat different from what they're used to.

Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1319119 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Sarah Cellobat Chaffee. Pop,Standards,Wedding. 8 pages. Sarah Cellobat Chaffee #907752. Published by Sarah Cellobat Chaffee (A0.1319119). *INSTRUMENTATION: VIOLIN & VIOLA DUET*Released in 1967 as a single by Louis Armstrong, What A Wonderful World is one of the most beloved ballads of all time, and is sure to pull at the heartstrings of your audience! This Cellobat arrangement for violin and viola duet will be great for weddings, receptions, cocktail parties, solo & ensemble contests, and any other event that needs a beautiful and heartfelt tune. You're sure to get your audience singing along! This is an intermediate-level arrangement; it will be playable for students and easily sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Alto Saxophone Solo - Digital Download SKU: A0.508780 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508780). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over).

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards. 16 pages. Sarah Cellobat Chaffee #845029. Published by Sarah Cellobat Chaffee (A0.1250755). New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.526343 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Sarah Cellobat Chaffee. Pop,Standards,Wedding. 7 pages. Sarah Cellobat Chaffee #6508173. Published by Sarah Cellobat Chaffee (A0.526343). Released in 1967 as a single by Louis Armstrong, What A Wonderful World is one of the most beloved ballads of all time, and is sure to pull at the heartstrings of your audience! This arrangement for violin and cello duet will be great for weddings, receptions, cocktail parties, solo & ensemble contests, and any other event that needs a beautiful and heartfelt tune. You're sure to get your audience singing along! This is an intermediate-level arrangement; it will be playable for students and easily sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â?� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?�It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..