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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008091 Composed by Connie Pwll Walck Tyler. Contemporary,Spiritual. Octavo. 12 pages. Connie Tyler #4833171. Published by Connie Tyler (A0.1008091). The Tree Song is one of many songs from the novel The Earth Woman Tree Woman Quartet.  This piece for two cellos, a viola and a double bass, with SATB choir evokes the deep voice of the tree.  The choral part is not difficult, but the strings are challenging.  The string parts can be played on a synthesizer.  Contact Connie at connie@deephum for help with this. The song is short, two and half minutes and might be performed with some of the other songs from the book.  Some of the songs can be found on the website www.earthwomantreewoman.com.    The words are: Waves of things of forms I am exist in dreams within me,flow through the sap of trees to come and leaves to come,falling, decaying, the soil I am, a nutrient for things living,eating the earth, water and sun, fruit I become,feeding the unrooted beings ever I'm giving.And then I am free.I stretch my wings and fling myself into the air.I sing, I call. My joy is beyond any earthly care.The snap of the jaws of the four-legged one is only a moment of painfor I am living again with a diff'rent name.And when this life's done the worms I become and pass to the earth to gain my rebirth.  See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.
The Tree Song
Chorale SATB

$5.00 4.28 € Chorale SATB PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1450375 By George Ezra. By George Barnett, Joel Pott, and Stuart Price. Arranged by Max Stannard. Disco,Funk,Pop. Brass Band. 29 pages. Max Stannard Music #1030106. Published by Max Stannard Music (A0.1450375). Green Green Grass is a song by British singer-songwriter George Ezra. It was released on 22 April 2022, as the second single from Ezra's third studio album Gold Rush Kid. The song reached number three on the UK Singles Chart, becoming Ezra's seventh top ten song there and was nominated for the Brit Award for Song Of The Year at the 2023 Brit Awards. The song was inspired by a 2018 Christmas holiday trip to St. Lucia by Ezra and his friends.[2] About the lyrical background of the song, Ezra explained, there was a street party going on, with three different sound systems, people cooking in the street. I asked a woman what was going on and she told me it was a funeral – for three people. They were celebrating three lives! I thought: that is not how we do this at home. And it's really beautiful.
Green Green Grass
George Ezra
$24.99 21.37 € PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1101456 Composed by Jon Raybould. Classical. Score. 12 pages. Jon Raybould Music #704838. Published by Jon Raybould Music (A0.1101456). It's summer! Time to get out on the open road in your classic Cadillac convertible, head for the hills and feel the breeze in your hair ... ! This is my brand new flute piece Freeway Freedom for 2 flutes and piano (or backing track). The backing track has a hint of 60's pop - and in creating it I tried to give the piece a carefree, feelgood style. It would also work as a piece for flute solo. I've also included a backing track minus flute 1 only. Enjoy! FREE Performance and backing tracks are available here: https://drive.google.com/drive/folders/1nIPYffYOz3ER0eSmcGPsImjRFvNVF2WO?usp=sharing.
Freeway Freedom!
2 Flûtes traversières (duo)

$6.00 5.13 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - Digital Download SKU: A0.918692 Composed by Jenni Brandon. Contemporary. Score and parts. 185 pages. Jenni Brandon Music #6451541. Published by Jenni Brandon Music (A0.918692). The first concerto of its kind, CANE: Bassoon Concerto with Reed Quintet (Oboe, B-Flat Clarinet, Saxophone, Bass Clarinet, Bassoon) by Jenni Brandon tells a dramatic story of one bassoon reed’s journey from its origins as raw, organic cane, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm, lyrical lines, extended techniques, Afro-Cuban style music, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music, we come together to create performance. Ever changing and ever evolving, every reed and every performance is unique, and Cane promises to tell this story in a powerful and exciting new way.  Co-Commissioned by the Akropolis Reed Quintet and Dr. Christin Schillinger.There are several sections in this through-composed work, taking us on a journey that is the life of a bassoon reed: I. Split: short and percussive, like splitting cane II. Gouge: Rhythmic, steady and driving. Removing and leaving… III. Shape IV. Profile: Mechanical, with a little bit of mischief V. Form: The cane becomes a reed (Internal/external sounds of transition) VI. Scrape: In the style of Afro-Cuban music VII. Playing the reed: Swing, sassy; thoughtful, reflective; with reverence; the reed plays…Duration approximately 24 minutes
CANE: Bassoon Concerto with Reed Quintet

$80.00 68.41 € PDF SheetMusicPlus

Marimba Solo - Level 5 - Digital Download SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 72 pages. Good umbrella inc #989346. Published by good umbrella inc (A0.1406581). It is said that when an earthquake occurs, trees grow well.Though there is no evidence, the vibration of the earthquake seems to stir and condition the soil.Even through unprecedented disasters when the earth is cracked and the city is burnt, and even when people suffer from helplessness and anger, the trees (including apricot and blackberry branches) grow unaffectedly.Inger Christensen, the author of the poetry collection 'Alphabet', through her perceptive and lyrical senses, expressed that human beings are not managers of nature.On a lonely night, all we hear is the sound of crawling roots underneath the earth and rhythmic breathing of branches and leaves.....Not a few people consider classical music as something you listen to quietly while frowning. Tapping your feet to the rhythm is simply not acceptable. But I’ve always thought that classical music could be danceable - something that DJs can play at a club and you can move your body to.≪Tree dance≫, as the title suggests, is a musical piece featuring marimba and piano expressing the way trees dance in the wind. The music is almost like the classical version of craftwork, combining four-on-the-floor beats of techno music with the sharp sounds of modern music and organic poetry.I hope that the colorful musical notes on the score will be given life to and grow in this concert hall, creating a feast of dancing trees. I would be overwhelmed with joy to see the audience move their bodies or tap their feet to the rhythm of music. Marei Suyama
Tree Dance
Marimba
Marei Suyama
$38.00 32.49 € Marimba PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
I Don’t Want to Play in Your Yard: Trumpet Feature
Quatuor de Cuivres

$7.95 6.8 € Quatuor de Cuivres PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace.  It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940.  It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
The Last Time I Saw Paris
Piano seul
101 String Orchestra
$8.99 7.69 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.933689 Composed by Leandro Bizama. Concert,Contemporary,Instructional. Score. 8 pages. Leandro Bizama Music #1909747. Published by Leandro Bizama Music (A0.933689). The Flight of Freedom is an original piano work suitable for students in school or performers in church settings. A simple melody is given three statements, starting with a calm mood and ending with a moving rendition of the melody. Each statement is in a different key giving the piece a feeling of rising flight. It would add a pleasing sense of emotional content to any concert, program, or service. Meaning of The Flight of Freedom: What is freedom? How is it defined? And what does it feel like? When composing this piece, I imagined freedom as a bird rising above the World unencumbered. As we rise with it, we experience the sheer joy of being free. I hope each performer and listener can experience true freedom in the deepest sense of the word, politically, emotionally, and spiritually. Interested in more? check out my website: www.leandrobizama.com.
The Flight of Freedom
Piano seul

$4.99 4.27 € Piano seul PDF SheetMusicPlus

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.874435 Composed by Jeff Moss. Arranged by Gavin Koh. Contemporary. Score and parts. 8 pages. Gavin Koh #4303221. Published by Gavin Koh (A0.874435). Here is my transcription/arrangement of Sesame Street's evergreen I Don't Want To Live On The Moon, as sung by Ernie back in 1978. This version is for piano and flute and includes score and solo parts. As a bonus, guitar chords have also been added to the piano part. Originally composed by Jeff Moss.The original Sesame Street video for I Don't Want To Live on The Moon is at https://www.youtube.com/watch?v=kIq8jLj5TzUListen to the composer's other works at https://soundcloud.com/gavinkohFollow the composer at https://www.facebook.com/gavinkoh1970
I Don't Want To Live On The Moon

$5.95 5.09 € PDF SheetMusicPlus






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