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Organ - Digital Download

SKU: A0.828708

Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708).

Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in Čelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St Martín. According to Dlabacž, he studied organ under Bohuslav Matěj Černohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St Martín, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).

Jan Zach - Fugue in C Minor
Orgue
early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz He visited Italy in 1746 and, briefly, Bohemia in 1747
$4.99 4.74 € Orgue PDF SheetMusicPlus

Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download

SKU: A0.594111

Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549707. Published by David McKeown (A0.594111).

Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.

The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritage

With a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.

Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.

Silent Night, Gospel Style, for Oboe and Cor Anglais (or English Horn) Duet

$3.99 3.79 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download

SKU: A0.552333

Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 31 pages. Jmsgu3 #6327363. Published by jmsgu3 (A0.552333).

I. Largo II. Allegro III. Affettuoso IV. Vivace

Georg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.

Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.

Telemann: Sonata Op. 2 No. 2 for Violin Duo
2 Violons (duo)

$24.95 23.71 € 2 Violons (duo) PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0016784_C2

2nd B-flat Clarinet. Composed by Ron Grainer. Arranged by Douglas E. Wagner. TV. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016784_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016784_C2).

UPC: 038081500867.

Beginning with the first episode aired by the BBC in November of 1963, Whovians have been riveted to the adventures of The Doctor and, The Doctor always (or nearly always) triumphs. The instantly recognizable opening theme was a bit ahead of its time however, Ron Grainer's original music and initial concept in 12/8 has remained virtually unchanged through the decades. A musical adventure for generations! (2:15).

Doctor Who: 2nd B-flat Clarinet
Orchestre d'harmonie

$3.00 2.85 € Orchestre d'harmonie PDF SheetMusicPlus

Cello Solo - Level 3 - Digital Download

SKU: A0.549917

Composed by James M. Guthrie. Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3914671. Published by jmsgu3 (A0.549917).

A set of variations for solo cello based upon the madrigal Amarilli mia bella from La Nuove Musiche, 1602, by Giulio Caccini.
Amarilli, mia bella is a well-known solo madrigal composed by Giulio Caccini. Included in his collection Le nuove musiche from 1602, It is considered one of the most popular solo madrigals of the 17th century and has remained a prominent piece in vocal pedagogy. Alessandro Guarini wrote the text of the madrigal. The song is distinguished by its leggiadria and dolcezza, and it was one of the first of Caccini's songs to be widely disseminated through Italy and Europe. Amarilli, mia bella is the oldest song in the 24 Italian Songs and Arias. Various composers have reworked it, and it has appeared in vocal anthologies up to the present day.

Le nuove musiche is a significant collection of monodies and songs for solo voice and basso continuo by the composer Giulio Caccini, published in Florence in July 1602. It is one of the earliest and most significant examples of music written in the early baroque style of the seconda pratica. The volume contains 12 madrigals and ten arias and is dedicated to Lorenzo Salviati. It is known for its essential introduction, which clearly describes the purpose, intent, and correct performance of monody from the time. The preface also includes musical examples of ornaments and expresses Caccini's disappointment at inappropriate ornamentation by the singers of his day. Le nuove musiche was highly influential and inspired many similar collections in the seventeenth century. It is regularly anthologized in modern collections, and its success changed the course of music history.

Guthrie: Amarilli Variations for Solo Cello
Violoncelle

$24.95 23.71 € Violoncelle PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0016784_BTC1

Baritone T.C.. Composed by Ron Grainer. Arranged by Douglas E. Wagner. TV. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016784_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016784_BTC1).

UPC: 038081500867.

Beginning with the first episode aired by the BBC in November of 1963, Whovians have been riveted to the adventures of The Doctor and, The Doctor always (or nearly always) triumphs. The instantly recognizable opening theme was a bit ahead of its time however, Ron Grainer's original music and initial concept in 12/8 has remained virtually unchanged through the decades. A musical adventure for generations! (2:15).

Doctor Who: Baritone T.C.
Orchestre d'harmonie

$3.00 2.85 € Orchestre d'harmonie PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.1092461

Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696553. Published by Regis Bookshar (A0.1092461).

Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.

Kyrie (Durante) (Saxophone Quartet - 1 Sop, 1 Alto, 1 Tenor, 1 Bari)
Quatuor de Saxophones: 4 saxophones

$10.00 9.5 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 3 - Digital Download

SKU: A0.554031

By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Rock. 20 pages. RayThompsonMusic #6515199. Published by RayThompsonMusic (A0.554031).

Arranged wind dectet

Originally a big hit for the Beatles, it suits the wind dectet.

All You Need Is Love is a song by the Beatles that was released as a non-album single in July 1967. It was written by John Lennon and credited to Lennon–McCartney.
The Beatles performed the song as Britain's contribution to Our World, the first live global television link. Watched by over 400 million in 25 countries, the program was broadcast via satellite on 25 June 1967.

The day before the Our World broadcast, the Beatles decided that the song should be their next single.

Released in the UK on 7 July 1967, it went straight to number one and remained there for three weeks. It was similarly successful in the United States after its release on 17 July, reaching number one for a week.
All You Need Is Love was also included on the American LP version of Magical Mystery Tour in November 1967,as well as in the film, and on the LP Yellow Submarine, released in 1969.

This song is also featured in Cirque du Soleil's show Love, based on the songs of the Beatle .

Ideal for weddings.

All You Need Is Love
The Beatles
$14.99 14.25 € PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.1368041

Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041).

Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady Leytush

Medtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.

N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only Orchestre

$50.00 47.52 € Orchestre PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download

SKU: A0.594110

Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549703. Published by David McKeown (A0.594110).

Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Oboe and one Clarinet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.

The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritage

With a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.

Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.

Silent Night, Gospel Style, for Oboe and Clarinet Duet
Hautbois, Clarinette (duo)

$3.99 3.79 € Hautbois, Clarinette (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download

SKU: A0.594098

Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549677. Published by David McKeown (A0.594098).

Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Clarinet and one Viola.  Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.

The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritage

With a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.

Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.

Silent Night, Gospel Style, for Clarinet and Viola Duet
Clarinette et Alto

$3.99 3.79 € Clarinette et Alto PDF SheetMusicPlus






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