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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download

SKU: A0.587520

Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and parts. 7 pages. David McKeown #4354167. Published by David McKeown (A0.587520).

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

This full version is arranged as a duet for Violin and Viola and the performance time is around 6 minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Follow the links above to hear a short sample or watch a complete performance on youtube. The samples are from the clarinet version of this arrangement.

Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest.

Teachers will enjoy using this arrangement as a fun way to help with detailed articulation and dynamics.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Wedding March by Mendelssohn, Violin and Viola Duet
Violon, Alto (duo)

$4.60 4.37 € Violon, Alto (duo) PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.587624

Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624).

The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

 

The Wedding Album, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano

$9.99 9.49 € Saxophone Alto et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.742478

By Toto. By David Paich and Jeff Porcaro. Arranged by Javier Martínez. Pop,Rock. Score and parts. 24 pages. Arte Nova Music Lab #4736019. Published by Arte Nova Music Lab (A0.742478).

Africa is a song recorded by the American band Toto in 1981, for their fourth studio album Toto IV, and released as the album's third single on September 30, 1982, through Columbia Records. The song was written by band members David Paich and Jeff Porcaro, and composed by Toto. The soft rock and jazz fusion song lyrically incorporates themes of love and location.

Critics praised its composition and Toto's performances. The song reached number one on the United States' Billboard Hot 100 chart and is the band's onlyBillboard number one. The song remained at the top for a single week (February 5, 1983). Africa also peaked in the top ten in the United Kingdom, Canada, Ireland, Netherlands, New Zealand, and Switzerland.

The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for Rosanna. The video features Toto in a library, as they perform and showcase various aspects of African culture. While popular in the 1980s and 1990s, with the song being certified gold by the RIAA in 1991, Africa saw a resurgence in popularity via social media during the mid to late 2010s, including a fan-requested cover by American rock band Weezer which peaked at number 51 on the Billboard Hot 100.[5] It has since been certified quadruple platinum.[6]

Taken from https://en.wikipedia.org/wiki/Africa_(Toto_song)

Africa
Quatuor à cordes: 2 violons, alto, violoncelle
Toto
$20.00 19.01 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download

SKU: A0.594106

Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549695. Published by David McKeown (A0.594106).

Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Flute and one Viola. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.

The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritage

With a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.

Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.

Silent Night, Gospel Style, for Flute and Viola Duet
Flûte, Alto (duo)

$3.99 3.79 € Flûte, Alto (duo) PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.749201

By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201).

https://www.youtube.com/watch?v=sNrfHQ6LSGY

Mariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!

All I Want For Christmas Is You
Quatuor à cordes: 2 violons, alto, violoncelle
Lady Antebellum
$20.00 19.01 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

E-Flat Clarinet,Piano - Level 3 - Digital Download

SKU: A0.548464

Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464).

The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions.

Pachelbel's Canon

Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major.

History

In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe.

Pachelbel Background

Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period.

Works

Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard.

Influences

Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music.

Legacy

All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. 

Pachelbel: Canon for Alto Clarinet & Piano
Clarinette

$32.95 31.32 € Clarinette PDF SheetMusicPlus

Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download

SKU: A0.587607

Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Romantic Period,Standards,Wedding. Score and individual part. 9 pages. David McKeown #4403650. Published by David McKeown (A0.587607).

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

This version is arranged for Solo Horn in Eb (Tenor Horn) and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.

The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.

Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203


 

Wedding March by Mendelssohn, for Solo Horn in Eb (Tenor Horn) and Piano

$4.60 4.37 € PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.587614

Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. 9 pages. David McKeown #4403672. Published by David McKeown (A0.587614).

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

This version is arranged for Solo Violin and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.

The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate playerBoth will find this ideal for formal and informal performances, with both parts enjoying melodic interest.

Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

 

Wedding March by Mendelssohn, for Solo Violin and Piano
Violon et Piano

$4.60 4.37 € Violon et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1112405

Composed by Fanny Cecile Mendelssohn. Arranged by Allison B. Wehrle. 19th Century,Chamber. 8 pages. Allison B. Wehrle #714438. Published by Allison B. Wehrle (A0.1112405).

Fanny Mendelssohn Hensel wrote the Cholera Cantata in 1831, to mark the end of the epidemic that had devastated Berlin. The original, 13- part work was written for choir and chamber orchestra. The lyrics, derived from Biblical texts, depict both the despair and mourning felt during the height of the epidemic, and also celebratory praise at its cessation. After the initial performance in 1832, the piece remained unpublished (and likely unperformed) until it was rediscovered in the Mendelssohn Archives at the Berlin State Library 150 years later. This arrangement is of the introduction only.

Choleramusick: Introduction
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$10.99 10.44 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Instrumental Solo - Level 4 - Digital Download

SKU: A0.1200054

By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Individual part. 28 pages. Allen/Myer Musicals #798864. Published by Allen/Myer Musicals (A0.1200054).

This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley
Serenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.  The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.  It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.  This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy.  The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.  This is a very intriguing adaptation, with or without voice.  The price indicated allows you to purchase ten (10) copies of the handbell version.

Chattanooga Choo Choo
Floyd Cramer
$49.99 47.51 € PDF SheetMusicPlus

Clarinet in Bb and piano - intermediate - Digital Download

SKU: S9.Q15285

From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15285. Published by Schott Music - Digital (S9.Q15285).

The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

Poème
Clarinette et Piano

$4.99 4.74 € Clarinette et Piano PDF SheetMusicPlus






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