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Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com Publications #3007489. Published by Bandroom.com Publications (A0.859746). _________________________ With its distinctive Russian flavor, MARCH OF THE CZAR'S BRIGADE depicts a pass and review of military troops on a snowy winter's day. Starting quietly, the sound slowly grows to a strong B section, then marches away into the distance. This G-minor work is ideal for any concert or festival. DIFFICULTY LEVEL: Medium Easy / Grade 2 / suitable for middle school or small high school bands FEATURES: - All winds (including tuba!) have melody at least once. - Simple trombone parts (generously cross-cued in Horn, Euphonium) - 2nd Clarinet remains below break. CHALLENGES: - Use of dotted-eighth/sixteenth rhythm in melody. - Use of low register for clarinets. (low E, F, G#) - Tuba solo (cued in other parts) - Muted Trumpet 1 solo (unison line with other instruments) - Dynamics; articulations; a few 16th-notes in all parts. RANGES: - All parts are well within 2nd-year ranges: Flute to E-flat above staff (only once); 1st Clarinet to C above staff; 2nd Clarinet remains below break; Trumpets to 3rd space C (1st Trumpet to E, once); Trombone to C above staff; Tuba to C on staff, down to D just below staff. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto or Tenor Sax or Horn, 2 Trumpets, 2 Trombone, Bass Line, Percussion. PERCUSSION: Parts for 5 players: Percussionist 1 = Snare Drum Percussionist 2 = Bass Drum Percussionist 3 = Crash Cymbals, Sleigh Bells Percussionist 4 = Bells, Chimes Percussionist 5 = Timpani (3 or 4 drums) _______________________ SAMPLE: You can view non-printable PDF samples of several Parts (Clarinet 1, Trumpet 2, Trombone 1, Snare/Bass Drum) at www.bandroom.com. Please also consider my CHELTENHAM MARCH (a British-style march), also a Medium Easy march. NOTE: this Digital Download contains the Full Conductor Score and all Parts for full concert band. Also included is a Site License allowing a band director to print as many copies as needed for their school. This permission is not extended to individuals – only to schools. _______________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. Many of his works are available from www.bandroom.com and as digital downloads. _______________________
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
Orchestre d'harmonie

$39.00 33.28 € Orchestre d'harmonie PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab. 2 pages. Calum Wood #654468. Published by Calum Wood (A0.1050065). Are you a guitarist looking to accompany a singer or instrumentalist? Look no further than our new music score of the beloved classic, Ave Maria.Our score is meticulously crafted to perfectly complement any lead instrument or vocal performance, elevating your rendition to the next level. With its enchanting melody and soul-stirring harmonies, Ave Maria has been a cherished piece for centuries, and our music score captures the essence of this timeless classic.What sets our Ave Maria music score apart from the rest is the level of detail and precision we've put into its creation. Every note and dynamic is carefully notated to ensure that your performance captures the true essence of the song. Our music score will enable you to bring the emotional depth of Ave Maria to life, leaving your audience captivated and moved.Our Ave Maria music score is the perfect addition to your performance repertoire, whether you're a soloist, a choir, or a small ensemble. With its exquisite melodies and rich harmonies, it's sure to leave a lasting impression on your listeners.So don't wait any longer - order your copy of our Ave Maria music score today and take your performance to the next level!The History of the Song 'Ave Maria'The song Ave Maria is one of the most beloved and recognized pieces of classical music. It is a musical setting of the Latin prayer Hail Mary and is often performed at religious ceremonies such as weddings and funerals. The history of Ave Maria dates back several centuries and has been shaped by numerous composers and cultural influences.The origins of the prayer Hail Mary can be traced back to the Bible, where it is recorded in the Gospel of Luke. The prayer is a traditional Catholic devotional that honors the Virgin Mary, and has been an important part of Catholic liturgy and piety for centuries.The musical setting of Ave Maria that is most commonly known today was composed by the Austrian composer Franz Schubert in 1825. Schubert's version of Ave Maria was originally written as part of a song cycle titled Die schöne Müllerin (The Beautiful Miller's Wife) but it soon became popular as a standalone piece.Schubert's version of Ave Maria was written for voice and piano, and its soaring melody and gentle accompaniment captured the beauty and reverence of the prayer. Schubert's composition has been performed and recorded countless times by musicians around the world, and it remains one of his most beloved and enduring works.In addition to Schubert's version, Ave Maria has been set to music by many other composers over the years, including Johann Sebastian Bach, Charles Gounod, and Giulio Caccini. Each composer's interpretation of the prayer reflects their own unique cultural and musical influences, and has contributed to the diverse and rich history of this beloved piece of music.Today, Ave Maria remains a cherished part of religious and cultural celebrations around the world, and its timeless beauty and spiritual power continue to inspire and uplift listeners of all backgrounds and beliefs.
Ave Maria
Guitare notes et tablatures

$1.99 1.7 € Guitare notes et tablatures PDF SheetMusicPlus

Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957).  The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration.       The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E

$16.50 14.08 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.    Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.    Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.    Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
Mozart: Sonata K. 284 “Durnitz” for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$44.95 38.36 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [† with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________†   Optional text** Ed Hunter for www.TapsForever.com.
TAPS A Rembrance
Orchestre

$29.99 25.59 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248. Published by Nathan Grocholski (A0.1074986). The past year has been filled with collective grief throughout the entire world. In some way or another, the global pandemic of 2020-21 has affected each one of us in our own way. In this piece, I illustrate the five stages of grief; denial, anger, bargaining, depression, and acceptance. The entire piece is harmonically based on two pitches, E and G-sharp. In the denial and anger stage of this work, this is characterized by a C augmented chord. Once the music finally makes sense of this loss, each of the instruments begin to play off each other; as part of the bargaining. About two-thirds of the way into the entire composition, the piece dramatically slows down and the E and G-sharp chord returns, only this time with C-sharp to represent a minor chord. The texture is heavy to represent depression. At measure 201, the flute enters with a melody that gradually grows, symbolic of accepting the loss as the texture increases. The final phrase of this piece ends with the true acceptance of this loss, but the grief has not completely dissipated. It shrinks, but still remains. The opening section’s E and G# are retained in the final chord of the composition to show that grief remains. But they are now part of an E major triad, suggesting acceptance and moving forward.
with their absences we mourn
Orchestre

$5.00 4.27 € Orchestre PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
Trompette, Piano

$7.95 6.78 € Trompette, Piano PDF SheetMusicPlus

Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)

$7.95 6.78 € Euphonium, Piano (duo) PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.998809 Composed by Robert A. Howard. 21st Century,Contemporary,Standards. Individual part. 2 pages. Robert A. Howard #6072425. Published by Robert A. Howard (A0.998809). This short solo bassoon piece takes its name from the classic surrealist painting by the Belgian artist Rene Magritte (1937). A person, facing away from the observer, looks into a mirror. The reflected image (in the mirror) is not the person's face, as we would expect. Instead, we see a duplication of their back. This person remains faceless. Other minor objects are, however, correctly reflected in the mirror, in order to heighten the 'illusion'. A solo bassoon represents the lonely, solitary and isolated character of the painting. Musical mirror images inform many aspects of the piece, from the overall structure, to the sequence of specific pitches. In keeping with the theme of the artwork, symmetries are suggested, only to be contradicted. The piece remains accessible for the listener and is appropriate for most standards of bassoonist, including students and professional players.
La Reproduction Interdite
Basson

$2.99 2.55 € Basson PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.12 € Saxophone Baryton, Piano PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.1026134 Composed by Richard Jones. Christian,Classical,Holiday. Score and parts. 31 pages. Richard Jones #5896545. Published by Richard Jones (A0.1026134). Meditation for Trombone (Dedicated to Dad) By  Richard Jones   The history of the brass band movement has significant contributions, most notably from individuals or families, but today the most integral has to be the Salvation Army. Anybody who takes a passing interest in their activities will see the strength of their music and the messages that they convey. In its history there have been many different styles of composition that have been popular with Salvationist composers and one of these are the meditations. In days gone past these meditiations would have been sent out in a package of other arrangements or compositions for bandmasters to peruse and then, should they wish, purchase. Meditations, in their contexts, are either sung or composed for an instrument with piano or band accompaniment. Today, meditations don't need a specific religious basis, but their style remains consistent. I have written this as a dedication to my dad who remains a great light in my life.  .
Meditation for Solo Trombone and Brass Band
Ensemble de cuivres
 Richard Jones  

The history of the brass band movement has significant contributions, most notably from individuals or families, but today the most integral has to be the Salvation Army
Anybody who takes a passing interest in their activities will see the strength of their music and the messages that they convey
$19.99 17.06 € Ensemble de cuivres PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.    Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.    Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.    Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
Mozart: Sonata K. 284 “Durnitz” for String Trio
Trio à Cordes: violon, alto, violoncelle

$42.95 36.65 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.12 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
Liebesleid for Solo Violin and Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.99 7.67 € Violon et Piano PDF SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
Liebesfreud for Solo Violin & Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.99 7.67 € Violon et Piano PDF SheetMusicPlus






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