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Ukulele - Level 1 - Digital Download SKU: A0.1205216 Composed by Miort Dixon and Harry Woods. Arranged by L.C. Harnsberger. Children,Comedy,Instructional,Pop,Standards. Score. 2 pages. LCH Music #803400. Published by LCH Music (A0.1205216). I’m Looking Over a Four Leaf Clover was written in 1927 by Mort Dixon and Harry M. Woods. The song was a huge hit that year with multiple recordings released.  The melody has remained popular since, having been featured in Merrie Melodies cartoons with Bugs Bunny, included in the UCLA Bruin victory song since 1954, and as the melody for the parody I’m Looking Over My Dead Dog Rover which was made famous by the Dr. Demento radio program. This arrangement is perfect for beginning ukulele players both as a solo or a duet by playing the chords. Lyrics for all the verses are included.
I'm Looking Over A Four Leaf Clover (Easy Ukulele TAB with Chords)
Ukulele

$1.99 1.72 € Ukulele PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016784_TN1 1st Trombone. Composed by Ron Grainer. Arranged by Douglas E. Wagner. TV. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016784_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016784_TN1). UPC: 038081500867.Beginning with the first episode aired by the BBC in November of 1963, Whovians have been riveted to the adventures of The Doctor and, The Doctor always (or nearly always) triumphs. The instantly recognizable opening theme was a bit ahead of its time however, Ron Grainer's original music and initial concept in 12/8 has remained virtually unchanged through the decades. A musical adventure for generations! (2:15).
Doctor Who: 1st Trombone
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1364649 By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.
Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
Orchestre
Alicia Domínguez Arcos Sonay
$25.00 21.64 € Orchestre PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1402339 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Musical/Show,Pop,Wedding. 17 pages. Sarah Cellobat Chaffee #985547. Published by Sarah Cellobat Chaffee (A0.1402339). Mamma Mia was recorded in 1975 for ABBA's third studio album, and at the time, the group had gained some moderate success but weren't sure how certain their future would be. Fortunately, when this song was released as a single in Australia, it remained at #1 on the charts for ten straight weeks and boosted the group's popularity worldwide. These days, the song isn't just legendary as a great catchy pop song, but as an inspiration for both a musical and a movie of the same name -- so this arrangement for your string quartet is a guaranteed success in your gig books, and you're sure to get your audience singing along! This Cellobat chart's bouncy pop beat, lyrical back-and-forth, beautiful harmonies and countermelodies, and sing-along-able choruses make it just as much fun to play as it is to listen to. Great for weddings, receptions, parties, corporate events, solo & ensemble contests, or any occasion that needs some upbeat pop! This chart is rated Intermediate and will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Mamma Mia
Quatuor à cordes: 2 violons, alto, violoncelle
ABBA
$16.99 14.7 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594117 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549719. Published by David McKeown (A0.594117). Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Soprano Saxophone and one Clarinet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritageWith a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.
Silent Night, Gospel Style, for Soprano Saxophone and Clarinet Duet
Saxophone, Clarinette (duo)

$3.99 3.45 € Saxophone, Clarinette (duo) PDF SheetMusicPlus

Cello,Double Bass,String Quartet,Viola - Level 4 - Digital Download SKU: A0.882755 Composed by Georg Christoph Wagenseil. Arranged by Manontroppo Music - Charles Small. Baroque,Classical. Score and parts. 25 pages. Manontroppo Music - Charles Small #6019883. Published by Manontroppo Music - Charles Small (A0.882755). Quartet #1 (of 6) for two violas, cello and bass. Inexplicably, these fine pieces, written about 250 years ago, have remained unpublished until now, although the alternate version for three celli and bass was published by Doblinger (Vienna) in 1978/81. The musical language is late-Baroque/early-Classical, and the low sonority is irresistibly delicious. My edition is clear, meticulous, and user friendly: every page-turn occurs at the end of a movement. Ready-to-print two-sided, or print one-sided and assemble the pages.
Wagenseil Quartet #1 for 2 Violas, Cello and Bass
Quatuor à cordes: 2 violons, alto, violoncelle

$18.95 16.4 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Jazz Combo - Level 3 - Digital Download SKU: A0.1468810 By Elton John & George Michael. By Bernie Taupin and Elton John. Arranged by Tom Mason. Blues,Film/TV,Pop,Rock,Singer/Songwriter. 41 pages. Tom Mason #1046992. Published by Tom Mason (A0.1468810). An arrangement of Elton John & Bernie Taupins classic song for Solo Voice and Backing Band of Piano, Guitar, Bass and Drums which highlights the virtuosity of both Voice and Pianist.From Elton's 1974 Caribou album, it has remained in the repertoire of every serious musician ever since.A fantastic arrangement of this timeless composition, which is a favourite of all.This arrangement contains a Guitar Part which incorporates both Chord symbols and also Tabulature for the tricky moments.
Don't Let The Sun Go Down On Me
Jazz combo
Elton John & George Michael
$24.99 21.63 € Jazz combo PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.587608 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403652. Published by David McKeown (A0.587608). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Horn in F (French Horn) and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Wedding March by Mendelssohn, for Solo Horn in F (French Horn) and Piano
Cor et Piano

$4.60 3.98 € Cor et Piano PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble

$12.00 10.39 € PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar.  â€˜Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre

$25.00 21.64 € Orchestre PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1030674 Composed by Dominic Laprise. 20th Century,Contemporary. Score and parts. 83 pages. Mathieu Laprise #3466010. Published by Mathieu Laprise (A0.1030674). Orchestre d'harmonie / Concert Band Grade : 3.5 Score : 8 x 12 Parts : 8 ½ x 11Duration : 6 minutesWe can freely translate the city motto Crescit Eundo to meaning In going forward, she grows up. This is well representative of the desire that has animated the municipality for 150 years. Alma has always sought development by being bold and avant-garde. That’s why she has always remained in my heart. I translated into music, these memories that have inhabited me since my childhood and have forged what I am today. There is a theme that develops by always going forward. A main melodic idea which leaves room for a counterpoint to become a secondary idea that also progresses; all things moving in the same direction. This is my vision of the charming and irreducible city that is Alma.
Crescit Eundo
Orchestre d'harmonie

$80.00 69.24 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104307. Published by jmsgu3 (A0.552061). Score: 9 pagesDuration: 2:45. The famous Pachelbel Canon arranged for Piano Quintet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
Pachelbel: Canon in D for Piano Quintet

$52.95 45.83 € PDF SheetMusicPlus

Level 5 - Digital Download SKU: A0.834087 Composed by Franz Liszt. Arranged by RUSSELL T. KING. Romantic Period,Standards. 48 pages. EMK Music #6480545. Published by EMK Music (A0.834087). This piece has been arranged for Brass Quartet comprising Trumpet 1 &2 (Bb Cornet/Flugel Horn), Trombone/Euphonium and Bass.  There are alternative parts for F Horn (Trombone/Euphonium), Eb Horn (Trombone/Euphonium), Bb Trombone/Euphonium in Treble and Bass Clef, Eb and Bb Bass in Treble and Bass Clef.One of the most recognizable pieces written for the piano, Liszt's Hungarian Rhapsody No. 2 has remained within popular culture in one way or another since he first penned the work in 1847. Performance time is around 7.30 but may be reduced to 4.50 by cutting the section from letter C to Letter D as indicated by the coda signs.
HUNGARIAN RHAPSODY NO 2 – BRASS QUARTET

$14.00 12.12 € PDF SheetMusicPlus






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