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String Orchestra - Level 3 - Digital Download SKU: A0.742479 By Toto. By David Paich and Jeff Porcaro. Arranged by Javier Martínez. Pop,Rock. Score and parts. 36 pages. Arte Nova Music Lab #4736943. Published by Arte Nova Music Lab (A0.742479). Africa is a song recorded by the American band Toto in 1981, for their fourth studio album Toto IV, and released as the album's third single on September 30, 1982, through Columbia Records. The song was written by band members David Paich and Jeff Porcaro, and composed by Toto. The soft rock and jazz fusion song lyrically incorporates themes of love and location.Critics praised its composition and Toto's performances. The song reached number one on the United States' Billboard Hot 100 chart and is the band's only Billboard number one. The song remained at the top for a single week (February 5, 1983). Africa also peaked in the top ten in the United Kingdom, Canada, Ireland, Netherlands, New Zealand, and Switzerland.The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for Rosanna. The video features Toto in a library, as they perform and showcase various aspects of African culture. While popular in the 1980s and 1990s, with the song being certified gold by the RIAA in 1991, Africa saw a resurgence in popularity via social media during the mid to late 2010s, including a fan-requested cover by American rock band Weezer which peaked at number 51 on theBillboard Hot 100.[5] It has since been certified quadruple platinum.[6].Taken from https://www.sheetmusicplus.com/title/africa-string-quartet-digital-sheet-music/21385001
Africa
Orchestre à Cordes
Toto
$25.00 21.72 € Orchestre à Cordes PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
The Wedding Album, for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano

$9.99 8.68 € Saxophone Tenor et Piano PDF SheetMusicPlus

Viola Duet Viola - Level 3 - Digital Download SKU: A0.587517 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score. 7 pages. David McKeown #4354155. Published by David McKeown (A0.587517). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This full version is arranged as a duet for two Violas and the performance time is around 6 minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Follow the links above to hear a short sample or watch a complete performance on youtube. The samples are from the clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with detailed articulation and dynamics. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Wedding March by Mendelssohn, Viola Duet
2 Altos (duo)

$4.60 4 € 2 Altos (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.594112 Composed by Franz Xaver Gruber. Arranged by David McKeown. Blues,Christmas,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6549709. Published by David McKeown (A0.594112). Silent Night is a much-loved Christmas carol. This version is arranged as a duet in a Gospel style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Silent Night was composed by Franz Xaver Gruber in 1918, a setting for the lyrics of a young priest, Joseph Mohr. After flooding had damaged the church organ in Oberdorf, Austria, Mohr asked local schoolmaster, Gruber, to write a Christmas melody to be accompanied by guitar. Silent Night was the result. The carol remained unpublished until 1833, but has since gained huge international popularity. Bing Crosby’s version sold more than 10 million copies and UNESCO has declared the carol an intangible cultural heritageWith a performance time of around two and a half minutes, this version of Silent Night is perfect for seasonal celebrations and concert performances, both formal and informal. The gospel style is a fun, fresh and soulful take on this familiar tune.Silent Night is arranged in a key and range best suited to the instruments. The 9/8 meter may be feel unusual to some, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with a short intro and a bluesy outdo. This arrangement is suitable for players at an intermediate level.
Silent Night, Gospel Style, for Oboe and Violin Duet

$3.99 3.47 € PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811720 Composed by LUDWIG VAN BEETHOVEN 1770 - 1827. Arranged by Pat Spence. Classical,Concert,Standards,Wedding. Score and parts. 32 pages. Piper Publications #5223783. Published by Piper Publications (A0.811720). Six minuets, each with a Trio in the same key, were composed for piano in 1796 and would have been played for dancing on informal gatherings or for dancing practice for more formal ones. They are arranged for flute, oboe, clarinet in Bb, bassoon and horn in F and today would find a niche at modern social gatherings such as weddings. Players of intermediate standard and above will enjoy them and everyone will recognise No, 2 which became very popular in Beethoven's life time and has remained so ever since.
BEETHOVEN SIX MINUETS FOR WOODWIND QUINTET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 13.03 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1275557 By Bestor/buckley. By Jerome Kern and Otto Harbach. Arranged by Armando Garrido. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and Parts. 80 pages. GMS Ediciones Musicales #867428. Published by GMS Ediciones Musicales (A0.1275557). Armful Of Trouble from Jerome Kern's Roberta was deleted from the final iteration of the musical only some underscoring using it's melody remained, here it is presented in a lovely arrangement for Vocalist & Symphony Orchestra, includes an interlude for Strings & Brass. Solotone mute passages may be played instead with a Harmon mute with half-stem in.Instrumentation:2-2-2(+Bs. Clarinet)-2/3-3-3-1/Perc. (Bells)-Dr. Set-Harp-Guitar-Piano/Strings.Duration Approx.: 2:13 mins.
Armful Of Trouble
Orchestre
Bestor/buckley
$70.00 60.81 € Orchestre PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016784_TN1 1st Trombone. Composed by Ron Grainer. Arranged by Douglas E. Wagner. TV. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016784_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016784_TN1). UPC: 038081500867.Beginning with the first episode aired by the BBC in November of 1963, Whovians have been riveted to the adventures of The Doctor and, The Doctor always (or nearly always) triumphs. The instantly recognizable opening theme was a bit ahead of its time however, Ron Grainer's original music and initial concept in 12/8 has remained virtually unchanged through the decades. A musical adventure for generations! (2:15).
Doctor Who: 1st Trombone
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$10.00 8.69 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.731625 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #339886. Published by Diego Marani (A0.731625). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement (in original key) for F horn with piano accompaniment is suitable for classroom, repertoire and recital.
Adagio from "Sonata Pathetique" for Horn and Piano
Cor et Piano

$9.99 8.68 € Cor et Piano PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696526. Published by Regis Bookshar (A0.1092502). Kyrie - by Francesco Durante; Alto Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Alto Saxophone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for an Alto Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
Kyrie (Durante) (Alto Saxophone Quartet)
Quatuor de Saxophones: 4 saxophones

$10.00 8.69 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. â€˜Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre

$25.00 21.72 € Orchestre PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.774766 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #5998067. Published by Sandra Milliken (A0.774766). Hard to Say I’m Sorry is a No. 1 song by the American rock band Chicago. It was released in May 1982, as the lead single for the album Chicago 16.  The song reached No. 1 on the Billboard Hot 100 Chart in September of that year, where it remained for two weeks. It was the group’s second No. 1 single (their first was If You Leave Me Now) and their first top 50 hit since Tell No Lover in 1978. It spent twelve weeks in the top 5 of the Billboard Chart.Written by Peter Cetera (Chicago’s bassist, who also sang lead vocals) and the group’s producer David Foster (who played piano on the track), the song is about a person trying desperately to hold on to a relationship that has fizzled out, promising to make up for his/her indiscretions and playing the we’ve been through so much card.Hard to Say I’m Sorry was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was certified Gold by the Recording Industry Association of America in September 1982. Peter Cetera won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.Two arrangements of Hard to Say I’m Sorry are available for immediate download: one for SATB choir and one for SSA voicing, both with piano accompaniment.
Hard To Say I'm Sorry
Chorale 3 parties
Az Yet featuring Peter Cetera
$2.20 1.91 € Chorale 3 parties PDF SheetMusicPlus






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