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Cello,Piano - Level 3 - Digital Download

SKU: A0.844351

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351).

This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Cello - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)

Cello - "And Can It Be?" Theme and Variations Violoncelle, Piano

$6.00 5.7 € Violoncelle, Piano PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.1336392

Composed by William Potstock. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #922192. Published by MyMusicScores.com (A0.1336392).

The PDF file contains the score and all parts.

William Herman Potstock, known as Wilhelm Hermann, (1872–1908) left an indelible mark as a German-American composer and musician. His masterpiece, Souvenir De Sarasate, remains a celebrated virtuoso piece, intricately weaving left-hand pizzicato and double stops.

Born in Northern Germany, Potstock migrated to the U.S. in 1881 with his family, settling in Chicago where he carved a niche as a self-employed music teacher and performer. In 1895, he wed Martha Bock, raising two musically gifted children, Stella and Eugene. His daughter, like her father, showcased remarkable musical prowess.

Potstock’s legacy endures through his enduring compositions, notably the evocative Souvenir de Sarasate: Fantasia Espagnole für Violine und Klavier in D-Dur, Op. 15.

He is an arrangement for violin and string orchestra.

Potstock Souvenir de Sarasate Op 15 for Violin and String Orchestra
Orchestre à Cordes

$19.99 19 € Orchestre à Cordes PDF SheetMusicPlus

Violin Solo - Digital Download

SKU: A0.1308438

By Khalid. By Guy Lawrence, Howard Lawrence, and Khalid Robinson. Arranged by AZSAP MUSiC. R & B. 2 pages. AZSAP MUSiC #897677. Published by AZSAP MUSiC (A0.1308438).

Elevate your musical repertoire with our enchanting solo violin arrangement of Khalid's Talk. This beautiful adaptation transforms the contemporary R&B hit into a captivating instrumental piece that captures the essence of the original song while adding a classical touch.

Key Features:

1. **Captivating Melody**: The hauntingly beautiful melody of Talk is meticulously preserved in this solo violin arrangement, ensuring that the emotional core of the song remains intact.

2. **Suitable for All Occasions**: Whether you're performing in a concert hall, creating a romantic atmosphere, or adding a unique touch to a special event, this solo violin rendition is versatile and suitable for a wide range of occasions.

3. **Professional Level**: Designed for professional-level violinists, this arrangement provides a rewarding challenge, allowing accomplished musicians to showcase their expertise and artistry.

4. **Sheet Music Included**: With your purchase, you'll receive professionally notated sheet music for the solo violin part, allowing for a smooth and efficient rehearsal and performance process.

5. **Impress Your Audience**: Talk by Khalid, arranged for solo violin, is a unique and captivating performance that will impress your audience and leave a lasting impression.

Whether you're a seasoned violinist looking to expand your solo repertoire or a music lover seeking a soulful and contemporary addition to your event, this solo violin arrangement of Talk by Khalid offers a remarkable fusion of contemporary and classical music that is sure to touch the hearts of all who hear it.

Talk
Violon
Khalid
$4.99 4.74 € Violon PDF SheetMusicPlus

Cello Solo - Digital Download

SKU: A0.1308475

By Khalid. By Guy Lawrence, Howard Lawrence, and Khalid Robinson. Arranged by AZSAP MUSiC. R & B. Individual part. 2 pages. AZSAP MUSiC #897703. Published by AZSAP MUSiC (A0.1308475).

Elevate your musical repertoire with our enchanting solo cello arrangement of Khalid's Talk. This beautiful adaptation transforms the contemporary R&B hit into a captivating instrumental piece that captures the essence of the original song while adding a classical touch.

Key Features:

1. **Captivating Melody**: The hauntingly beautiful melody of Talk is meticulously preserved in this solo cello arrangement, ensuring that the emotional core of the song remains intact.

2. **Suitable for All Occasions**: Whether you're performing in a concert hall, creating a romantic atmosphere, or adding a unique touch to a special event, this solo cello rendition is versatile and suitable for a wide range of occasions.

3. **Professional Level**: Designed for professional-level cellists, this arrangement provides a rewarding challenge, allowing accomplished musicians to showcase their expertise and artistry.

4. **Sheet Music Included**: With your purchase, you'll receive professionally notated sheet music for the solo cello part, allowing for a smooth and efficient rehearsal and performance process.

5. **Impress Your Audience**: Talk by Khalid, arranged for solo cello, is a unique and captivating performance that will impress your audience and leave a lasting impression.

Whether you're a seasoned cellist looking to expand your solo repertoire or a music lover seeking a soulful and contemporary addition to your event, this solo cello arrangement of Talk by Khalid offers a remarkable fusion of contemporary and classical music that is sure to touch the hearts of all who hear it.

Talk
Violoncelle
Khalid
$4.99 4.74 € Violoncelle PDF SheetMusicPlus

Piano,Tuba - Level 3 - Digital Download

SKU: A0.844352

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352).

This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Tuba - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

To contact Dan Cutchen, go to:
Facebook: https://www.facebook.com/merry1722/
dancutchen.com: http://www.dancutchen.com/contact

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)


https://youtu.be/7-Qdg7QK.

Tuba solo - "And Can It Be?" Theme and Variations
Tuba

$6.00 5.7 € Tuba PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.844328

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328).

This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)


https://youtu.be/BSX9yYcNY2E

Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano

$7.00 6.65 € Saxophone Alto et Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1126142

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 11 pages. Jmsgu3 #726845. Published by jmsgu3 (A0.1126142).

Score: 5 pages. Duration: ca. 2:24. 

Johann Sebastian Bach's Prelude and Fugue in A Minor BWV 559 is a two-movement work for organ that is considered one of his finest compositions. It is believed to have been composed in 1723 and is one of his most often-played and recorded pieces.


The Prelude is an impassioned and highly expressive movement that is filled with intricate counterpoint and a variety of textures. Its dynamic range is wide and it showcases Bach's mastery of harmonic and contrapuntal devices. The Fugue, on the other hand, is a highly contrapuntal movement that is based on a powerful and driving motif. Its harmonic structure is tightly constructed and its melodic lines are contoured with great finesse.


Bach's Prelude and Fugue in A Minor BWV 559 is a testament to his remarkable skill as a composer and his mastery of counterpoint. Its structure, texture, and harmonic language are still captivating to modern audiences and it remains one of Bach's most beloved works.

Bach: Prelude & Fugue in A Minor BWV 559 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$32.95 31.32 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.1209483

By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483).

Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.

The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.

Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.

The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.

Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.

Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.

The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.

Alice In Wonderland
Orchestre
Jud Conlon Chorus
$70.00 66.53 € Orchestre PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download

SKU: A0.1227019

Composed by John Klenner and Sam M. Lewis. Arranged by @Jhavilah. Blues,Contemporary,Film/TV,Jazz,Multicultural,World. 1 pages. Jhavilah #815171. Published by Jhavilah (A0.1227019).

Just Friends is a jazz standard composed by John Klenner with lyrics by Sam M. Lewis. It was first recorded in 1931 by Red McKenzie and his Orchestra, and has since become a beloved classic in the jazz world. The song's catchy melody and playful lyrics have made it a popular choice for jazz musicians and singers over the years.

The song is often played at a moderate tempo, and features a swinging, upbeat rhythm that is typical of the jazz music of the time. The melody is catchy and memorable, with its playful, syncopated phrasing and use of chromaticism. The lyrics tell the story of a couple who have decided to end their romantic relationship but remain friends, with lines like Just friends, lovers no more, just friends, but not like before.

Over the years, Just Friends has been covered by many jazz greats, including Chet Baker, Charlie Parker, and Billie Holiday. Each artist brings their own unique interpretation to the song, showcasing their individual improvisational skills and musicality. The song has also been used in several films and television shows, cementing its place in popular culture.

Despite its popularity, Just Friends remains a challenging piece to play, requiring both technical proficiency and a deep understanding of the nuances of jazz music. Its enduring appeal is a testament to the power of great songwriting, and to the lasting impact of jazz music on popular culture.

Just Friends - Score Only
Ensemble Jazz

$4.99 4.74 € Ensemble Jazz PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.589097

Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score and parts. 4 pages. David McKeown #6013339. Published by David McKeown (A0.589097).

The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Trumpet and one Trombone.

The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.

Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Londonderry Air, (Danny Boy), for Trumpet and Trombone Duet
Trompette, Trombone (duo)

$4.60 4.37 € Trompette, Trombone (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download

SKU: A0.588618

Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score and parts. 4 pages. David McKeown #6013331. Published by David McKeown (A0.588618).

The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Trumpet and one Clarinet.

The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.

Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Londonderry Air, (Danny Boy), for Trumpet and Clarinet Duet
Clarinette, Trompette (duo)

$4.60 4.37 € Clarinette, Trompette (duo) PDF SheetMusicPlus

Cello Duet Cello - Level 3 - Digital Download

SKU: A0.588511

Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score. 4 pages. David McKeown #6013345. Published by David McKeown (A0.588511).

The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for two Cellos.

The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.

Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Londonderry Air, (Danny Boy), for Cello Duet
2 Violoncelles (duo)

$4.60 4.37 € 2 Violoncelles (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download

SKU: A0.588878

Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score and parts. 4 pages. David McKeown #6013311. Published by David McKeown (A0.588878).

The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for one Oboe and one Bassoon.

The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.

Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Londonderry Air, (Danny Boy), for Oboe and Bassoon Duet
Hautbois, Basson (duo)

$4.60 4.37 € Hautbois, Basson (duo) PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download

SKU: A0.588976

Composed by Traditional Irish. Arranged by David McKeown. Celtic,Folk,Holiday,Wedding,World. Score. 4 pages. David McKeown #6013325. Published by David McKeown (A0.588976).

The Londonderry Air is among the best loved melodies of Ireland. This beautiful version is arranged as a duet for two Soprano Saxophones.

The Londonderry Air was first collected and notated in the mid-nineteenth century in County Londonderry in the North of Ireland, however, the origins of the melody remain unknown. In 1913 the English writer Frederic Weatherley set his poem Danny Boy to the melody. There are many other settings of the Londonderry Air, with various lyrics and in musical styles from orchestral to brass band to jazz, but Danny Boy remains the best known.

Londonderry Air is simply arranged in accessible keys and over a range best suited to the instruments. The melody is played twice with a key change and different accompaniment on the second verse and is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of Londonderry Air is perfect for recitals and concert performance. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Londonderry Air, (Danny Boy), for Soprano Saxophone Duet
2 Saxophones (duo)

$4.60 4.37 € 2 Saxophones (duo) PDF SheetMusicPlus






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