Percussion Ensemble - Level 5 - Digital Download

SKU: A0.962406

Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406).

Four Forces

Reviews

Scherzo

https://scherzo.es/badajoz-vanguardias-lugarenas/

Periodico Extremadura

https://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html

 

Notes

This work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.
It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).
The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.
The chamber music is formed by:
Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)
Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)
Strings orchestra
Three firsts violins
Three seconds violins
Three violas
Two cellos

For the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.

I. Strong Forces

The work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.

Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.

Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.

The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.

The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.

II. Weak Forces

It is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.

We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.

Introducción

It is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.

The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.

First section & cadenza

In this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.

Development

It is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.

Both sections have the next form:

Intro-A-B-A-B-(B(minor)+A)

Intro-A-B-A-B-(B(major)+A)

First section & Coda

The movement ends with the repetition of the first section and the final code.

 

Piano Solo - Level 4 - Digital Download

SKU: A0.921385

Arranged by Premanandh .R. Spiritual,World. Score. 5 pages. Premanandh .R #6022079. Published by Premanandh .R (A0.921385).

Piano Solo - Level 4 - Digital Download

SKU: A0.921388

Composed by R. D. BURMAN. Arranged by Premanandh .R. Contemporary. Score. 23 pages. Premanandh .R #6439253. Published by Premanandh .R (A0.921388).

Song: TERE BINA ZINDAGI SE Singer: LATA MANGESHKAR, KISHORE KUMAR Music Director: R. D. BURMAN Lyricist: GULZAR.

Small Ensemble - Digital Download

SKU: A0.921386

Composed by Kishore Kumar. Arranged by Premanandh .R. Contemporary. Score and parts. 10 pages. Premanandh .R #6439211. Published by Premanandh .R (A0.921386).

Full Orchestra - Level 4 - Digital Download

SKU: A0.1110782

Composed by Elmer Bernstein. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 89 pages. Kevin Riley #713077. Published by Kevin Riley (A0.1110782).

The Magnificent Seven is a 1960 American Western film directed by John Sturges. The screenplay by William Roberts is a remake – in an Old West–style – of Akira Kurosawa's 1954 Japanese film Seven Samurai (itself initially released in the United States as The Magnificent Seven). The ensemble cast includes Yul Brynner, Steve McQueen, Charles Bronson, Robert Vaughn, Brad Dexter, James Coburn, and Horst Buchholz as a group of seven gunfighters, and Eli Wallach as their main antagonist. The seven title characters are hired to protect a small village in Mexico from a group of marauding bandits, led by Wallach. The film was released by United Artists on October 12, 1960. It was both a critical and commercial success, and has been appraised as one of the greatest films of the Western genre.[5] It spawned three sequels, a television series that aired from 1998 to 2000, and a 2016 film remake. Elmer Bernstein's film score was nominated for an Academy Award for Best Original Score, and is listed on the American Film Institute's list of the top 25 American film scores. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.

Full Orchestra - Level 4 - Digital Download

SKU: A0.775968

Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Published by Musik Fabrik Music Publishing (A0.775968).

Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. Instrumentation 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet 2 Bassoons 2 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (1 player) Marimba, Tubular Chimes Violin I Violin II Viola Violoncello Contrabass Score in C Bass clarinet and contrabass sound one octave lower than written. PROGRAM NOTES Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. (part on rental: infoATclassicalmusicnow.com).

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.749744

Composed by Richard Rodgers. Arranged by Stephen M. Taylor. Contemporary. Score and parts. 10 pages. SMT Music #3908443. Published by SMT Music (A0.749744).

Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. in 1965 the film version came out with Julie Andrews in the role of Maria. The musical was hugely popular and reached the number one position on the Billboard 200 that year in the United States,[3] remained in the top ten for a record 109 weeks, from May 1, 1965 to July 16, 1967,[4][5] and remained on the Billboard 200 chart for 238 weeks.[3] In 2015, Billboard named the original soundtrack album the second greatest album of all time. We play this song often for weddings and receptions. Hope you enjoy it. Great addition to your pops music library. 

Full Orchestra - Level 3 - Digital Download

SKU: A0.742584

By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. 56 pages. Arte Nova Music Lab #6431873. Published by Arte Nova Music Lab (A0.742584).

I Want to Hold Your Hand is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment.

With advance orders exceeding one million copies in the United Kingdom, I Want to Hold Your Hand would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller She Loves You, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, I Want to Hold Your Hand stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.

It was also the group's first American number-one hit, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February it topped the Hot 100, and stayed there for seven weeks before being replaced by She Loves You. It remained on theBillboard chart for 15 weeks.I Want to Hold Your Hand became the Beatles' best-selling single worldwide selling more than 12 million copies. In 2018,Billboard magazine named it the 48th biggest hit of all time on the Billboard Hot 100. In the UK, it was the second highest selling single of the 1960s, behind She Loves You.

Taken from https://en.wikipedia.org/wiki/I_Want_to_Hold_Your_Hand

Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download

SKU: A0.828699

Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699).

Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.

String Ensemble,String Trio - Level 3 - Digital Download

SKU: A0.749745

Composed by Richard Rodgers. Arranged by Stephen M. Taylor. Contemporary. Score and parts. 9 pages. SMT Music #3909155. Published by SMT Music (A0.749745).

Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. in 1965 the film version came out with Julie Andrews in the role of Maria. The Sound of Music hugely popular and reached the number one position on the Billboard 200 that year in the United States,[3] remained in the top ten for a record 109 weeks, from May 1, 1965 to July 16, 1967,[4][5] and remained on the Billboard 200 chart for 238 weeks.[3] In 2015, Billboard named the original soundtrack album the second greatest album of all time. We play this song often for weddings and receptions. Hope you enjoy it. Great addition to your pops music library.

Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download

SKU: A0.749746

Composed by Richard Rodgers. Arranged by Stephen M. Taylor. Contemporary. Score and parts. 9 pages. SMT Music #3909167. Published by SMT Music (A0.749746).

Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. in 1965 the film version came out with Julie Andrews in the role of Maria. The Sound of Music hugely popular and reached the number one position on the Billboard 200 that year in the United States,[3] remained in the top ten for a record 109 weeks, from May 1, 1965 to July 16, 1967,[4][5] and remained on the Billboard 200 chart for 238 weeks.[3] In 2015, Billboard named the original soundtrack album the second greatest album of all time. We play this song often for weddings and receptions. Hope you enjoy it. Great addition to your pops music library.