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Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.532150 Composed by Mauro Giuliani. Arranged by Klas Krantz. Romantic Period. 14 pages. Amadeus Music #3125867. Published by Amadeus Music (A0.532150). Score and parts (violin and guitar) included, guitar (with fingering).Mauro Giuliani (1781 - 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. As a guitar composer he was very fond of the theme and variations - an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.
Duo Concertant, Op. 25, Rondeau (iv) for violin and guitar
Violon, Guitare (duo)

$5.95 5.14 € Violon, Guitare (duo) PDF SheetMusicPlus

Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.532149 Composed by Mauro Giuliani. Arranged by Klas Krantz. Romantic Period. 7 pages. Amadeus Music #3125865. Published by Amadeus Music (A0.532149). Score and parts (violin and guitar) included, guitar (with fingering).Mauro Giuliani (1781 - 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. As a guitar composer he was very fond of the theme and variations - an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.
Duo Concertant, Op. 25, Menuetto (iii) for violin and guitar
Violon, Guitare (duo)

$4.95 4.28 € Violon, Guitare (duo) PDF SheetMusicPlus

Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.532147 Composed by Mauro Giuliani. Arranged by Klas Krantz. Classical,Romantic Period. 15 pages. Amadeus Music #3111239. Published by Amadeus Music (A0.532147). Score and parts (violin and guitar) included, guitar (with fingering).Mauro Giuliani (1781 - 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. As a guitar composer he was very fond of the theme and variations - an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.
Duo Concertant, Op. 25, Maestoso (i) for violin and guitar
Violon, Guitare (duo)

$6.95 6 € Violon, Guitare (duo) PDF SheetMusicPlus

Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.532151 Composed by Mauro Giuliani. Arranged by Klas Krantz. Classical. 53 pages. Amadeus Music #3129037. Published by Amadeus Music (A0.532151). Complete suite with score, violin and guitar parts.Mauro Giuliani (1781 - 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. As a guitar composer he was very fond of the theme and variations - an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument. Score and parts (violin and guitar) included, guitar (with fingering).
Duo Concertant Op. 25 for violin and guitar (complete score and parts)
Violon, Guitare (duo)

$17.95 15.51 € Violon, Guitare (duo) PDF SheetMusicPlus

Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.532148 Composed by Mauro Giuliani. Arranged by Klas Krantz. Romantic Period. 16 pages. Amadeus Music #3114615. Published by Amadeus Music (A0.532148). Score and parts (violin and guitar) included, guitar (with fingering).Mauro Giuliani (1781 - 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. As a guitar composer he was very fond of the theme and variations - an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.
Duo Concertant, Op. 25, Theme and Variations (ii) for violin and guitar
Violon, Guitare (duo)

$6.95 6 € Violon, Guitare (duo) PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download SKU: A0.1431893 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Pop,Traditional. 26 pages. HMS Music #1012368. Published by HMS Music (A0.1431893). _______________________A favorite of beginners and parents alike, HOUSETOP MARCH will bring a smile to everyone’s face . . . even Mr. Scrooge!A march-style setting of Up On The House Top (sometimes called Up On The Roof Top), this easy work contains a single one-measure solo for your best trumpeter and a one-note solo for the humble triangle player. And at the end, be certain to listen for the reindeer paws on the roof!DIFFICULTY LEVEL: Very Easy (slightly more difficult than JOY TO THE KING).PROGRAMMING: Winter Holiday/Christmas concert.FEATURES: melody distributed through all wind parts; key of B-flat major; simple parts using only quarter-, half-, and eighth notes.CHALLENGES: Introduction and ending use 1 measure of canon/imitation; one-measure trumpet solo; use of foot stomps at end (their favorite spot!); a one-strike triangle solo in last measure.RANGES: uses only notes of the B-flat Concert scale; clarinets remain below break.INSTRUMENTATION: includes Full Conductor Score (8 pages) and Parts (17 pages) for each instrument: Flute, Oboe, Bassoon, Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Horn in F (for beginners playing low notes), Horn in F (for beginners playing high notes), Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Snare & Bass Drum), Percussion 2 (Crash Cymbals, Triangle, Sleigh Bells), Bells/Mallets.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, and Bass Line (any low reed or low brass instrument), Percussion._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ARRANGER/COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college programs._______________________________NOTE: this Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you print the full document (26 pages, total), the first page to print will be the Clarinet part, followed by 8 pages of the FULL SCORE, then the remaining PARTS (16 pages), and a SITE LICENSE permitting you to make multiple copies for use by your school/institution - year after year.  (BcP-YB)___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.
HOUSETOP MARCH (Up on the Roof Top) - beginner band - easy - score, parts & license to copy
Orchestre d'harmonie

$34.99 30.23 € Orchestre d'harmonie PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
20,000
Saxophone Alto

$4.99 4.31 € Saxophone Alto PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.808708 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Easter,Praise & Worship,Sacred. Score and parts. 27 pages. Sweetwater Brass Press #6477787. Published by Sweetwater Brass Press (A0.808708).      George J. Elvey composed Diademata to serve as the melody for Matthew Bridges’ hymn Crown Him with Many Crowns. Published in 1868, its name derives from diadema, the Greek word for crown, which is also the source of the English word diadem. Diademata remains the most frequently used tune for Crown Him with Many Crowns.       This arrangement contains five versions of the melody. It opens with a quotation from bars 5-8 of Elvey’s score to introduce the arrangement. The first time through the 16 bars of Crown Him with Many Crowns the tempo is marked Andante e Rubato: that is, take it moderately slow but feel free to speed up or slow down in your interpretation. Two instrument pairs take turns doing this-Trumpets 1 and 2, and Horn in F and Trombone. The remainder of the piece should be played at an up-tempo speed of about 120 bpm.
Crown Him with Many Crowns: Diademata
Ensemble de cuivres

$9.95 8.6 € Ensemble de cuivres PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1151962 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 283 pages. Jmsgu3 #752169. Published by jmsgu3 (A0.1151962). A monument of music.Mozart's Five Divertimenti K. Anh. 229 are a set of five chamber pieces composed in 1772. The five pieces, K.Anh.227–231, were written for two oboes, two horns, and two bassoons, and were likely intended for a private performance. The five pieces, which are written in the traditional divertimento style, are light-hearted and filled with melodic themes and charming modulations. Each of the pieces is unique, but they are all unified by their harmonic language and Mozart's signature style.The Divertimenti K. Anh. 229 offers a glimpse into the early compositional style of Mozart, showing a masterful understanding of classical forms and instrumentation. Each of the five pieces are charming, witty, and filled with joyful melodies. While the pieces are light-hearted and intended for a small ensemble, they still showcase Mozart's remarkable skill and compositional genius. The Divertimenti K. Anh. 229 remain some of Mozart's most beloved works and are a delightful listen for any chamber music enthusiast.
Mozart: Five Divertimenti K. Anh. 229 for String Trio
Trio à Cordes: violon, alto, violoncelle

$89.95 77.72 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Digital Download SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). English.Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition The Craft of Musical Composition.Parts 1 and 2 of the Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America. The translation of part 3 with exercises for three-part composition completes the English edition of The Craft of Musical Composition.
The Craft of Musical Composition

$22.99 19.86 € PDF SheetMusicPlus

Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 8 pages. Sneakwood Editions #4782289. Published by Sneakwood Editions (A0.890771). While in Venice, Pisendel met another of the great Italian composers of the time, Tomaso Albinoni. Albinoni, too, was captivated by the young virtuoso, to the extent that Pisendel returned to Dresden with three sonatas for violin and continuo copied by the Italian master himself. But, although we can assume that all three sonatas were dedicated in some way to Pisendel, it is the Sonata for violin and continuo in B flat Major that bears a special dedication on its frontispiece: Sonata a Violino solo di me Tomaso Albinoni Composta p[er] il Sig:[re] Pisendel. And not only this dedication but also certain musical aspects lead us to believe that the sonata in question may have been written specifically for Pisendel. The sonata goes beyond Albinoni’s usual technical requirements, exploring the upper register of the violin in a way that appears only rarely in other sonatas by this Italian. And, in the second movement, marked Allegro, we find an unusual and virtuoso use of triple stops in a fast semi-quaver rhythm. This singular effect is used by Albinoni in only one other work, the Concerto for violin and strings in C Major Co2, although with a strange and interesting nuance: of the versions of the concerto that remain we find this technique only in a manuscript version in Dresden, the version that Pisendel brought back from Italy in 1717 together with the sonata. Other versions of the concerto, such as the one published by Roger around 1717, or other manuscript versions do not contain the triple-stop passages. This suggests that they may be a personal touch added by Albinoni in recognition of Pisendel’s remarkable performing skills.
Albinoni Sonata per Pisendel in B flat major

$10.00 8.64 € PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526358 By Aerosmith. By Diane Warren. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock. 9 pages. Sarah Cellobat Chaffee #6561445. Published by Sarah Cellobat Chaffee (A0.526358). I Don't Want To Miss A Thing was recorded by Aerosmith for the smash hit 1998 film Armageddon, and it immediately became a huge success. The soulful power ballad debuted at #1 on the Billboard charts, where it remained for 4 weeks, and it remains the band's biggest hit to this day; and of course it's still a very popular request for slow dances and weddings. As the cellist for Aerosmith's Las Vegas residency show, I've performed this song with the band over 50 times, so this one has a special place in my heart! This arrangement for violin & cello duet maintains the beautiful harmonies, soaring melodies, driving beat, and dynamic passion of the original, for a chart that your audience will love listening to as much as you love playing it! Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, pop concerts, or any other occasion that you need to pull on your audience's heartstrings. Rated advanced intermediate, mainly for a number of tricky rhythms and a few high notes in the violin parts. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
I Don't Want To Miss A Thing
Violon, Violoncelle (duo)
Aerosmith
$9.99 8.63 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.808710 Composed by Wolfgang Amadeus Mozart. Arranged by F. Leslie Smith. Classical,Film/TV,Wedding. Score and parts. 112 pages. Sweetwater Brass Press #6566825. Published by Sweetwater Brass Press (A0.808710).      Eine Kleine Nachtmusik was composed in 1787 but remained unpublished until about a quarter century after Mozart’s death. Today, however, it is one of the composer’s best known compositions. Indeed, it probably qualifies as one of the best known compositions in all music, thanks in large part to its use in the 1984 Academy Award-winning film Amadeus.     At the time of composition, Mozart was trying to complete the second act of his opera, Don Giovanni. The opera was a commissioned work and the deadline for completion was looming. So why did he take the time to create this four-movement serenade? That remains, for the most part, an unanswered question.
Eine Kleine Nachtmusik: Serenade No. 13 in G Major, K 525
Ensemble de cuivres

$7.95 6.87 € Ensemble de cuivres PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1495081 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 10 pages. Colin Kirkpatrick Publications #1071645. Published by Colin Kirkpatrick Publications (A0.1495081). When Leoncavallo’s beautiful solo piece Brise de Mer (“Sea Breeze”) was first published in Berlin in 1906, he was already an established opera composer, largely due to his first opera Pagliacci, which had become an international success. An Impromptu is an informal piece usually for solo instrument. This French word can be translated loosely as “off-hand” and it’s used to describe relatively short pieces which sometimes have a partly improvised style, a simple structure and an emphasis on melody. Piano pieces entitled Impromptu first appeared in the early 19th century and remained popular for decades. This is a simplified edition of the piece edited by Colin Kirkpatrick. The work has been transposed down to D major from the original E major. The cello part remains unchanged and the bowing and phrasing are identical to the original edition. The music uses the entire cello range in both bass and tenor clefs and the highest note is the high D above the tenor staff (D5). This note appears only twice in the entire piece. The piano part has been simplified by reducing the number of notes in many of the chords, especially those played by the left hand. This is a lovely cello piece which deserves to be heard more often, with its lyrical melody, elegant changes of harmony and contrasting moods. It would make an excellent item for a cello recital.
Ruggiero Leoncavallo: Brise de Mer for Cello and Piano
Violoncelle, Piano

$11.99 10.36 € Violoncelle, Piano PDF SheetMusicPlus






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