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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017541_PC1 1st Percussion. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017541_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017541_PC1). ISBN 9780757934650. UPC: 654979050728.Gordon Goodwin's stellar reputation as a writer is well deserved. A funky half-time shuffle groove for big band, Gordon's clever opening melody statement is played by altos and trumpets with solo space provided for piano, alto, or tenor sax. The burnin' shout chorus will make this an all time favorite chart for every library. Percussion part included. As recorded on Gordon Goodwin's Big Phat Band: Swingin' for the Fences. This chart grooves! This title is available in SmartMusic.
There's the Rub: 1st Percussion
Percussion (partie séparée)

$3.00 2.58 € Percussion (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017541_TN3 3rd Trombone. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017541_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017541_TN3). ISBN 9780757934650. UPC: 654979050728.Gordon Goodwin's stellar reputation as a writer is well deserved. A funky half-time shuffle groove for big band, Gordon's clever opening melody statement is played by altos and trumpets with solo space provided for piano, alto, or tenor sax. The burnin' shout chorus will make this an all time favorite chart for every library. Percussion part included. As recorded on Gordon Goodwin's Big Phat Band: Swingin' for the Fences. This chart grooves! This title is available in SmartMusic.
There's the Rub: 3rd Trombone
Trombone (partie séparée)

$3.00 2.58 € Trombone (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017236_TX2 2nd B-flat Tenor Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_TX2). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
It's Not Polite to Point: 2nd B-flat Tenor Saxophone
Saxophone (partie séparée)

$3.00 2.58 € Saxophone (partie séparée) PDF SheetMusicPlus

Bb trumpets 1 & 2, trombone 1 or horn in F, trombone 2, tuba and timpani - Digital Download SKU: C7.CGRP45 Composed by arr. Cathy Moklebust. Arranged by Cathy Moklebust. Reformation, Church Dedications, Church Anniversaries, Funerals/Memorials, All Saints, General. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP45. Published by Chorister's Guild - Digital (C7.CGRP45). UPC: 749193025499.Samuel Wesley’s monumental hymn, AURELIA, has been arranged for congregational singing, accompanied by handbells, organ, brass, timpani, and SATB choir, However, the handbell score may be played alone if desired, as all the other parts are optional. The third stanza is sung only by the choir (with optional organ), and may be omitted if desired. This great hymn of the church is used many times during the church year, and is especially appropriate for honoring the 500th anniversary of The Reformation.
The Church's One Foundation - Instrumental Parts

$15.95 13.73 € PDF SheetMusicPlus

3, 4, 5, or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB432 Composed by Valerie W Stephenson. General. With 3 octaves handchimes, Congregation. Score. 12 pages. Chorister's Guild - Digital #CGB432. Published by Chorister's Guild - Digital (C7.CGB432). UPC: 749193011003.Commissioned in memory of Carolyn Tenery, the bright opening and closing themes of this original composition are filled with syncopation, expressing the colorful and happy nature of Carolyn's personality. Sections using mallets, echoes, martellatos and shakes are employed, as Carolyn was a percussionist who loved techniques on handbells. The contrasting middle section is the blue period, and is best played on handchimes if possible. This work is suitable for worship, festivals and concerts. The alternate title, The Colors of Love, may be used in secular settings.
The Colors of God's Love (The Colors of Love)
Cloches

$4.95 4.26 € Cloches PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3.01 € Flute (partie séparée) PDF SheetMusicPlus


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