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Steel Drum - Digital Download SKU: AX.00-PC-0014628_PC5 5th Percussion. Composed by Julie Hill. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014628_PC5. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014628_PC5). UPC: 038081383958.Steel drum bands are becoming increasingly more common in school and community music programs. Students from K--12, to college age and beyond, are experiencing the joy of performing on these Caribbean-created instruments. Compositions and arrangements for the steel drum band have been limited and challenging to obtain . . . until now. Alfred proudly announces Alfred's Steel Drum Ensemble Series, which will address the need for quality steel drum music written for all levels of bands. From elementary/beginning band to high school, college, community, and professional groups, the pieces you are looking for are here, expertly written by educators who have vast experience working with steel drum bands at all levels. Pepita's Dance is an original work for steel band with extra world music flavor. It acquaints students with world music styles accompanied by groovaliscious rhythms, but moreover, allows for flexibility in ages of the performers. This work is accessible enough for the beginning steel band player, but facilitates open improvisations that accommodate high school and college students as well as professionals. This piece is a delightful original composition with a Latin flare. Jeannine Remy, Percussive Notes.
Pepita's Dance: 5th Percussion

$3.00 2.57 € PDF SheetMusicPlus

String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
String Quintet based on Beethoven's sketches, op. 79
Quatuor à cordes: 2 violons, alto, violoncelle

$49.95 42.87 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by Judith Cloud (A0.981230). Words From An Artist’s PaletteJudith Cloudfor the men of the Santa Fe Desert Chorale Michelangelo (1475-1564)Ad caelum scalas anima non invenit mea nisi per terrae pulchritudinem (My soul can find no staircase to Heaven unless it be through Earth's loveliness.) Leonardo da Vinci (1452-1519)La funzione dei moscoli è di tirare non di spingere, eccetto nel caso dei genitali e della lingua. (The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.) Salvador Dali (1904-1989)Dejad que mis enemigos se devoren entre ellos. (Let my enemies devour each other. ) Camille Pissarro (1830-1903)Bénis sont ils qui voient de belles choses dans les endroits humbles où d'autres ne voient rien. (Blessed are they who see beautiful things in humble places where other people see nothing.) Georgia O'Keefe (1887-1986)I hate flowers - I paint them because they're cheaper than models and they don't move.
Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
Chorale TTBB

$4.99 4.28 € Chorale TTBB PDF SheetMusicPlus

High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962942 Composed by Sonny Rios. Broadway,Christian,Concert,Contemporary,Sacred. 6 pages. Sonny Rios #4312239. Published by Sonny Rios (A0.962942). MARY’S SONG (Medium Low Voice): Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Mezzo Soprano, is in English and has a range of Bb3-F#5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP.  An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com. 
MARY'S SONG
Voix haute

$5.99 5.14 € Voix haute PDF SheetMusicPlus

Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1323819 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3 pages. Rodrigo Faleiros #911993. Published by Rodrigo Faleiros (A0.1323819). Embark on a musical journey with our unique double bass solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement contains a piano accompaniment and not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this double bass solo arrangement thoughtfully transposed to enhance readability. Evocative Piano Accompaniment: The piano part enhances the harmonic resonance of this great composition. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this double bass solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
The Sorcerer's Apprentice theme
Contrebasse, Piano (duo)

$3.99 3.42 € Contrebasse, Piano (duo) PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1284643 Composed by Paul Dukas. Arranged by John Ivor Holland. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Score and Parts. 293 pages. John Ivor Holland #875818. Published by John Ivor Holland (A0.1284643). The Sorcerer's Apprentice is a symphonic poem by the French composer Paul Dukas, completed in 1897. The piece was based on Johann Wolfgang von Goethe's 1797 poem of the same name. By far the most performed and recorded of Dukas' works, its notable appearance in the Walt Disney 1940 animated film Fantasia (and its sequel 'Fantasia 2000'), with images of Mickey Mouse and hundreds of marching broomsticks, has led to the piece becoming widely known to audiences outside the classical concert hall. Its first performance was given in Paris on May 18, 1897, conducted by Dukas himself. Arranged for symphonic band, retaining the original key and important solos.
The Sorcerer's Apprentice
Orchestre d'harmonie
far the most performed and recorded of Dukas' works, its notable appearance in the Walt Disney 1940 animated film Fantasia (and its sequel 'Fantasia 2000'), with images of Mickey Mouse and hundreds of marching broomsticks, has led to the piece becoming widely known to audiences outside the classical concert hall Its first performance was given in Paris on May 18, 1897, conducted by Dukas himself
$99.99 85.82 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005660 Composed by J. S., Bach (1685-1750). Arranged by Rudy Volkmann. Baroque. Score and parts. 5 pages. Rudy Volkmann #6369291. Published by Rudy Volkmann (A0.1005660). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  This is a great recital piece or concert opener.
Sinfonia 8, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$3.00 2.57 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus






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