Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4986 Composed by Eduard Holst. Attics, Musical instruments, Nostalgia. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4986). The Quaint Old Organ. Introducing the Hymn of Old Hundred [Doxology]. By Dockstader's Minstrels by Eduard Holst. Published 1889 by Willis Woodward & Co., 842 & 844 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Attics, Musical instruments, Nostalgia. First line reads I was searching thro' the garret on a dismal rainy day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1488654 By Northern Arizona University Shrine. By William Dawson. Arranged by Charles Decker. 21st Century,Historic,Multicultural,Pop,Spiritual,World. 19 pages. Charles Decker Music Press #1065486. Published by Charles Decker Music Press (A0.1488654). From the Music of Black Composers Series at Charles Decker Music Press is William Dawson's energetic choral setting of the popular spiritual Ain'a That Good News so familiar to audiences now arranged for a brass quintet of two trumpets in B-flat, horn with alternate flugelhorn part, trombone/euphonium and tuba.  The spirited arrangement is guaranteed for enthusiastic audience response.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the Rafael Mendez Brass Institute and Eastman School of Music use the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Use this link  Music of Black Composers arrangements for Brass Ensembles at Charles Decker Music Press  to see works by Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still and Florence Price. More brass ensemble arrangements of music by prominent Black composers at Charles Decker Music Press include Will Marion Cook Swing Along!, James Reese Europe Clef Club March, James P. Johnson The Charleston, Fred Stone My Ragtime Baby, Justin Elie Tropical Dance #2, Jose White La Bella Cubana. For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.879449 Composed by Wendell Hall. Arranged by Dennis Frayne. Children,Folk,Standards,Traditional. Score. 1 pages. Presto! It's Music Magic Publishing #6368971. Published by Presto! It's Music Magic Publishing (A0.879449). It Ain't Gonna Rain No More is a popular song, folk song, and children’s song composed by Wendell Hall in 1923. This arrangement for beginner piano is written in the key of F# Major and includes lyrics and solfege syllables.

Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859680 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 4 pages. Sydney Stevens, Water Music #3089199. Published by Sydney Stevens, Water Music (A0.859680). Contact: sydneystevenspianostudio@gmail.comSeason's Reprise (from Seasons Suite): Reflecting through the seasons, themes are revisited..Peaceful instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, David Nevue, Scott Cossu, Christine Brown, A la Windham HillFrom Album: Seasons Theme: Closing movement of Seasons Suite --Reflects the main themes of previous movements.Mood: Contemplative, graceful, meditative.Musical Traits: Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 1:35Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins  with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and  Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of  leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds,  Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot!  Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the  themes from the various seasons, creating a lovely closing to the Suite.

Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........

Piano Solo - Level 4 - Digital Download SKU: A0.1324612 Composed by Emile Waldteufel. Arranged by Adam Walter Carlsen. 19th Century,Romantic Period. Score. 18 pages. Adam Walter Carlsen #912816. Published by Adam Walter Carlsen (A0.1324612). I created a solo piano version of this work. This composition can be played in any concert setting. I added notes in certain spots to help give more movement and sustain the sound to reflect the overall atmosphere of the original orchestra version. I also simplified some of te accompaniment so that the piece isn't too difficult to perform. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.

Piano and voice - Digital Download SKU: LV.22378 Composed by C. Everest. Civil War--Union, Love, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22378). Shall We Meet Again? Song and Chorus. Music and Words by C. Everest. Published 1863 by Lee & Walker, No. 722 Chestnut Street in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Love, Homesickness. First line reads Ever since from me you parted, for the battle plain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush #6629255. Published by Arkady Leytush (A0.1008427). Chedrik, chedrik, Carol of the Bells, written by the Ukrainian composer N. Leontovych is very well known in America as Christmas Carol. It takes one of the central piece in the bouquet of the best songs dedicated to Christmas. Orchestrating this work for a two-part children's choir and a symphony orchestra, I set myself the task of painting the score with all kinds of colors of a winter landscape and trying to create an atmosphere of the approaching Christmas.

Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..

Piano Solo - Level 4 - Digital Download SKU: A0.888268 Composed by Jerry Ross and Richard Adler. Arranged by Edward David Zeliff. Contemporary. Score. 3 pages. Edward David Zeliff #4776255. Published by Edward David Zeliff (A0.888268). This is a charming little arrangement of this hit song from this hit musical. The setting for the song in the show is a favorite night spot in which people often have clandestine meetings and the dark interior allows for that, so the song is sung sotto voce for the most part, more whispered, as if everything's a secret. This arrangement maintains that mood with only a few vigorous accents. It is playful and witty and somewhat mischievous. It makes for a good study piece for more advanced intermediate students because of the staccatos all over the keyboard with only isolated pairs of notes played legato for accentuated phrasing. The middle section will help to develop dexterity in rapid finger work. And it's just plain fun to do.

Concert Band - Level 3 - Digital Download SKU: A0.1384083 By Andrea Bocelli, Bryn Terfel. By Georges Bizet. Arranged by John Ivor Holland. 19th Century,20th Century,Classical,Film/TV,Opera. 81 pages. John Ivor Holland #968445. Published by John Ivor Holland (A0.1384083). Au fond du temple saint (Deep inside the sacred temple) is a duet from Georges Bizet's 1863 opera 'Les pêcheurs de perles' ('The Pearl Fishers'). The libretto was written by Eugène Cormon and Michel Carré. Generally known as The Pearl Fishers' Duet, it is one of the most popular numbers in Western opera – it appeared on seven of the Classic 100 Countdowns conducted by ABC Classic FM. It is sung by Nadir (tenor) and Zurga (baritone) in act 1 and has been performed by many famous singers, including Andrea Bocelli and Bryn Terfel. This arrangement for two euphoniums and concert band retains the original key and recitative sections to present the most authentic version possible.

B-Flat Trumpet,B-Flat trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.752396 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Film/TV,Opera,Patriotic,Traditional. 1 pages. RBMusic #5740059. Published by RBMusic (A0.752396). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in G major (written pitch) – part 1 has a written range from C#4 to D5 and part 2 has a written range from G#3 to A4. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752401 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5741079. Published by RBMusic (A0.752401). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in C major (written pitch) – part 1 has a written range from F#4 to G5 and part 2 has a written range from C#4 to D5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk. Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752414 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5888153. Published by RBMusic (A0.752414). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two higher-register, treble-clef instruments in the same key (such as violin, flute, oboe, saxophones, etc.). This version is in G major (written pitch) – part 1 has a written range from C#5 to D6 and part 2 has a written range from G#4 to A5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together