Easy Piano - Digital Download SKU: AX.00-PS-0015897 Composed by David Donaldson, David Long, Janet Roddick, Neil Finn, and Steve Roche. Arranged by Dan Coates. Classical. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015897. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015897). ISBN 9780739093535. UPC: 038081451794.Play selections from Howard Shore's brilliant score to The Hobbit: An Unexpected Journey! The eight arrangements in this collection are notably easier to play than those in the separately published piano/vocal edition. For The Hobbit, Howard Shore masterfully expands upon the musical palette of Middle-earth, blending familiar motifs from the The Lord of the Rings trilogy with an exciting array of memorable new themes. In addition to the piano arrangements, this beautifully produced souvenir folio features an array of colorful photos from the film. Titles: An Unexpected Party * Misty Mountains * The Adventure Begins * Song of the Lonely Mountain * Dreaming of Bag End * A Very Respectable Hobbit * Erebor * The Dwarf Lords.

Concert Band - Digital Download SKU: AX.00-PC-0017016_BTX E-flat Baritone Saxophone. Composed by Steve Hodges. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017016_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017016_BTX). UPC: 038081505671.Having many elements of a standard march but employing shifting meters from 5/4 to 3/4, give this piece a unique feel. Written while traveling through Utah, Point of the Mountain depicts the boldness and the rugged beauty of the Traverse Mountains, considered to be among the world's premier paragliding and hang gliding destinations in North America. (2:25)Concert/Contest.

Flute Quintet,Woodwind Ensemble Alto Flute,Piccolo - Level 3 - Digital Download SKU: A0.1297501 By Hank Williams Jr. By Andy Razaf, Harry Brooks, and Thomas Fats Waller. Arranged by Sean Sullivan. 20th Century,Jazz. 20 pages. Sean Sullivan #887545. Published by Sean Sullivan (A0.1297501). Experience the jazz age like never before with the spirited rendition of Fats Waller's most beloved songs, Ain't Misbehavin', reimagined for a lively and melodic flute quintet. This arrangement captures the playful spirit and infectious rhythm of the 1920s, transporting audiences to a bygone era of swing, stride and sass. From the smooth, sultry melodies of Honeysuckle Rose to the lively exuberance of The Joint is Jumpin', this lively and entertaining adaptation is sure to get toes tapping and hearts singing along. Revel in the timeless brilliance of Fats Waller with this unforgettable musical journey through the golden age of jazz.

C Instrument - Level 3 - Digital Download SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Published by Calum Wood (A0.1050130). Are you ready to add a bit of Scottish flair to your guitar playing? Look no further than The Devil's Elbow by Calum Wood. This traditional Scottish tune is a lively and energetic piece that will transport you to the rolling hills and misty glens of the Scottish countryside.Our guitar score of The Devil's Elbow features both TAB and music notation, making it accessible for players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll find this tune to be a fun and challenging addition to your repertoire.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and chord is transcribed with precision, so you can play the song exactly as it was meant to be played. Plus, our score includes helpful tips and suggestions for adding your own personal flair and improvisation to the tune.With The Devil's Elbow in your repertoire, you'll be able to infuse your playing with the spirit and energy of Scottish folk music. The lively and upbeat melody will have your toes tapping and your audience dancing along, and you'll find yourself returning to it again and again for years to come.Don't miss out on the opportunity to add this classic Scottish tune to your collection. Order your guitar score of The Devil's Elbow today and take your guitar playing to the next level with the soulful and spirited sounds of Scotland!The Devil's Elbow is a winding and picturesque section of road located in the Scottish Highlands. The road, also known as the A93, runs between the towns of Blairgowrie and Braemar, and is considered one of the most challenging and scenic drives in Scotland.The origins of the name Devil's Elbow are unclear, but legend has it that the devil himself had a hand in shaping the road. According to folklore, the devil was tasked with creating a road through the hills of the Scottish Highlands, and he chose to build it along the most treacherous and winding path he could find. As he worked, he encountered a particularly difficult section of the road where the hills formed a sharp bend, and he bent the rocks to create a tight hairpin turn that became known as the Devil's Elbow.In reality, the road was likely shaped by centuries of erosion and human activity. The section of road that makes up the Devil's Elbow is part of a larger route that has been used for centuries by traders, farmers, and travelers crossing the Scottish Highlands. The road was improved and expanded over time, and the modern A93 was officially completed in 1932.Despite its treacherous reputation, the Devil's Elbow is a popular destination for tourists and driving enthusiasts. The road offers stunning views of the surrounding hills and valleys, and the hairpin turn at the Devil's Elbow is considered a particular challenge for drivers and cyclists.Today, the Devil's Elbow remains a beloved part of Scotland's landscape and history, and its legend continues to capture the imaginations of visitors and locals alike. Whether you're a traveler seeking adventure or a history buff looking to explore Scotland's rich cultural heritage, the Devil's Elbow is a must-see destination that will leave a lasting impression.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879402 Composed by Thomas Paine Westendorf. Arranged by Dennis Frayne. Folk,Romantic Period,Standards,Traditional. Score. 1 pages. Presto! It's Music Magic Publishing #6271713. Published by Presto! It's Music Magic Publishing (A0.879402). I'll Take You Home Again, Kathleen is a popular song written by Thomas Paine Westendorf (1848-1923) in 1875. The music is loosely based on Felix Mendelssohn's Violin Concerto in E Flat Minor, Opus 64, Second Movement. This version arranged for intermediate piano is written in the key of Cb Major, and includes lyrics and solfege syllables.

Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.

Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.

Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬水é¾�. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç�´èˆ‡å¼¦æ¨‚å››é‡�å¥�  2002å¹´  　本曲應白鷺鷥文教基金會之委託，特別以å�°ç�£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦�素；全曲略分為四段，動機之發展亦為單純，但æ¯�一段å�‡åœ¨è®ŠåŒ–中；如多種的ç�†å¿µåœ¨ç•°ä¸­æ±‚å�Œä¹‹é�Žç¨‹ä¸­å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å�‘安和幸ç¦�的家園。   ※本曲首演於2002å¹´8月25日，於國家音樂廳舉辦的「第二屆加å�°å¤�季音樂節ã€�。演å¥�家為鋼ç�´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°�æ��ç�´Edmond Agopian，第二å°�æ��ç�´å�³å­Ÿå¹³ï¼Œä¸­æ��ç�´æ¥Šç‘žç‘Ÿ ï¼Œå¤§æ��ç�´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002）    The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness.     The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).  

Alto Flute,Bass Flute,Percussion - Digital Download SKU: A0.1071803 Composed by Steven Foster 1854. Arranged by K.Sater. Folk. Accompaniment. Duration 132. KS through Sheet Music Plus #6246765. Published by KS through Sheet Music Plus (A0.1071803). Backing track for Flute Ensemble arrangement of Steven Foster's Hard Times Come Again No More.  Sheet Music available under SO#965121.   Track includes three full measures  with percussion beat, with fourth measure containing start measure.  Track includes full instrumentation with addition of percussion beat. Constructed to assist virtual players and ensembles.

Brass Ensemble - Level 5 - Digital Download SKU: A0.1031250 Composed by RLW Myers. Contemporary. Score and parts. 31 pages. Richard Myers #5191165. Published by Richard Myers (A0.1031250). Please notify me if you choose to perform this!I need to give a big thanks to Dr. Greg Danner and the Tennessee Tech Tuba Ensemble for the help and guidance they gave to me while working on this piece! Also thank you to anyone I tortured with the many edits and editions before this was finalized. This piece is inspired by the following stanza from Paradise Lost: Whence and what art thou, execrable shape, That dar'st, though grim and terrible, advance Thy miscreated front athwart my way To yonder gates? Through them I mean to pass, That be assured, without leave asked of thee. Retire; or taste thy folly, and learn by proof, Hell-born, not to contend with spirits of Heaven. Here we see Lucifer, even after he has fallen so far, his wings bound by adamantine chains, still view himself with pride for being filled with the light of Heaven. He challenges Death, thinking himself superior to the foul (and more powerful) being. This piece explores the arrogance and emotions that I associate with the work as a whole, but particularly in Lucifer’s ego. The MP3 given here is just the render off of staffpad. Enjoy! PS: Thanks to Charlie Hickerson for having me read Paradise Lost in my senior English class.

Composed by Georges Bizet (1838-1875). Arranged by Scott S. Stewart. Opera, Repertoire, Technique Training. Score. 5 pages. Published by Scott S. Stewart

Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.

Violin Duet Violin - Level 5 - Digital Download SKU: A0.799489 Composed by Drake Mabry. Contemporary. 57 pages. Drake Mabry #3241901. Published by Drake Mabry (A0.799489). Négysey's Gallery (2001) for two violins is based on computer paintings created by the violin virtuoso János Négysey. During a return visit to my Alma Mater, the University of California, San Diego I heard the sounds of a far-off violin and followed them, finding myself in front of the door of János Négysey, the violin professor at the university. We hadn't seen each other in over 20 years. While catching up on our lives since my graduation, János took out several stunning computer paintings he had recently completed. I immediately suggested that I do a new work for two violins based on his art. I asked to see more and soon when I left his office I had a collection of paintings from which to choose. A year later the piece was completed and he programmed it for a recital at the University. They were premiered on April 10, 2001 by János and Päivikki Nykter, also a virtuoso violinist. The images were projected on several screens across the width of the stage. Afterwards, János and I would meet on Skype to keep up to date and there was always a healthy amount of laughter. When he passed away suddenly in 2013 I was shocked and saddened. I still miss his insights, sense of humor and encyclopedic knowledge. The duration is approximately 33 minutes and there are 12 color paintings included with the score. Many thanks to Päivikki for giving me permission to include the paintings.Négyesy's Gallery was premiered by János Négyesy and Päivikki Nykter at the University of California, San Diego on April 10, 2001