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Piano Solo - Level 3 - Digital Download SKU: A0.958803 Composed by Juan Carlos Patrón y Froilán Aguilar. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873183. Published by Juan Carlos Cortés Aguirre (A0.958803). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión grabada por el dúo Gómez - Vila, integrado por los cantores argentinos Alberto Gómez (Egidio Alberto Aducci) y Augusto Tito Vila para la RCA Víctor de Buenos Aires, Argentina.Allá en la sierraFado por: Juan Carlos Patrón y Froilán AguilarIntroducción:Besada por la brisa de la sierra, vive en la tierra de mis amores,la moza más bonita y seductora, que me enamora con sus primores.Por ella en las serenas noches claras, lloran guitarras quejas de amores,por ella se cruzaron los aceros de valientes que quisieron conquistar su corazón.Dueto:Este fado que le canto lo inspiró el encanto de la que yo adoro.Quisiera que la brisa lo llevara, al rancho donde vive mi querer.Esta canción es el rezo del que esclavo vive hoy de su embeleso.Si supiera que esa flor ha de ser mía, no pediría nada más mi corazón.Interludio:Calandria que en los aires de mi tierra, canta en la sierra por la mañana,florcita que en los campos engalana, es la paisana que adoro yo.Rayito que en la sierra alzó la Virgen, dejó prendido para que alumbre,quisiera que este fado hasta su oído le llevara mi pedido que me de su corazón.Dueto:Este fado que le canto lo inspiró el encanto de la que yo adoro.Quisiera que la brisa lo llevara, al rancho donde vive mi querer.Esta canción es el rezo del que esclavo vive hoy de su embeleso.Si supiera que esa flor ha de ser mía, no pediría nada más mi corazón.¡Aah, a, ah, a, a, ah!Interludio breve:Esta canción es el rezo del que esclavo vive hoy de su embeleso.Si supiera que esa flor ha de ser mía, no pediría nada más mi corazón.
Allá en la sierra - Fado argentino por Juan Carlos Patrón y Froilán Aguilar
Piano seul

$7.99 7.6 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan Thalman #6439553. Published by Jan Thalman (A0.937494). Son de la loma es una pieza compuesta por el cubano Miguel Matamoros, alrededor de 1945. Es una melodía muy conocida en ritmo de son, sin embargo, esta versión para cuarteto de saxofones está escrita para que se interprete en ritmo de samba. La samba es una danza brasileña de origen africano.En caso de no utilizar la percusión:- Los primeros 3 compases de la introducción deben eliminarse. Se empieza, entonces en el compás 4- El solo de percusión en el compás 91 debe ser omitido.- Letra G no se toca. De manera que, del compás 122 se pasa al compás 4.La parte percusión es opcional, puede incorporarla a los saxofones si así lo prefiere.Son de la lomaThis piece was composed by the Cuban musician Miguel Matamoros around 1945. The tune was originally written with a Son rhythm, however, in this version for a saxophone quartet the rhythm is Samba, a Brazilian dance.The use of percussion is optional. If it is not used, the player should follow these recomendations:-  The first three measures of the introduction must be eliminated to start in measure four.-  The percussion solo in measure 91 must be omitted-  Letter G is not played, as a result, the player must move on from measure 122 tomeasure 4.The use of percussion is optional.
Son De La Loma
Flûte, Hautbois, Clarinette, Basson

$14.00 13.32 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.958819 Composed by Horacio Guarany (Eraclio Catalín Rodríguez). Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873827. Published by Juan Carlos Cortés Aguirre (A0.958819). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.De la canción milonga Puerto de Santa Cruz por el cantor, compositor y escritor argentino Eraclio Catalín Rodríguez, más conocido como Horacio Guarany.Puerto de Santa CruzCanción Milonga por: Horacio GuaranyINTRODUCCIÓN:Puerto de Santa Cruz, tan lejano y querido,pedacito de frío, sol de mi corazón.Mi pequeña canción como un largo lamento,palomita en el viento que llevará mi voz.Mi voz, mi voz, perdida en el adiós,adiós mi amor, locura del ayer,ayer de fuego bajo el caserón,el caserón, refugio del amor.Amor de amar, bajo la nieve grisy el gris del mar golpeando el ventanal,el ventanal donde tu boca azul,azul, azul, tu boca junto al mar.INTRODUCCIÓN:Puerto de Santa Cruz, pedacito de mi alma,mi guitarra del alma suele a veces llorar,las gaviotas del mar, si preguntan por ella,dile que en una estrella la volveré a encontrar.Y el mar, el mar, de nuevo me dirá,dirá tu voz, perdida en el adiós,adiós mi amor, locura del ayer,ayer que vuelve con tu risa azul.Azul, azul, tu boca junto al mar,mirar caer la nieve, enloquecer,enloquecer, bajo aquel caserón,la nieve y tú y mi viejo Santa Cruz.Puerto de Santa Cruz... Puerto de Santa Cruz
Puerto de Santa Cruz. Canción milonga por: Horacio Guarany
Piano seul

$7.99 7.6 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.958826 Composed by Enrique Santos Discépolo. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6873851. Published by Juan Carlos Cortés Aguirre (A0.958826). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.NOCHE DE ABRIL Zamba Letra y Música: Enrique Santos DiscépoloIntroducción:Noche de luna llena, Noche de abril,¡Fuego de un hechicero, plata y marfil!...Luz que lleno de flores la sombra de mi vivir,ansia que está en tu aroma, ¡noche de abril!...¡Dame de tus estrellas la que perdí!...Hoy... (Vocalizado)Que se fue de mi vidami amor busca tu amor en la tierra.¡Quizá fuera mejor olvidarla! ¡No sufrir más y odiarla, pero no sé!...Interludio:Fe que apostó a la suerte mi corazón...Dime, ¿qué remolino la encegueció?...Sueño de pampa y cielo que era un anhelo ¡y... ya no!Canto que ató a la tierra con su traición...¡Nube que enturbia en sombras mi corazón!Hoy... (Vocalizado)Que se fue de mi vidami amor busca tu amor en la tierra.¡Quizá fuera mejor olvidarla! ¡No sufrir más y odiarla, pero no sé!...
Noche de Abril - Zamba por: Enrique Santos Discépolo.
Piano seul

$7.99 7.6 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 pages. Zellev Music #996473. Published by Zellev Music (A0.1414692). Key Signature: Eâ™­ majorTime Signature: 4/4Tempo: Moderato misteriosoDifficulty: AdvancedDana Suesse (1911-1987) was an American Composer. She was born in Kansas, Missouri but moved with her mom to New York when she was 15.While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write Concerto in Three Rhythms.On December 11, 1974, Suesse and her husband produced a symphony concert at Carnegie Hall, devoted exclusively to her compositions. (In the 1990s, Robert Stern produced a CD of the concert using masters from Voice Of America.) On July 31, 1975, the Newport Music Festival (Rhode Island) presented four of her works in their concert series. A year after the Carnegie Hall concert, Suesse and her husband moved to the U.S. Virgin Islands.After her husband's death in 1981, Suesse moved back to New York, the city where she had spent her most creative years. She took two apartments in the Gramercy Park Hotel and continued to write plays and songs for the theatre. Just before her death from a stroke on October 16, 1987, she was writing a new musical, putting the finishing touches on Mr. Sycamore, which had been optioned for off-Broadway, and was looking for a New York home for a straight play, Nemesis.
Jazz Nocturne
Piano seul

$8.00 7.61 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle

$8.00 7.61 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$10.00 9.52 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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