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3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB463 Composed by Jane McFadden and Janet Linker. Christmas. With 3 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB463. Published by Chorister's Guild - Digital (C7.CGB463). UPC: 749193011522.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
Angels from the Realms of Glory (Variations on Regent Square) - HB Score
Cloches

$4.95 4.23 € Cloches PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1292861 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Score and Parts. 8 pages. Hélder Bento #883458. Published by Hélder Bento (A0.1292861). Domine Deus - Aria for Alto from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
Mass in G Major - Domine Deus - Alto´s Aria - Fullscore and parts
Orchestre à Cordes

$5.00 4.27 € Orchestre à Cordes PDF SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
Variations on a Rossini Theme op.Posth
Orchestre de chambre

$29.99 25.63 € Orchestre de chambre PDF SheetMusicPlus

2 or 3 octaves handbells - Level 2 - Digital Download SKU: C7.CGB247 Composed by Michael Helman. General. Score. 8 pages. Chorister's Guild - Digital #CGB247. Published by Chorister's Guild - Digital (C7.CGB247). UPC: 749193007037.Suitable for festival or worship settings, this piece introduces an original theme followed by five variations that employ numerous ringing techniques including ring touch, echo, martellato, as well as a whole variation played with mallets. Changing mode and changing meter also add to the interest and teaching possibilities with this piece. This set of variations will become a favorite of both children and youth bell choirs as well as beginning adult groups. (An edition for 4-5 octaves is also available, code CGB256.).
Festive Variations
Cloches

$4.50 3.85 € Cloches PDF SheetMusicPlus

Piano - Digital Download SKU: LV.9737 Arranged by Karl Klauser. Hotels & taverns, Carriages & coaches, Crowds, Flags. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9737). Recollection of Central Park Garden. No. 6. Haydn's Variations on Austrian National Hymn. Arranged and fingered for the Pianoforte by Karl Klauser. [inside Uebertragen v. L. Schuberth]. Published 1869 by J. Schuberth & Co., 2 Felix St. in Leipzig. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Hotels & taverns, Carriages & coaches, Crowds, Flags. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Haydn's Variations on Austrian National Hymn
Piano seul

$5.99 5.12 € Piano seul PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767067 Composed by Arcangelo Corelli. Arranged by Mike Lyons. Baroque. Brass Band. 69 pages. Lyons Music Services #481945. Published by Lyons Music Services (A0.767067). A full brass band arrangement of some of Corelli's variations on La Folia. Each section of the band has something to do and there is plenty for the percussion section as well. This is very difficult music and will require a good standard of band to pull it off. Are you up to the task? There are 12 variations in all, with a reprise/coda. each variation has a different character and demands different techniques. A testing piece for a band.
Variations on La Folia - Corelli (Brass Band)

$35.00 29.92 € PDF SheetMusicPlus

Piano - difficult - Digital Download SKU: S9.Q11149 Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 65. Duration 4 minutes. Schott Music - Digital #Q11149. Published by Schott Music - Digital (S9.Q11149). Der im Herbst 2011 entstandene kleine Variationszyklus über einen Ländler von Schubert entstand zwar aus Anlass des Petrushka-Projekts von Schott. Da mir aber kleine Aufträge grundsätzlich zu groß geraten, beschloss ich, aus der Not eine Tugend zu machen und einfach ein richtiges großes Stück en miniature zu schreiben. Der Witz des Zyklus besteht darin, dass er trotz seiner nur 5minütigen Spieldauer (ohne Widerholungen sind es sogar nur dreieinhalb Minuten) ein ausgewachsener Variationszyklus mit den wichtigsten Merkmalen dieser Form ist. Das tänzerische Element des a-Moll-Themas verschwindet immer mehr bis zu einem dramatischen Trauermarsch in der vierten Variation, um dann in der letzten Variation wieder zu dem Schubert’schen Original zurück zu finden, allerdings in A-Dur und in langsamerem Tempo, so dass sich in seiner bitteren Süße sogar noch ein Überbieten des typischen Schubert-Tons ereignet. Das kleine Opus ist das Schwester-Werk des etwas umfangreicheren Variationszyklus op.64 Variationen über einen Ländler von Schubert für Klavier zu vier Händen, mit dem es in mancherlei inhaltlichem und musikalisch-formalem Zusammenhang steht. - Stefan Heucke.
Six Variations on a Ländler by Schubert
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus






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