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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.587877 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred,Standards. Score and parts. 17 pages. David McKeown #5025791. Published by David McKeown (A0.587877). 16 Favourite Easter Hymns for Clarinet and Viola Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Clarinet and Viola. You can watch and listen to two of the hymns (the Clarinet in Bb version), via the YouTube link above.16 Favourite Easter Hymns for Clarinet and Viola Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Clarinet and Viola Duet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…·     All Creatures of Our God and King, (Lasst Uns Erfreuen)·     All Hail the Power of Jesus Name, (Coronation)·     Before the Throne of God Above, (Before the Throne)·     Blessed Assurance, (Blessed Assurance)·     Christ the Lord is Risen Today, (Easter Hymn)·     Crown Him with Many Crowns, (Diademata)·     The Day of Resurrection, (Ellacombe)·     Just as I Am, (Woodworth)·     I Know that My Redeemer Lives, (Bradford)·     It is Well with My Soul, (Ville du Havre)·     A Mighty Fortress is Our God, (Ein Feste Burg)·     Nothing But the Blood of Jesus, (What Can Wash Away My Sin)·     There is a Green Hill Far Away, (The Green Hill)·     Thine Be the Glory, (Judas Maccabeus)·     Were You There? (Were You There?)·     When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
16 Favourite Easter Hymns for Clarinet and Viola Duet
Clarinette et Alto

$8.99 8.62 € Clarinette et Alto PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1413684 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by JJ Gaydon. Country,Folk,Pop,Singer/Songwriter. Individual part. 7 pages. JJ Gaydon #995000. Published by JJ Gaydon (A0.1413684). This is an arrangement of Taylor Swift??s and William Bowery??s ??betty?? from the album Folklore, for solo fingerstyle guitar. It is best suited to players of an advanced-intermediate level and higher, though lower-intermediate players could make progress on it at slower tempos. The arrangement features syncopated melodic rhythms on top of straight basslines, as well as Travis-picking passages, meaning some familiarity with contemporary fingerpicking styles is beneficial. Recommended for performance on a steel-string or nylon-string acoustic guitar.As far as I am aware this is the first comprehensive fingerstyle arrangement of ??betty?? to be published, with a melodic line and structure authentic to the original song. Only the tempo has been slowed slightly, making some of the more challenging manoeuvres easier to perform and allowing for a more flowing sound on the guitar. Parts of the melody are adapted from subtle electric guitar phrases heard towards the ends of sections in the original recording. Rehearsal marks are used for song sections, while lyrics have been omitted for the sake of readability.
Betty
Guitare notes et tablatures
Taylor Swift
$7.99 7.66 € Guitare notes et tablatures PDF SheetMusicPlus

Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed by Richard Wagner. Arranged by Phil Lawrence. Romantic Period. Score and parts. 102 pages. Phillip Lawrence #3534823. Published by Phillip Lawrence (A0.883766). The Ride of the Valkyries Wagner.What do brass bands like, a good tune, a challenge, a good blow and technical work-out, a chance to show that a brass band can do what any other instrumental group can do including the symphony orchestra, and being able to bring the great classics to locals in their community, in the concert hall and in the band stand where the music comes to the public too? I’m sure that desires and ideals might be listed above. Besides the history of bands 180 years ago having no music and those within arranged popular tunes of the day and great classic symphonic works (often truncated), not al lots has changed apart from the fantastic influx of composed works for band over the last 60+ years, there’s also been a steady influx of orchestral works form the 1980’s as the technical facility of players has grown beyond belief, for EG. My old mentor and teacher Howard Snell working with Desford and other bands into the 90’s started to arrange orchestral works that A. Were fantastic works of musical caliber (many unknown the the BB rep) and, B. A superb challenge to the band - Daphnis and Chole Suite No 2 Ravel and Pines of Rome Respighi to name just two. In the same vein I have recently released Romeo & Juliet Tchaikovsky recently premiered in London by The Fulham Band, and today I let fly again one of the best known musical works in the world yet so far either not arranged because of over all length and technical difficulty, or just too harder work for the arranger? The Ride of the Valkyries Richard Wagner. 4 pages of full on can’t take your eyes off for a second challenge! Will your band take it on? Chop fatigue guaranteed plus and standing ovation from the audience.
The Ride of the Valkyries. Wagner

$59.99 57.49 € PDF SheetMusicPlus

Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glassplitter - IV Röhrengl. mixed choir (SSATBarB), children's voice, percussion and organ - intermediate - Digital Download SKU: S9.Q21339 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: score. Downloadable, Score. Duration 14 minutes. Schott Music - Digital #Q21339. Published by Schott Music - Digital (S9.Q21339). German.As a child, I sometimes closed my eyes for an extended period of time and imagined what it would be like to experience the world exclusively through my ears. In doing this exercise, I found over and over, with increasing intensity, that my sense of hearing enabled a far denser differentiation of images and information to penetrate my soul. It is my wish that audiences listen to my composition with their eyes closed, at least partially. Perhaps this would permit a few particles of light to appear in their mind’s eye. Harald WeissAls Kind schloss ich manchmal für längere Zeit meine Augen, um mir vorzustellen, wie es wohl wäre, wenn man die Welt vorwiegend durch seine Ohren an sich heranliesse. Bei dieser Übung machte ich immer wieder und zunehmend intensiver die Feststellung, dass über den auditiven Sinn eine viel dichtere Differenzierung an Bildern und Informationen in mein Innerstes gelangten. Ich wünsche mir, dass der Hörer meine Komposition mit geschlossenen Augen, zumindest teilweise, wahrnehmen würde. Möglicherweise könnten dabei auch ein paar Lichtpartikel in seinem inneren Auge entstehen. Harald Weiss.
Am Anfang war das Wort

$25.99 24.91 € PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download SKU: A0.1028126 Composed by Anders Wall. 20th Century,Contemporary. Individual part. 2 pages. WallofSound #3375321. Published by WallofSound (A0.1028126). With this piece for solo Oboe I want to raise awareness to dying population.You have a bee to thank for every one in three bites of food you eat.A single bee colony can pollinate 300 million flowers each day.Grains are primarily pollinated by the wind, but the best and healthiest food fruits, nuts, and vegetables are pollinated by bees.Seventy out of the top 100 human food crops, which supply about 90 percent of the world's nutrition, are pollinated by bees.In the US, among crops that require bee pollination, the number of bee colonies per hectare has declined by 90% since 1962. The bees cannot keep pace with the winter die-off rates and habitat loss. Biologists have found more than 150 different chemical residues in bee pollen, a deadly pesticide cocktail according to University of California apiculturist Eric Mussen. The chemical companies Bayer, Syngenta, BASF, Dow, DuPont, and Monsanto shrug their shoulders at the systemic complexity, as if the mystery were too complicated.They advocate no change in pesticide policy.After all, selling poisons to the world's farmers is profitable. - Greenpeace.com
To Bee or not to Bee
Hautbois (partie spare)

$1.99 1.91 € Hautbois (partie spare) PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
A Promise to Stand By:
Orchestre d'harmonie

$19.99 19.16 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1343503 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 7 pages. Marilena Zlatanou #929031. Published by Marilena Zlatanou (A0.1343503). GREEK FOLK SONG: DZIVAERI MOU (my precious jewel)arranged for soloist, SATB choir, and piano Traditional song from the Dodecanese islands and Asia Minor, inspired by the need for many to seek a life elsewhere during times of hardship and poverty: There are many Greek folk songs describing the sorrows of being far away from home, or, as in this case, the mother of a migrant is lamenting the separation from her child.duration: 2'50'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net As a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
Greek folk song: DZIVAERI MOU
Chorale SATB

$15.00 14.38 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
Bugle Call Rag for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published
$14.99 14.37 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.733619 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Amy J. Snyder. Contemporary,Pop. Score. 6 pages. Amy J. Snyder #6195719. Published by Amy J. Snyder (A0.733619). Believe, from the hit Christmas movie The Polar Express is a beautiful song sung by the great Josh Groban.  This arrangement is for advanced intermediate piano solo. It begins very simply, with R.H. chimes on the intro.  Key of E Major, helpful fingering included. Great piece for Winter recitals, Christmas party entertainment, or singing around the piano with friends and family. Written by Alan Silvestri and Glen Ballard. Arranged by Amy J. Snyder. Visit Amy at  https://www.facebook.com/amyjsnyder7  If you like this arrangement, check out Amy's other Christmas arrangements such as When Christmas Comes to Town , White Christmas, Have Yourself a Merry Little Christmas, Mary Did You Know, Noel, That's Christmas to Me, I Heard the Bells on Christmas Day, and more! Copyright © 2004 Joblana Music, Universal Music Corp., Hazen Music and Arlovol Music All Rights on behalf of Joblana Music Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights on behalf of Hazen Music Administered by Universal Music Corp. All Rights on behalf of Arlovol Music Administered by Penny Farthing Music c/o Concord Music Publishing International Copyright Secured All Rights Reserved.
Believe
Piano seul
Josh Groban
$5.25 5.03 € Piano seul PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussy??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puck??s DanceIV: The Sunken CathedralDebussy??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puck??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussy??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes ?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a ??symphonic?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly ??scherzo?? (Puck??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in B? Bass Clarinet in B? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in B? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ?Score and Parts
Orchestre

$99.99 95.83 € Orchestre PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343431 Composed by Greek folk song. Arranged by Marilena Zlatanou. Traditional. 10 pages. Marilena Zlatanou #928957. Published by Marilena Zlatanou (A0.1343431). GREEK FOLK SONG: YIANIS DEAREST, YOUR HANDKERCHIEF... (Yianni mou, to mandili sou) arrangement for SATB choir and pianoTraditional song from Epirus (NW Greece), inspired by the need for many to seek a life elsewhere during times of hardship and poverty: One of many songs describing the sorrows of being far away from home. Yiannis is a common male Greek name.duration: 2'50'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
Greek folk song: YIANI MOU TO MANDILI SOU
Chorale SATB

$15.00 14.38 € Chorale SATB PDF SheetMusicPlus

Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882  – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Által mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virít a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
Hungarian Folksongs, arranged for instruments in four parts

$4.99 4.78 € PDF SheetMusicPlus

Accordion - Level 1 - Digital Download SKU: A0.1087332 By Assi Rose. By Assi Rose. Arranged by Assi Rose. Celtic,Children,Folk,Holiday,Irish,Traditional. Score. 5 pages. Assi Rose Methods #691544. Published by Assi Rose Methods (A0.1087332). This is my original version of a mixture of traditional pieces I heard while traveling in Great Britain in the early 90's , I picked up the bits and pieces from Reels and Jigs I heard , they all sounded like pirate music to me, somehow I came up with this melody combination and decided to give it a name and claim it as a composition. I traveled European festivals and played this song everywhere I go, it got to a point I heard people playing this song on youtube and all sorts of places, this is the power of music, it travels far and wide beyond our expectations.
Pirate Reel Dance
Accordon
Assi Rose
$5.55 5.32 € Accordon PDF SheetMusicPlus






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