Choral Choir (SATB divisi) - Digital Download SKU: A0.1008843 Composed by Jamie Dawson Wilcutts. 20th Century,A Cappella,Contemporary,Patriotic. Octavo. 10 pages. WilcuttsMusPub #6027693. Published by WilcuttsMusPub (A0.1008843). An American Civil War Poem is a choral setting of the following poem by George Booker:   Blood, blood! The lines of every printed sheet  Through their dark Arteries reek with running gore;  At hearth, at board, before the household door,  ’T is the sole subject with which neighbors meet.  Girls at the feast, and children in the street,   Prattle of horrors; flash their little store   Of simple jests against the cannon’s roar,   As if mere slaughter kept existence sweet.  O, heaven, I quail at the familiar way   This fool, the world, disports his jingling cap;   Murdering or dying with one grin agap!  Our very Love comes draggled from the fray,   Smiling at victory, scowling at mishap,   with gory Death companioned and at play.  As you can see, the poem holds nothing back in its description. (Commissions are accepted by Jamie D. Wilcutts for works for instrument(s) or choral ensembles of any size or experience. E-mailing your initial commissioning proposal to wilcuttsmuspub@gmail.com with the subject line: Commission Proposal)

Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.973691 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Easter,Holiday,Sacred. 7 pages. J.W. Carter #5197469. Published by J.W. Carter (A0.973691). J.S. Bach's organ prelude setting of Jesu, meine Freude arranged for Flute Choir (3 Flutes, 3rd doubling Alto Flute, Bass Flute & Opt. Bassoon.To be played immediately after the 4-part chorale setting, also available here.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1172395 Composed by Traditional Scottish. Arranged by Aaron Lee. A Cappella,Folk,Traditional. Octavo. 5 pages. J. Aaron Lee #772620. Published by J. Aaron Lee (A0.1172395). The Parting Glass is a traditional Scottish song though it has also been very popular in Ireland for a long time and supposedly predates Robert Burn's Auld Lang Syne. This arrangement is presented as a very simple and concise setting for unaccompanied men's chorus. The lyrics of the song are simple and affective, and this setting helps to ensure that the text stays legible at all times. For more music from Aaron Lee, you can visit www.MusicOfLee.com.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1436298 Composed by Kevin G. Pace (ASCAP), Hugh W. Dougall. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Kevin G. Pace #1016408. Published by Kevin G. Pace (A0.1436298). Extremely beautiful new choral music.  Newly composed to the much-loved hymn text Jesus of Nazareth, Savior and King by Kevin G. Pace.  Text by Hugh W. Dougall (1872-1963).Text:Jesus of Nazareth,Savior and King!Triumphant over death,Life thou didst bring,Leaving thy Father’s throne,On earth to live,Thy work to do alone,Thy life to give.While of this broken breadHumbly we eat,Our thoughts to thee are ledIn rev’rence sweet.Bruised, broken, torn for usOn Calvary’s hill—Thy suff’ring borne for usLives with us still.As to our lips the cupGently we press,Our hearts are lifted up;Thy name we bless!Guide us where’er we go,Till in the endLife evermore we’ll knowThrough thee, our Friend.

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.559708 Composed by Traditional. Arranged by Lisa Ochoco. Christmas,Multicultural,World. 16 pages. Lisa L Ochoco #4265311. Published by Lisa L Ochoco (A0.559708). This West Indian Christmas carol was made popular when Harry Belafonte recorded it. Since then, it's been sung and played by every group imaginable. It's because this carol is just cool!! This arrangement is for double reed choir - 3 Oboes, English Horn, 2 Bassoons, and optional contrabassoon.  

Clarinet Choir,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1375438 Composed by John Wilbye. Arranged by Alan Edgar. Early Music,Renaissance. 40 pages. Alan Edgar Ted Moon #960011. Published by Alan Edgar Ted Moon (A0.1375438). John Wilbye (c 1574 – 1638) was an English madrigal composer. He was employed for decades at Hengrave Hall, near Bury St Edmunds. His style is characterized by the use of false relations between the major and minor modes. ‘Draw on Sweet Night’ comes from John Wilbye’s Second Set of Madrigals of 1609, published when the composer was 35. It has become one of Wilbye’s most cherished works and has been recorded by the likes of I Fagiolini, The Tallis Scholars and The Consort of Musicke. Wilbye labelled his score apt both for viols and voices so I feel justified in making this instrumental arrangement. When adding expressive markings, I had in mind the lyrics and their emotions. INSTRUMENTATION: Essential: Eb, Bb 1-4, Bass and either Bb5 or Alto. Optional: Contra-alto and Contrabass 6 minutes.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1323763 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Religious. 10 pages. RayThompsonMusic #911949. Published by RayThompsonMusic (A0.1323763). Lullay, mine liking is a Middle English lyric poem or carol of the 15th century which frames a narrative describing an encounter of the Nativity with a song sung by the Virgin Mary to the infant Christ. The refrain is an early example of an English lullaby; the term lullaby is thought to originate with the lu lu or la la sound made by mothers or nurses to calm children, and by or bye bye, another lulling sound (for example in the similarly ancient Coventry Carol)There are a number of surviving medieval English verses associated with the birth of Jesus which take the form of a lullaby, of which this is probably the most famous example. Written by an anonymous hand, the text is found uniquely in Sloane MS 2593, a collection of medieval lyrics now held in the British Library.My arrangement is transcribed from Gustav Holst's setting of the text, which he calls Lullay, My Liking.It is number 2 from Holst's 4 Carols for Unaccompanied Choir Op.34Arranged wind quintetThe solo verses are played by oboe, flute, clarinet,oboe and bassoon together and finally horn.The refrain has been arranged in a differnt instrumental line up each time it is played.

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817104 Composed by Bedrich Smetana. Arranged by Charles Decker. Contest,Festival,Multicultural,Romantic Period,World. 32 pages. Charles Decker Music Press #3533707. Published by Charles Decker Music Press (A0.817104). An accessible work for student and less experienced ensembles, this powerful and majestic orchestral brass fanfare from 1881 by Czech composer Bedrich Smetana is similar to Anton Bruckner's brass scoring. A spectacular work for brass ensemble programs and special ceremonies, it can be an exciting opening number for band or orchestra concerts featuring the brass section. The edition is scored for four B-flat trumpets with alternate C trumpet parts, 4 horns in F, three trombones in bass clef, tuba and timpani.. The audio file is an actual large brass ensemble performance of the entire work and not a computer playback of the score.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Bass Trombone,Tenor Trombone - Level 4 - Digital Download SKU: A0.1281779 Composed by Nicolás Ernesto Cortés Castillo. 21st Century,Chamber,Multicultural,Traditional,World. 26 pages. Nicolas Ernesto Cortes Castillo #873125. Published by Nicolas Ernesto Cortes Castillo (A0.1281779). The Battle of Curalaba for trombone choir (octet). Composed in 2019, this piece is inspired by a battle in the Arauco War. Instrumentation: 6 tenor trombones, 2 bass trombones. Also playabile by an euphonium/tuba octet. Duration: 5 minutes aprox.

Large Ensemble Organ,Trombone - Level 5 - Digital Download SKU: A0.792708 Composed by Hector Berlioz. Arranged by Marc Williams. Opera,Romantic Period. Score and parts. 97 pages. Gordon Cherry #5873693. Published by Gordon Cherry (A0.792708). Te Deum, written by Hector Berlioz was conceived as the conclusion to a grand symphony celebrating Napoleon, but ultimately, the piece was dedicated to Prince Albert, the husband of Queen Victoria. Berlioz considered the Te Deum to fall into his ‘architectural or monumental’ musical compositions which is true, given that Berlioz led musical forces between 900-950 performers at the initial 1855 performance! Judex Crederis is the last movement of the Te Deum and represents one of Berlioz’s most dramatic works. As with many of Berlioz’s large works, the trombone plays a prominent role in the movement. After the spectacular organ introduction, the brass enters, led by the six trombones in a brief fanfare that introduces the chorus. This glorious ‘moment’ inspired the arrangement for a monumental trombone choir with organ. The original trombone parts are included essentially unchanged, with the other parts covering the chorus and instruments. The work brilliantly arranged by Marc Williams is intended for accomplished performers and provides ample musical challenges and rewards for the performers and audience alike.

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.780025 Composed by Gioachino Rossini. Arranged by Graham Boag. Classical,Standards. Individual part. 66 pages. Graham Boag #4613349. Published by Graham Boag (A0.780025). One of Rossini's most loved Opera's The Barber of Seville has stood the test of time and is as popular now as the day it was premiered in 1816. The overture is a popular concert item and it has been carefully arranged here for Double Bass Choir (Six players). It will most certainly be a challenge for all but a rewarding one none the less. I hope you enjoy playing it. .

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1304926 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Spiritual. 10 pages. Robert E. Benton, Jr. #894350. Published by Robert E. Benton, Jr. (A0.1304926). This choral arrangement of the hymn celebrates the gift of music, which blesses the hearts of man. The congregation is called to rejoice, give ear to the Spirit’s call, receive His offer, and adore the Lord.The SATB arrangement is appropriate for choral singing at the high school or collegiate level or above with piano accompaniment. The accompaniment presents a smooth and flowing musical background for the chorus to implore that we rejoice in song while hearing and receiving God’s good gift of music, and culminates in a sonic wall of reverent adoration from the chorus in the final verse. Vocal Ranges: Soprano: D4 -- G5; Alto: A3 – B4; Tenor: D3 – E4; Bass: G2 – B3  For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.749390 Composed by James-Michael Sellers. Christmas. 21 pages. JMS Composer #3245545. Published by JMS Composer (A0.749390). There's always a need for a majestic opening for any performance, whether it be at the start of the show or as a piece to break up different portions of a show. This work was written while a light snow was falling, and serves to highlight the light and fluffy nature. It's an easy-going piece which should be easy to work up without much rehearsal time needed.Instrumentation:- E-flat Clarinet (opt.)- 4 B-flat Clarinets- Alto Clarinet- Bass ClarinetA full recording is provided on YouTube at: https://www.youtube.com/watch?v=vRtJdm-PfHg

Trombone Solo - Level 5 - Digital Download SKU: A0.782206 Composed by Charles Hubert Hastings Parry. Arranged by James Haynor. Romantic Period. Individual part. 56 pages. James Haynor #3435335. Published by James Haynor (A0.782206). Charles Hubert Hastings Parry (1848 - 1918) was an English composer, teacher and historian of music. The Songs of Farewell are a persuasive reminder of Parry’s significant contribution to the English choral tradition. They were composed during the First World War. Parry’s Songs of Farewell are widely acknowledged as masterpieces of unaccompanied choral writing. Scored here for trombone octet. The sonorities of the trombone choir mimic very well the blend achieved with the human voice.Duration: ( 11:28 ) 

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.576139 Composed by Carroll O'Daly. Arranged by David Warin Solomons. Contemporary,Folk,World. Octavo. 3 pages. David Warin Solomons #2031597. Published by David Warin Solomons (A0.576139). Choral arrangement of Robin Adair, with some interesting harmonies. Audio sample sung (multitrack and transposed down a little) by the composer The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of Robin Adair itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain Scotch snaps but this version follows the simplest melodic line, without the Scotch snaps - which may have been closer to O'Daly's original tune - and with quite romantic choral harmonies.