Guitar - Level 1 - Digital Download SKU: A0.1493187 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by Marcelo Borba. Country,Folk,Multicultural,Standards,Traditional,World. Chords/Lyrics. 3 pages. Marcelo Borba #1069849. Published by Marcelo Borba (A0.1493187). Leadsheet style - chords and tablature Canto Alegretense é uma das canções mais emblemáticas da música tradicionalista gaúcha, muito conhecida e apreciada no Rio Grande do Sul e entre comunidades gaúchas no Brasil e no exterior. Ela foi composta em 1983 por Nico Fagundes (letra) e Bagre Fagundes (melodia), dois irmãos que são figuras importantes na cultura e na música regional do sul do Brasil.### Contexto e SignificadoA canção é uma celebração da cidade de Alegrete, localizada na fronteira oeste do Rio Grande do Sul, e da identidade cultural dos gaúchos. A letra expressa o orgulho pela terra, pela história e pelas tradições do povo do sul, evocando imagens da paisagem pampiana e dos costumes locais.### LetraA letra de Canto Alegretense é carregada de simbolismo e sentimento. Ela começa com uma saudação ao Alegrete, descrevendo a cidade como um lugar acolhedor e de grande significado para aqueles que têm raízes na região. Ao longo da canção, são mencionados elementos da cultura gaúcha, como o poncho, o mate e a bombaixa, além de referências ao céu e à terra, que têm um profundo significado no imaginário coletivo dos gaúchos.### Impacto CulturalDesde seu lançamento, Canto Alegretense tornou-se um hino extraoficial do Rio Grande do Sul e é frequentemente interpretada em festivais, rodeios, e eventos culturais do estado. A música tem um forte apelo emocional e é vista como um símbolo da resistência cultural e da preservação das tradições gaúchas.Essa canção, com sua melodia marcante e letra poética, continua a ser uma das mais queridas e representativas da música regional do Rio Grande do Sul.****Canto Alegretense is one of the most emblematic songs of traditional Gaúcho music, widely known and appreciated in Rio Grande do Sul and among Gaúcho communities in Brazil and abroad. It was composed in 1983 by Nico Fagundes (lyrics) and Bagre Fagundes (melody), two brothers who are important figures in the culture and music of southern Brazil.### Context and MeaningThe song is a celebration of the city of Alegrete, located in the western border of Rio Grande do Sul, and the cultural identity of the Gaúchos. The lyrics express pride in the land, history, and traditions of the southern people, evoking images of the pampas landscape and local customs.### LyricsThe lyrics of Canto Alegretense are rich in symbolism and emotion. It begins with a salute to Alegrete, describing the city as a welcoming place of great significance for those with roots in the region. Throughout the song, elements of Gaúcho culture are mentioned, such as the poncho, mate, and bombaixa, as well as references to the sky and the land, which hold deep meaning in the collective imagination of the Gaúchos.### Cultural ImpactSince its release, Canto Alegretense has become an unofficial anthem of Rio Grande do Sul and is often performed at festivals, rodeos, and cultural events across the state. The song has a strong emotional appeal and is seen as a symbol of cultural resistance and the preservation of Gaúcho traditions.With its striking melody and poetic lyrics, this song remains one of the most beloved and representative pieces of regional music in Rio Grande do Sul.

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880980 By Jessie J Featuring B.O.B. By Bobby Ray Simmons, Jr., Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6362961. Published by MARCO POLO IGNACIO (A0.880980). Price Tag is a song by English singer-songwriter Jessie J, featuring American rapper B.o.B. It was released in late January 2011, in the United Kingdom as the second single from Jessie J's debut studio album, Who You Are (2011). Price Tag was written by Jessie J, Courtney L Richardson, Dr. Luke, Claude Kelly and B.o.B, and it was produced by Dr. Luke serves as the album's lead single in the United States. An official remix features British rapper Devlin. The song debuted at number one on the UK Singles Chart. Elsewhere, the single also topped the charts in Ireland and New Zealand, becoming Jessie J's first number-one single in all these countries and her native United Kingdom. In the United States, Price Tag peaked at number 23 on the Billboard Hot 100. Additionally, the song charted at number one in nineteen countries, becoming Jessie J's biggest hit to date. The song was also the biggest-selling collaboration of the year in the UK. At the 2012 Brit Awards, Price Tag was nominated for Best British Single.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song.  Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar  (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire  una paloma viene a ti  con una canción de amor ¡oh, sí!  en su pico, danzando en el aire.  Coro: Danzando en el aire  una paloma viene a ti  con una canción de amor ¡oh, sí!  en su pico, danzando en el aire.  Él: Llegaste a mí  como la luna viene a la noche,  y nadie me robará  el nido que he hecho para ti.  Coro: Danzando en el aire  una paloma viene a ti  con una canción de amor ¡oh, sí! en su pico llegó, danzando  en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·

A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1284281 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 38 pages. RayThompsonMusic #875459. Published by RayThompsonMusic (A0.1284281). Arranged double wind quintet/bass.This is my arrangement of the complete work - it includes the trio.Check out my shorter version here.The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev. The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN ARather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.

A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1278533 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 25 pages. RayThompsonMusic #870214. Published by RayThompsonMusic (A0.1278533). The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev.[1] The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN AThis is the first section of the March, It does NOT include the TRIO or the repeat of the March (so does not include the God save the Tsar music)Rather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.

Choral children's voices, congregation, narration, SATB choir, trumpet - Digital Download SKU: H1.C5648DP Composed by Becki Slagle Mayo and Lynn Shaw Bailey. Piano Accompaniment. Hymntune, General Worship, Devotion. Octavo. 16 pages. Hope Publishing - Digital #C5648DP. Published by Hope Publishing - Digital (H1.C5648DP). Lynn Shaw Bailey. Psalms 20:1 - Psalms 20:2 - Psalms 20:3 - Psalms 20:4 - Psalms 20:5 - Psalms 20:6 - Psalms 20:7 - Psalms 20:8 - Psalms 20:9 - Psalms 90:1 - Psalms 90:2 - Psalms 90:3 - Psalms 90:4 - Psalms 90:5 - Psalms 90:6 - Psalms 90:7 - Psalms 90.Original anthem Writers Lynn Shaw Bailey and Becki Mayo combine stirring new music with Isaac Watts' O God, Our Help in Ages Past in this exciting, multi-generational worship piece recalling the heritage of our faith. An optional scripture-based introductory reading with parts for grandparent, parent and child sets the tone with appropriate, subtle underscoring. The addition of Children's Choir offers the opportunity to include all ages in this useful anthem perfect for dedications, homecomings, missions, All Saints Day & New Year's services. Reproducible parts for the reading, the children's choir, B-flat trumpet and congregation are all included.

Choral Choir,Choral (SATB) - Digital Download SKU: A0.1015186 Composed by Katie Kring. Christian,Contemporary,Sacred,World. 9 pages. Resplendence Music #4767505. Published by Resplendence Music (A0.1015186). The Phos Hilaron is one of the oldest existing hymn-texts in Christendom, and it remains an integral part of Vespers and Evening Prayer services in liturgical churches. Katie Kring's new setting is in the original Greek, albeit with modern pronunciation. It a warm, and gently joyful setting, appropriate for intermediate SATB school and church choirs, welcoming nightfall in the light of the Father. Light gladsome of the holy glory of the Immortal Father, the Heavenly, the Holy, the Blessed, O Jesus Christ, having come upon the setting of the sun, having seen the light of the evening, We praise the Father, the Son, and the Holy Spirit: God. Worthy it is at all times to praise Thee in joyful voices,

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dʒ] sound and llanto begins with the [ʒ] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, �ngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313). A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.874497 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by GamesWarp Studios. Pop. Score. 4 pages. Gavin Koh #5222525. Published by Gavin Koh (A0.874497). Here is my piano solo arrangement of Billie Eilish's No Time to Die from the upcoming James Bond movie. This arrangement stays as true to the original as possible, so I hope you enjoy it. Thanks.You can listen to No Time to Die on my Soundcloud channel at https://soundcloud.com/gavinkoh/billie-eilish-no-time-to-dieListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Regis Cunha. Christmas,Classical,Film/TV,Instructional,Sacred. Score. 16 pages. Flavio Regis Cunha #6656831. Published by Flavio Regis Cunha (A0.597585). Beautiful, exotic and inspiring arrangement for the well-known Gregorian chant. The arrangement proposes a cathedral atmosphere, with the piano pedal often mixing sounds and chords to provide the reverberation of a cathedral. The text of the first stanza was placed in Latin to evoke the Gregorian ambience of the first centuries of sacred vocal music. You will love playing and singing this arrangement. It will really feel like a cathedral. Your audience will love to hear it. O Come, O Come, Emmanuel, is a song for the Advent period, that is, the four sunday period before the day of Christmas. It's a period of expectation, of wait for the coming of the Messiah. the anthem has a centuries-old and curious history: text and music came from countries different and from different periods of the story! The text already existed in the eighth century! and it was very sung! But the first publication that his if you know it is from the year 1710, coming from the city of Cologne, Germany. The melody we know today, was associated for the first time to the text in 1851, in a English hymnal of that year. But the origin of melody remained obscure. the mystery was solved in 1966, only when Marry Berry, English musicologist, discovered in the National Library of France, a manuscript from the 15th century that brought the melody score, but associated with another text, Bone Jesu dulcis. So, both melody and texts are, in fact, centenarians, but they were not born together: they were joined very late! But this union has become eternal: impossible imagine O Come, O come Emmanuel sung with another melody, just like the melody, our acquaintance, associated with another text! Album link: https://open.spotify.com/album/0PTAmxvGwRXw5788nIDaSU?si=RLRuFSKzQHSqzMx4OYaEZw Intermediate level Format: Concert, 9 x 12 inches 16 pages.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.553943 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Christmas,Renaissance. 26 pages. RayThompsonMusic #6290707. Published by RayThompsonMusic (A0.553943). Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas.He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders.This is my transcription of the Noëls sur les instruments for standard wind quartet. (flute, oboe, clarinet and bassoon)They are 6 pieces :Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?) Joseph est bien marié (Joseph is happily married) Or nous dites Marie (But, tell us Mary) A la venue de Noël (With the coming of Christmas) Une jeune pucelle (A young maid/virgin/girl)This is purely the order they are shown in his manuscript.They appear in his Midnight Mass in the following order:(This follows the Christmas Story)Joseph est bien marié (Joseph is well married)Or nous dites Marie (But, tell us Mary)Une jeune pucelle (A young maid/virgin/girl)Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?)A la venue de Noël (With the coming of Christmas)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1156439 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Chamber,Christian,Christmas. 31 pages. RayThompsonMusic #756754. Published by RayThompsonMusic (A0.1156439). Arranged standard wind quintet Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas. He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders. This is my transcription of the Noëls sur les instruments for standard wind quintet. (flute, oboe, clarinet, horn and bassoon) They are 6 pieces : Les Bourgeois de Chastre (The Townsfolk of Chastre)  Où s'en vont ces gais bergers (Where have the merry shepherds gone?)  Joseph est bien marié (Joseph is happily married)  Or nous dites Marie (But, tell us Mary)  A la venue de Noël (With the coming of Christmas)  Une jeune pucelle (A young maid/virgin/girl) This is purely the order they are shown in his manuscript.   They appear in his Midnight Mass in the following order: (This follows the Christmas Story) Joseph est bien marié (Joseph is well married) Or nous dites Marie (But, tell us Mary) Une jeune pucelle (A young maid/virgin/girl) Les Bourgeois de Chastre (The Townsfolk of Chastre)  Où s'en vont ces gais bergers (Where have the merry shepherds gone?) A la venue de Noël (With the coming of Christmas)  

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553945 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Christmas. Score and parts. 57 pages. RayThompsonMusic #6301461. Published by RayThompsonMusic (A0.553945). Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas.He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders.This is my transcription of the Noëls sur les instruments for standard wind dectet and bassThey are 6 pieces :Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where are the merry shepherds going?) Joseph est bien marié (Joseph is happily married) Or nous dites Marie (But, tell us Mary) A la venue de Noël (With the coming of Christmas) Une jeune pucelle (A young maid/virgin/girl)This is purely the order they are shown in his manuscript.They appear in his Midnight Mass in the following order:(This follows the Christmas Story)Joseph est bien marié (Joseph is happily married)Or nous dites Marie (But, tell us Mary)Une jeune pucelle (A young maid/virgin/girl)Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where are the merry shepherds going?)A la venue de Noël (With the coming of Christmas)

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.553941 Composed by Marc-Antoine Charpentier. Arranged by Ray Thompson. Baroque,Christmas,Classical,Renaissance. Score and parts. 30 pages. RayThompsonMusic #6286665. Published by RayThompsonMusic (A0.553941). Charpentier wrote a lot of music for Christmas: oratorios on Christmas themes, pastorals, noels, and a lovely Midnight Mass for Christmas.He arranged a lot of French Christmas Carols (Noels) as 2 suites _ Noels sur les instruments and Noels pour les instruments for a string orchestra and 2 flutes/recorders.This is my transcription of the Noëls sur les instruments for standard string quartet.They are 6 pieces :Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?) Joseph est bien marié (Joseph is well married) Or nous dites Marie (But, tell us Mary) A la venue de Noël (With the coming of Christmas) Une jeune pucelle (A young virgin girl)This is purely the order they are shown in his manuscript.They appear in his Midnight Mass in the following order:(This follows the Christmas Story)Joseph est bien marié (Joseph is well married)Or nous dites Marie (But, tell us Mary)Une jeune pucelle (A young virgin girl)Les Bourgeois de Chastre (The Townsfolk of Chastre) Où s'en vont ces gais bergers (Where have the merry shepherds gone?)A la venue de Noël (With the coming of Christmas)