Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.

String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone.  There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.

String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.798066 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 14 pages. Inacio Saldanha #3460039. Published by Inacio Saldanha (A0.798066). Chasing Cars is a song by Northern Irish-Scottish alternative rock band Snow Patrol. It was released as the second single from their fourth studio album, Eyes Open (2006). It was recorded in 2005 and released on 6 June 2006 in the United States and 24 July 2006 in the United Kingdom.[1] The song gained significant popularity in the US after being featured in the second season finale of the popular medical drama Grey's Anatomy, which aired on 15 May 2006. (Wikipedia) Arranged for Cello Quartet. Key of A major. Advanced Intermediate.  Audio file made from midi engine.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.943933 Composed by Clyde Grabski. 20th Century,Children,Contemporary. 17 pages. Diamond Forest Publishing #4621831. Published by Diamond Forest Publishing (A0.943933). The beauty of the woodwinds will entrance those who listen to this music. It's as though Mendelssohn were reincarnated to create this tone row composition. Hide and Seek in the Forest is aptly named. Elves, small creatures, children, and fairies all seem to play together in harmonic resonance. The audio sample is performed by a world-class woodwind quartet. Listen...close your eyes...and be transported!

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1210458 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 2 pages. Kevin G. Pace #808240. Published by Kevin G. Pace (A0.1210458). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:If you had been there that first Easter morning would you have asked, as did Job, If a man die, shall he live a gain? Would you have shown your lasting hope?Would you have listened to words Mary heard: Woman, why weepest today? Would you have recognized Jesus' voice If He had spoken your own name?If you had been there and seen with your eyes your risen Savior, your Guide, Would you believe, would you testify, E'en though the Savior had just died?If you had been there that first Easter morning would you have knelt in blessed grace? Would you have witnessed of Him that day, Viewing your Savior's loving face?

Small Ensemble Flute,Viola,Violin - Digital Download SKU: A0.1021611 Composed by Tyler J. Holt. Contemporary. Score and parts. 11 pages. TJHoltMusic #6117631. Published by TJHoltMusic (A0.1021611). My inspiration to compose ...from snow pond to sunset, Op. 5 (2018) is based on the picture on the title page, which I took at the Snow Pond Composer's Workshop the year before....from snow pond to sunset. From the mountain that never was to skipping stones by the lakeside. I want you to close your eyes and imagine a lake by the campground. Now, I want you to imagine a beautiful sunset descending upon the skies of Sidney, Maine. The piece you are about to hear is a representation of my experience as well as some of my fondest memories of Snow Pond. This is where words fail to capture my time at Snow Pond. I will let the flute, violin, and viola portray my experience...from snow pond to sunset.Composed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.938330 Composed by Dr Anthony Costandius. 20th Century,Romantic Period. Octavo. 6 pages. Anthony Costandius Music #2034373. Published by Anthony Costandius Music (A0.938330). An SSAATTBB 8 part love song based on a beautiful text by John Donne: Stay, O stay and do not rise. The light that shines comes from your eyes; The day breaks not, it is my heart, it is that you and I must part. True, it's day, Yeah it is, so will you there-fore rise? Why should we rise be-cause 'tis light? Love which in spite of dark-ness brought us here, should in spite of light keep us to-ge-ther.

Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2  It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind.  No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4  The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.

Guitar,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.1448121 Composed by David Warin Solomons. Contemporary,Multicultural,World. 5 pages. David Warin Solomons #1028060. Published by David Warin Solomons (A0.1448121). Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish bananaThe pdf file contains score and parts.

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.

SATB choir (a cappella) SKU: LO.10-5212S Composed by Steven Stucky. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5212S. Published by Sacred Music Press (LO.10-5212S). ISBN 9780787763770.Pulitzer Prize-winning composer Steven Stucky was one of America's most beloved musical voices. In this eminently approachable anthem, he set music to text by Christina Rosetti asking for God to give us ears to hear, eyes to see, wills to obey, and hearts to love..

Flute Solo - Level 4 - Digital Download SKU: A0.839636 Composed by Alan Menken. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6501631. Published by Bobby Hesch (A0.839636). PROUD OF YOUR BOY!!! A SHOW STOPPER THAT WILL BRING TEARS TO YOUR EYES!!! WRITTEN BY THE GREAT HOWARD ASHMAN & ALAN MENKEN! FOR THE MUSICAL ALADDIN!!!  I'LL DO MY BEST WHAT ELSE CAN I DO, SINCE I WASN'T BORN PERFECT LIKE DAD AND YOU, MOM I'LL TRY HARD TO MAKE YOU, PROUD OF YOUR BOY!!! LET'S PLAY SOME JAZZ!!! REMEMBER  HOWARD ASHMAN  GREAT LYRICIST!!! KEY OF C/D!!LOW E-HIGH F#!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch EMAIL QUESTIONS, I CAN HELP!!! HAVE FUN PLAYING THIS TRIBUTE TO A GREAT MAN!!!

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1321618 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #910095. Published by Kevin G. Pace (A0.1321618). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .�  (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.