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Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1495917 By The Eagles. By Bernie Leadon and Don Henley. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop,Rock. 9 pages. Music Arrangement Services Inc. #1072446. Published by Music Arrangement Services Inc. (A0.1495917). Performed by The Eagles and featured in the film “Bewitched” (sung by Kristn Chenoweth).  This song is about a woman with devil-like characteristics.  The song refers to raven hair, ruby lips, sparks, voices in the night, restless spirit, flying, moon in her eyes, being spellbound, dancing shadows, firelight, crazy laughter, madness, silver spoon, devil’s bed, rumors, underground.  This arrangement includes several dance breaks and a vocal feature.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 2:55.
Witchy Woman
Chorale 3 parties
The Eagles
$3.99 3.41 € Chorale 3 parties PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
Stabat Mater - string ensemble parts

$19.00 16.21 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone.  There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
Orchestre à Cordes

$15.00 12.8 € Orchestre à Cordes PDF SheetMusicPlus

Instrumental Solo,Organ - Level 2 - Digital Download SKU: A0.1143658 Composed by John Q. Adams. Arranged by Juliano Music. 20th Century,Christian,Praise & Worship,Religious,Sacred. Individual part. 17 pages. Juliano Alessandro Molteni #743978. Published by Juliano Alessandro Molteni (A0.1143658). My arrangements for EASY ORGAN OF THE BEST HYMNS BY JOHN Q. ADAMS ARRANGED FOR ORGAN WITHOUT THE PEDALBOARD LINE. Content: HARK! 'TIS THE HOLY TEMPLE'S BELLS (EASY ORGAN) HYMN FOR THE 22nd OF DECEMBER (EASY ORGAN) LORD OF ALL WORLDS (EASY ORGAN) O LORD MY GOD! HOW GREAT ART THOU!(EASY ORGAN) O LORD, THY ALL DISCERNING EYES (EASY ORGAN) O THAT THE RACE OF MEN WOULD RAISE (EASY ORGAN) ROSEDALE (EASY ORGAN) SEND FORTH, O GOD, THY LIGHT AND TRUTH (EASY ORGAN) THE HOUR GLASS (EASY ORGAN) WHY SHOULD I FEAR IN EVIL DAYS (EASY ORGAN) JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance. ENJOY!!
THE BEST OF JOHN Q. ADAMS (HYMNS - EASY ORGAN)
Orgue

$4.99 4.26 € Orgue PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1333814 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Period. 15 pages. Cypress Publishing #920092. Published by Cypress Publishing (A0.1333814). Grieg wrote almost all of his songs to be performed by his wife, Nina Hagerup, and this gives his love songs a special intimacy. I Love You, a setting of a poem by the Danish writer Hans Christian Andersen, is one of the most cherished love songs ever composed. This set also includes the folk song-like Two Brown Eyes, and the impassioned A Dream.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
Three Love Songs by Edvard Grieg
Quatuor à cordes: 2 violons, alto, violoncelle

$6.00 5.12 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
The Wounded Angel

$12.95 11.05 € PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #934234. Published by Kevin G. Pace (A0.1349477). An epically beautiful, sacred choral work with baritone soloist.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .† (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Viola - Level 2 - Digital Download SKU: A0.798065 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 15 pages. Inacio Saldanha #3460017. Published by Inacio Saldanha (A0.798065). Chasing Cars is a song by Northern Irish-Scottish alternative rock band Snow Patrol. It was released as the second single from their fourth studio album, Eyes Open (2006). It was recorded in 2005 and released on 6 June 2006 in the United States and 24 July 2006 in the United Kingdom.[1] The song gained significant popularity in the US after being featured in the second season finale of the popular medical drama Grey's Anatomy, which aired on 15 May 2006. (Wikipedia) Arranged for Viola Quartet (Violins, viola and cello). Key of A major. Early Intermediate.  Audio file made from midi engine.
Chasing Cars
Snow Patrol
$12.99 11.09 € PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1353361 By Kimberly Joy Minarich. By Kimberly Joy Minarich. Arranged by Kimberly Joy Minarich. Christian,Singer/Songwriter,Spiritual. 11 pages. Kimberly Joy Minarich #938120. Published by Kimberly Joy Minarich (A0.1353361). Everyday, I pray with my children that “we would be a light†everywhere we go, reflecting God’s love and His light of salvation. After talking about what this means with them, I decided to write a song about exactly what this Light is and how we can find it, see it, then BE that to this world. As we walk this earth, we are all searching for our purpose and something to believe in. I hope you’ll turn your eyes upward, listen to the lyrics of this song to help guide you, then find your compass and direction as you face the Light. Jesus died on the cross for us…He wants us to spend eternity with Him, enjoy the blessings of life, and find joy! Because we live in a broken world, there will be heartache…but if we walk with Him, we can find security, purpose, and companionship like we’ve never known. Enjoy searching for the light as you take this musical journey of what it feels like to me!
Searching for the Light
Chorale 3 parties
Kimberly Joy Minarich
$7.99 6.82 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 12 pages. Kevin G. Pace #854253. Published by Kevin G. Pace (A0.1261183). A beautiful, dramatic choral composition portraying the miracle of Jesus in feeding the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
Loaves and Fishes, sacred music for SATB choir
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kevin G. Pace #872711. Published by Kevin G. Pace (A0.1281368). Sacred choral music for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. Text: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
Hush, Sweet Baby - sacred choral music for Christmas
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
In the Sweet By and By hymn for string trio
Trio à Cordes: violon, alto, violoncelle
and By! Why would not that make a good hymn? Maybe it would, he said indifferently Turning to my desk I penned the words of the hymn as fast as I could write
$12.99 11.09 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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