Large Ensemble,Strings Acoustic Guitar,Bass Voice,Double Bass,Electric Bass Guitar,Harp,Horn,Piano and Keyboard,Steel Guitar,Synthesizer,Tuba - Digital Download SKU: A0.762930 By Amphibia Cultural Legacy. By Mark Mothersbaugh and T.J. Hill. Children,Classical,Contemporary,Film/TV,Multicultural,World. Score and parts. 2 pages. Amphibia Cultural Legacy #370636. Published by Amphibia Cultural Legacy (A0.762930). Audiences around the world are captivated whenever they hear a cover remixed with an orchestra. But this particular remixed melody comes from an even more special source - that of the theme song in Disney Channel’s Amphibia! Titled Anne’s Theme, this beautiful blend of music and rhythm has made waves in the industry due to its mesmerizing sound. Racing percussion and filled strings come together to form a brilliant melody unlike any other.Unsurprisingly, it has become one of the show’s most popular musical numbers among diehard fans everywhere. Those cleverly blending their own melodizing magic have now surprisingly dedicated themselves to getting creative with remixing Anne’s Theme so that it can be played with every traditional orchestral piece. Such recreations can make for sweet symphonies, making this musical number truly timeless and rapturously beautiful!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christmas,Classical,Concert,Standards. Score and parts. 2 pages. Joseph Pugh #6518121. Published by Joseph Pugh (A0.855267). Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Striftsckirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for Treuer Heiland, wir sind hir, found in Kocher's Stimmen aus den Reiche Gottes (1838).-Hymnary.com Bert PolmanChristmas season wouldn't be complete without the Christmas Hymns. Joseph's arrangement of this classic Christmas Hymn will bring the Spirit of Christmas to your audience as well as, comfort and joy.Download it today and start getting ready for your Christmas gigs.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853706 Composed by Gladness Beard Jennings. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4569741. Published by Larry Wright (A0.853706). A WOMEN'S 4-part, a cappella, arrangement of this powerful, classic, patriotic ballad made immensely popular by Lee Greenwood; non-contest; There are other arrangement variations available of this popular song,... like men/women 8-part, men's 4-part a cappella, men's 4-part accompanied, and women's 4-part accompanied; check out the brief audio sample! IMPORTANT NOTE: by FIRST purchasing the COMBO of this arrangement from my website store <www.larrywrightmusic.com>, you'll be getting the EXCELLENT part-predominant vocal learning trax... and be able to purchase the sheet music from SMP for their lowest $1.99 per-copy price,... NOT the much higher currently posted $14.25 per-copy price. PLUS, you'll get to select a second COMBO of your choice from my website store and get it for FREE!!!! Of course, you'll still to pay the song licensing fee to the publisher (in most cases, SMP) controlling the copyright. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent  part-predominant vocal Learning Trax <www.larrywrightmusic.com>.

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.1027763 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arranged by Nick La Riviere. Pop. Score and parts. 39 pages. Nick La Riviere #2929283. Published by Nick La Riviere (A0.1027763). R&B Band Arrangement for:•Lead Vocals•3 Part Backup Vocals•Alto Sax•Tenor Sax•Baritone Sax•Trumpet•Trombone•Guitar•Piano/Keyboard•Bass•Drum SetAbout the arranger:Arranger and trombonist Nick La Riviere, has made a full time living as a musician for the past 12 years.  He's performed across the globe, including Canada, the USA, Mexico, Germany, England, Ireland, Luxembourg, Austria, Switzerland, and more.   Nick has toured with award winning multi-genre bands that play jazz, folk, pop, latin, Celtic, klezmer, classical, ska, and others.  He plays trombone, conch shells, bass, and sings. Some of his bands include the Juno winning Paperboys, Locarno, and Michael Kaeshammer.  His arrangements are used by many different bands ranging from middle school string programs to high school and professional R&B bands to major touring artists.  All of Nick's R&B charts have been tested and performed by multiple high school, college level, and professional groups. They’re well written, accurate, high energy, and fun!  Charts include vocal cues at the start of new phrases or sections on all the parts.  That makes rehearsing easier, and if a singer puts a few extra bars in during a performance it’s easy for the band to get back on track.  Just getting started with an R&B band of this instrumentation?  Look for more of Nick La Riviere's arrangements on Sheet Music Plus or email Nick@NickLaRiviere.com to put together a complete library of performance ready music.

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drum Set,Drums,Guitar,Keyboard,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1027765 By Pharrell. By Pharrell. Arranged by Nick La Riviere. Hip-Hop,R & B,Soul. Score and parts. 55 pages. Nick La Riviere #2949491. Published by Nick La Riviere (A0.1027765). R&B Band Arrangement for:•Lead Vocals•3 Part Backup Vocals•Alto Sax•Tenor Sax•Baritone Sax•Trumpet•Trombone•Guitar•Piano/Keyboard•Bass•Drum Set About the arranger:Arranger and trombonist Nick La Riviere, has made a full time living as a musician for the past 12 years.  He's performed across the globe, including Canada, the USA, Mexico, Germany, England, Ireland, Luxembourg, Austria, Switzerland, and more.   Nick has toured with award winning multi-genre bands that play jazz, folk, pop, latin, Celtic, klezmer, classical, ska, and others. He plays trombone, conch shells, bass, and sings. Some of his bands include the Juno winning Paperboys, Locarno, and Michael Kaeshammer.  His arrangements are used by many different bands ranging from middle school string programs to high school and professional R&B bands to major touring artists.   All of Nick's R&B charts have been tested and performed by multiple high school, college level, and professional groups. They’re well written, accurate, high energy, and fun! Charts include vocal cues at the start of new phrases or sections on all the parts. That makes rehearsing easier, and if a singer puts a few extra bars in during a performance it’s easy for the band to get back on track.   Just getting started with an R&B band of this instrumentation?  Look for more of Nick La Riviere's arrangements on Sheet Music Plus or email Nick@NickLaRiviere.com to put together a complete library of performance ready music.

Piano Solo - Level 4 - Digital Download SKU: A0.1219240 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Festival,Instructional,Sacred,Wedding. Score. 4 pages. FRC Music #815637. Published by FRC Music (A0.1219240). Welcome to this exclusive presentation of one of Johan Sebastian Bach's most beloved works, 'Ich ruf zu dir, Herr Jesu Christ, BWV 639' as play by the remarkable Icelandic pianist Víkingur Ólafsson. This stellar performance provides a delightful exploration into the depths of Bach's masterly composition and an experience that is unparalleled.   Whether you are an accomplished musician, a budding student or a professional pianist, you will find much to love while listening to the mastery of Víkingur Ólafsson. Let yourself be moved. Let your soul be lifted with this eternally powerful piece of music.   Experience a larger-than-life performance of 'Ich ruf zu dir, Herr Jesu Christ, BWV 639' - as played by Víkingur Ólafsson - by getting your sheet music today.Advanced Intermediate level Format: Concert 9 x 12 inches 4 pages.NotesChorale Prelude BWV 639 Ich ruf zu dir, Herr Jesu Christ (Transcr. by Ferruccio Busoni) As played By Víkingur Ólafsson (for Piano Solo).This beautiful work by J. S. Bach was recently used in the powerful film All Quiet on the Western Front by director Edward Berger. In the movie, the terrible experiences and anguish of a young German soldier on the Western Front during the First World War. Enjoy! In this Busoni's transcription that emphasise lush, organ-like sonorities on the piano. Enjoy!

Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.

Small Ensemble Cello,Guitar,Violin - Level 3 - Digital Download SKU: A0.812451 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 16 pages. Silent Home Records #5953145. Published by Silent Home Records (A0.812451). Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances.  Both parts are a solid level 3, if not 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you. It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss. All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts) 

Brass Ensemble - Level 5 - Digital Download SKU: A0.1005636 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pages. Rudy Volkmann #6038803. Published by Rudy Volkmann (A0.1005636). Everyone knows this fun, rollicking piece; and it's just as much fun to play as it is to listen to.  This takes pretty good players in both quintets, but all the long lines are split between the pairs of players, there's lots of breathing room, and it's a great chance to practice thematic hand-offs.  If you'e getting together with another brass quintet and looking for a great piece to put together fairly easily, this is it.

String Ensemble - Level 3 - Digital Download SKU: A0.812456 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 29 pages. Silent Home Records #5954127. Published by Silent Home Records (A0.812456). Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances. The dances range from level 1 to level 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you. It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss.All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts) 

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1372357 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages. Larry Wright #956650. Published by Larry Wright (A0.1372357). A MEN'S 4-part, high energy, fun barbershop PARTIAL arrangement of this clever tune. NOTE: AGAIN, this is NOT an arrangement of the complete song!!!! For an explanation, please email <larry@larrywrightmusic.com>.Excellent 4-part, part-predominant, vocal learning trax are available <www.larrywrightmusic.com>. Check out SMP's short 30-second audio sample... as well as my website's FREE 1 minute audio sample... and finally, my website's $2 full-length audio demo <www.larrywrightmusic.com>.IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price..., NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: If the SMP per-copy is anything more than $1.99, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase for all choral arrangements...to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangment making good use of the EXCELLENT part-predominant, vocal learning trax <www.larrywrightmusic.com>.

Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.526335 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #6508111. Published by Sarah Cellobat Chaffee (A0.526335). Rather Be was released as a single from Clean Bandit's first studio album in 2014, and it quickly became a huge hit, reaching number one on the Billboard charts in 12 countries and selling enough copies to get certified triple platinum. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for violin and cello duet brings to life the bouncy EDM beat, staccato string figures, soaring melodies, and catchy hooks of the original song for a fun and energetic chart that's just as much fun to play as it is to listen to! Originally written for a wedding, this chart will also be perfect for receptions, cocktail hour, pop concerts, parties, or any other occasion that you need to get your audience dancing. Rated advanced for some high notes in the violin part and some complicated rhythms throughout that go by pretty fast -- I definitely recommend running through this one or getting familiar with the original before performing. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.796636 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and part. 7 pages. DR GARY D BELSHAW #3141353. Published by DR GARY D BELSHAW (A0.796636). How would you answer a 7-year-old's question, Where do we go when we die? This achingly beautiful melody is Billy Joel's answer. The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose; it's got plenty of meaning without getting gushy or sentimental. Perfect for any and every social occasion, as well as recitals and concerts.Thank you for considering this work; your opinions are valuable to us. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).