Oboe Solo - Level 1 - Digital Download SKU: A0.796093 Arranged by Christopher Esther. Christmas. Individual part. 1 pages. Christopher Esther #6119617. Published by Christopher Esther (A0.796093). This piece is part of a 12 song collection available for just $9.99 (or only $0.83 per song)! Find the full collection for your instrument by going to…https://sites.google.com/view/cpesther/sheetmusic/boughs-of-holly-or-https://www.sheetmusicplus.com/search?Ntt=Classic+Christmas+Songs+-+The+%22Boughs+of+Holly%22+SeriesYou can also search Sheet Music Plus for Classic Christmas Songs - The Boughs of Holly Collection.All of these pieces are also completely compatible with any others in the series, so you can build your own instrumentation without worrying about whether the music will work together!

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016847_TB1 Tuba. Composed by Cole Porter. Arranged by Bill Cunliffe. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016847_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016847_TB1). UPC: 038081502953.Check out this easy-going chart that swings at 132 BPM. This great Cole Porter standard is arranged with written tenor, trumpet, and alto solos with an alto cadenza. The lead trumpet range is to written B-flat. Bill Cunliffe included great development and a sweet shout chorus. Superb chart! (6:23).

Composed by Thomas S. Allen. Celebrities, Portraits, Entertainment, Motion picture industry. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9600). - - - Johns Hopkins University Sheridan Libraries

Piano Solo, Easy Piano - Easy/Beginner - Digital Download Composed by Yvonne Freckmann, Ken Metz, William James Ross, Stefan Cadra. 21st Century, Contemporary Classical, Repertoire, Children's Music. Score. 26 pages. Published by CASA Press

Composed by Billy Merson. Couples, Dancing, Courtship, Farewells. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8165). - - - Johns Hopkins University Sheridan Libraries

Composed by George Fairman. Portraits, Soldiers, Waterfronts, Warships, World War I, Patriotism. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23394). - - - Johns Hopkins University Sheridan Libraries

Composed by J. Brandon Walsh & Ernie Werdman. Railroads, City & town life, Light fixtures, Country life, Automobiles, Dreaming, Desks, Homecomings, Domestic life, Depression. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sherid - - - Johns Hopkins University Sheridan Libraries

Composed by James A. Brennan. Military parades & processions, Soldiers, Berlin, Military officers, Caricatures, Germany, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23726). - - - Johns Hopkins University Sheridan Libraries

High Voice,Vocal Solo - Digital Download SKU: A0.952696 Composed by Joel Eric Suben. 20th Century,Folk,Praise & Worship,Sacred,Traditional. 23 pages. American Composers Alliance Inc. #4614247. Published by American Composers Alliance Inc. (A0.952696). An arrangement of the orchestral song cycle, reduced for high voice and piano. Includes: I've Been in the Storm So Long; Goin' to Set Down an' Rest Awhile; I'm Just Agoin' Over Jordan; Mah Brudder's Died An' Gone to Hebben; Lord, I Want to Be a Christian.

Bass Guitar - Level 4 - Digital Download SKU: A0.941997 By Sheryl Crow. By Charles Hardin and Norman Petty. Arranged by Daniel Roberts. Contemporary. Score. 17 pages. Daniel P Roberts #6736965. Published by Daniel P Roberts (A0.941997). Grateful Dead -Not fade Away, Goin' Down the road feeling bad Grateful Dead 'Skull & Roses' (1971)liveBASS note for note with TABI wanna tell you how it's gonna beYou're gonna give your love to meI wanna love you night and dayYou know my love not fade awayYou know my love not fade awayNot fade awayMy love is bigger than a CadillacI try to show you but you drive me backYour love for me has got to be realYou're gonna know just how I feelOur love is real, not fade awayNot fade awayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the climate suits my clothesI'm going where the climate suits my clothesGoing where the climate suits my clothesDon't wanna be treated this-a way Going down the road feeling badWell I'm, going down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the water tastes like wineWell I'm, going where the water tastes like wineGoing where the water tastes like wineI don't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayWell I'm, going down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a way

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1489376 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 16 pages. Jmsgu3 #1066238. Published by jmsgu3 (A0.1489376). Carol of the Bells is a well-known Christmas carol with a rich history rooted in Ukrainian culture. Here are the key points to understand about this iconic piece:Original Composition: The melody of Carol of the Bells is derived from a Ukrainian folk song called Shchedryk, which Mykola Leontovych composed in 1914. Shchedryk, which translates to The Little Swallow, was originally a New Year's song celebrating the arrival of spring and good fortune.Cultural Context: The song's origins are tied to Ukrainian traditions, where it was sung by young girls going door-to-door on New Year's Eve, wishing families prosperity and good luck for the coming year. The swallow in the song symbolizes the arrival of spring and abundance.English Lyrics: In 1936, American composer Peter Wilhousky adapted the melody for Christmas, writing new lyrics that emphasized bells and Christmas cheer themes. This version transformed Shchedryk into Carol of the Bells, quickly gaining popularity in the United States and becoming a staple of Christmas music.Musical Structure: The carol features a distinctive four-note ostinato and is metrically bistable, allowing listeners to perceive the rhythm differently. It is typically arranged in 3/4 time and has a lively and festive feel, contributing to its widespread appeal.Widespread Adaptations: Carol of the Bells has been recorded in over 150 versions across various musical genres, including classical, jazz, rock, and heavy metal. Notable adaptations include those by Mannheim Steamroller and John Williams, which have helped to cement its status as a Christmas classic.Cultural Significance: The song's association with Christmas has overshadowed its Ukrainian roots, leading to a complex relationship with its cultural identity. In recent years, there has been a movement to reclaim Shchedryk as a significant part of Ukrainian heritage, especially amid ongoing geopolitical tensions.Modern Recognition: The song is frequently featured in films, television shows, and holiday concerts, making it a beloved part of the Christmas season. Its ability to evoke joy and nostalgia resonates with audiences worldwide.In summary, Carol of the Bells is not just a Christmas carol but a piece with deep cultural roots and a fascinating history of transformation from a Ukrainian folk song to a global holiday favorite.

Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up� from “coming down�).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.� The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes� ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1314635 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Chris Gorman. Pop,Rock. Brass Band. 57 pages. Chris Gorman #903387. Published by Chris Gorman (A0.1314635). The Show Must Go On is a song by British rock band Queen, featured as the twelfth and final track on their 1991 album, Innuendo. It is credited to Queen, but written mainly by Brian May. The song chronicles the effort of frontman Freddie Mercury continuing to perform despite approaching the end of his life, although his diagnosis with HIV/AIDS had not yet been made public in spite of ongoing media speculation claiming that he was seriously ill. When the band recorded the song in 1990, Mercury's condition had deteriorated to the point that May had concerns as to whether he was physically capable of singing it. May recalls; I said, 'Fred, I don't know if this is going to be possible to sing.' And he went, 'I'll f***ing do it, darling—vodka down—and went in and killed it. This arrangement is a must for any Brass Band Library wanting a powerful Rock rhytmn driving from start to finish.

Composed by Antonin Dvorak (1841-1904). Arranged by Jari A. Villanueva. Romantic Period, Spiritual, Funeral, Patriotic. Score, Set of Parts. 21 pages. Published by JV MUSIC (S0.302789). - Score,Set of Parts - Romantic Period,Spiritual,Funeral,Patriotic - JV MUSIC

Brass Ensemble Horn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.940300 Composed by Johann Sebastian Bach. Arranged by Blair Goins. Baroque,Concert,Wedding. Score and parts. 76 pages. Blair Goins #3074183. Published by Blair Goins (A0.940300). Five Sets of Preludes and Fugues by J. S. Bach, arranged for French Horn, Trombone, and Tuba by Blair Goins. Includes score and parts. Total duration: 24 min.