String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.833886 Composed by Bear McCreary. Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 36 pages. Chris Siddall Music Publishing #4319041. Published by Chris Siddall Music Publishing (A0.833886). Forty years ago, Battlestar Galactica introduced us to a ragtag fugitive fleet on a lonely quest to find a shining planet known as Earth. In 2003, nearly twenty-five years later, the Galactica jumped back onto our screens and changed the face of sci-fi with its dark and gritty storytelling.Bear McCreary's award-winning score takes influences of music from all across the globe and moulds them skilfully into a cohesive whole.The Passacaglia represents one of three pieces using this particular theme (Passacaglia, Allegro and The Shape of Things to Come), and appears for the first time during the episode Kobol's Last Gleaming.

Mixed choir (SATB/SSAATTBB) - difficult - Digital Download SKU: S9.Q8428 Wir glauben all an einen Gott. Composed by Ernst Pepping. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 12 minutes. Schott Music - Digital #Q8428. Published by Schott Music - Digital (S9.Q8428). German.The first part of Ernst Pepping’s Choralsuite is a setting of Martin Luther’s three-verse hymn, written to replace the Latin Credo in the Reformation German mass. Luther also adapted Catholic statements (‘unam sanctam catholicam ecclesiam’ was changed to ‘die ganz Christenheit auf Erden’ [the whole Christian church on earth]) as well as incorporating a number of his own theological convictions. Pepping orientates his highly contrapuntal choral texture to the vocal style of the 16th and 17th centuries and uses traditional church modes.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.�  The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on.  This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.�  Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.    Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes.  Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.    Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Percussion Ensemble Glockenspiel,Maracas,Marimba,Pandeiro,Vibraphone - Level 2 - Digital Download SKU: A0.1295058 Composed by Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith. Arranged by Tsoof Baras. 21st Century,Children,Contemporary,Instructional,Multicultural,World. 23 pages. Tsoof Baras #885352. Published by Tsoof Baras (A0.1295058). Arranged for the beginning percussion ensemble, 'Castaways' is a funky bossa nova based sure to get your students singing along!Made famous in the children's TV show The Backyardigans, it went viral on TikTok in 2021 almost 16 years after it's initial release.Parts may be doubled and instrumentation may be changed to suit your ensemble size and instrument availability.

Solo Guitar - Level 3 - Digital Download SKU: A0.1395463 Composed by Johann Sebastian Bach. Arranged by Jerad Yarborough. Baroque,Classical. Individual part. 2 pages. Jerad Yarborough #978933. Published by Jerad Yarborough (A0.1395463). Classical guitar arrangement of the Allemande from J.S. Bach's 4th French Suite Bwv 815. The original key of this work is E flat major. For this arrangement I changed the key to D major. To play this in the original key use a capo on the first fret.

Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact  original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.

Guitar - Level 2 - Digital Download SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian Streckfus #1063740. Published by Brian Streckfus (A0.1486675). Key: B minorPages: 2The aim of this version was not historical accuracy. The aim was to create a great solo unplugged coffee-house version with no page turns, though it could still be really useful for any situation. The melody is left intact, some liberties with the harmonies were taken when there is singing. I'm very proud and happy with how it turned out, sometimes you get lucky and the sections fall perfectly into place (which is suprising since there are some odd 3 measure phrases in here). Features:1. Beginner friendly. The chords are so accurate to what the sheet music is doing, that you don't even really need to read sheet music to play this!2. Harmonies that take difficulty, style, voice leading, and melody into consideration3. Condensed lead sheet version that fits on 2 pages to avoid a page turn; yet it is packed with details and naunces.4. Beautifully engraved sections that visually make sense on the page.Tips:1. Measures 8-16 I named that chords as if both guitars were taken into consideration. I'm guilty of sometimes saying, Oh it's just a rock song with power chords, but then you look into the details, and the chords are actually quite jazzy.2. Maybe She sang needs a fermata?3. If a song is in B minor and never changes key, fret 1 will never happens! Be in position 2 for this song! That's why I didn't put fingerings in, they would have been as helpful as confusing.4. Maybe it's a given, but I recommend forcing melody notes on to the chord in one way or another. Sometimes I go on spurts of notating many complex chords to account for the melody, other times I just show one chord per measure but kind of assume that you'll make the guitar work more fancy with the melody notes. Maybe this is overthinking the arrangement, but there is great voicings I'm doing that I want to get across, but sometimes I won't do it because the score will get too busy looking. Just food for thought, depends on your agenda I suppose.

Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1205547 By The Beatles. By George Harrison. Arranged by Mattia Mugnai. Pop. Score and parts. 13 pages. Matt80 #803734. Published by Matt80 (A0.1205547). Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions. Harrison wrote the song in early 1969 at the country house of his friend Eric Clapton, where Harrison had chosen to play truant for the day to avoid attending a meeting at the Beatles' Apple Corps organisation.The Beatles recorded Here Comes the Sun at London's EMI Studios in the summer of 1969. Led by Harrison's acoustic guitar, the track features a Moog synthesizer, which he had introduced to the band's sound after acquiring an early model of the instrument in California. Reflecting the continued influence of Indian classical music on Harrison's writing, the composition includes several time signature changes. Here Comes the Sun has received acclaim from music critics. Combined with his other contribution to Abbey Road, Something, it gained for Harrison the level of recognition as a songwriter previously reserved for his bandmates John Lennon and Paul McCartney. Here Comes the Sun was the track used to promote the 50th anniversary reissue of Abbey Road in 2019. It peaked at number 3 on the US Billboard Hot Rock Songs chart at that time and has since been certified double platinum for UK sales since 2010. As of 2021, it was the most streamed Beatles song on Spotify globally.In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.

SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.1.3468-E Composed by Joseph Gregorio. National Collegiate Choral Organization Choral Series. Secular, 21st century. 21 pages. Duration 6 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3468-E. Published by Galaxy Music Corporation - Digital (MQ.1.3468-E). UPC: 600313134685.Love, thricewise was the winner of the 2009 Pacific Chorale Young Composers Competition. It was premiered in February 2010 under the baton of Robert Istad by the John Alexander Singers. The first movement, Liquor and lacquer, sets Witter Bynner's Opus 6 and depicts infatuation through flighty changes of meter and sudden shifts of mode. The second, entitled An amethyst remembrance and based on a poem by Emily Dickinson, is built around a false cadence on the words 'T will keep. It is regretful, slowly building to an anguished climax and wistfully fading away. Finally, Kinsfolk takes Sidney Lanier's A Song of Love as its text. It is both a lighthearted reflection on the paradoxical and complementary relationship between love and pain, and a pining for love. The first two stanzas of Kinsfolk pit the tenors and basses, who deliver the first stanza’s melody, against the sopranos and altos, who answer in the second stanza with the same melody in a key a tritone away from that of the first. The third stanza is a fugato on the same melody, culminating in a fervid fortissimo. Duration approx. 6:30.

Piano Solo - Level 4 - Digital Download SKU: A0.1399602 Composed by Cornelius Gurlitt. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 4 pages. Thomas Swee Chin #982895. Published by Thomas Swee Chin (A0.1399602). Spring Flowers - Blackthorn by Cornelius Gurlitt, Op. 215, No. 1, is a delightful piano piece that evokes the beauty and vitality of the spring season. In this composition, Gurlitt captures the essence of blooming blackthorn flowers with lively and expressive music.The piece opens with a bright and cheerful melody, reminiscent of the first signs of spring emerging from the cold of winter. The notes dance playfully on the piano, painting a vivid picture of the delicate blackthorn blossoms swaying in the breeze.As the music progresses, Gurlitt introduces variations in tempo and dynamics, reflecting the ever-changing nature of the springtime landscape. The melody rises and falls, mimicking the growth and movement of the flowers as they burst into full bloom.Throughout Spring Flowers - Blackthorn, Gurlitt employs rich harmonies and intricate rhythms to create a sense of depth and texture. The music is imbued with a sense of joy and renewal, inviting the listener to bask in the beauty of nature's awakening.Overall, Spring Flowers - Blackthorn is a charming and evocative piano piece that celebrates the vibrancy of the spring season. With its lively melodies and expressive flourishes, it captures the essence of new beginnings and the promise of growth and renewal.

Chorus - Digital Download SKU: AX.00-PO-0003182 Gloria Deo - SATB, a cappella. Composed by Jay Althouse. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0003182. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003182). UPC: 038081487236.This exuberant choral fanfare offers a fresh approach for a cappella mixed groups. Constructed with mixed and changing meters, and with a touch of divisi for the women's voices at the end, this glorious work will be a standout on concerts year round.A cappella.

Cello,Steel Pan - Level 2 - Digital Download SKU: A0.934734 Composed by Johann Sebastian Bach. Arranged by Louis Turndick III. Baroque. 5 pages. Louis Turudich III #3918793. Published by Louis Turudich III (A0.934734). Prelude in C Major is one of several of Bach’s preludes and fugues. It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues. This classic prelude is designed for the beginning student to have a better understanding to chords and their respective arpeggios. Though this simple piece is in the key of C major, it takes the listener on a journey by changing keys and finally ends back in C major.