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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.508512 By Blake Shelton. By Alan Chang, Amy Foster-Gillies, and Michael Buble. Arranged by Eric Burger Music. Contemporary. Score and parts. 35 pages. Eric Burger Music #6635947. Published by Eric Burger Music (A0.508512). A beautiful and lush arrangement of the Michael Bublé hit for dance or show. Home was the second single released from It's Time on March 28, 2005. It was Bublé's first single released in the United Kingdom. The single was a hit, topping the Billboard Adult Contemporary chart in the United States while peaking at number 31 in the United Kingdom. Includes score and vocal part with lyrics. I have also published an original key version more appropriate for male vocalist.Please click the link to check out the YouTube playback of the score. Eric Burger is a long time commercial and military arranger who has written many charts that are performed by bands around the world. Each part is beautifully typeset for ease of reading, and every chart is proven on the “band-stand†by working bands and is sure to be a hit with your audiences. For more information, to request custom work, or for other fine charts please visit https://www.EricBurgerMusic.com Custom work is available, including adapting any work to your ensemble's instrumentation!
Home
Ensemble Jazz
Blake Shelton
$60.00 52.14 € Ensemble Jazz PDF SheetMusicPlus

Two-part chorus - Digital Download SKU: C7.CGA381 Composed by Tom Mitchell. Easter. With Handbells, bass. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA381. Published by Chorister's Guild - Digital (C7.CGA381). UPC: 749193004425.Taking for her inspiration the refrain used by Helen Kemp in her presentation on children's choir methods, Sue Ellen Page has composed an effective setting with additional text by her husband, Eric. This is one of four anthems commissioned by Westminster Choir College for the second Festival of Singing Children to be premiered in May 1987 in Princeton, New Jersey. The addition of percussion instruments and flute give a colorful spirit to the anthem. The changing meters should not be difficult to teach, and the changing keys help build to a stunning climax. Composer: Page, Sue Ellen Text Author: Johnson, Eric D. and Kemp, Helen.
Celebrate the Good News
Chorale 2 parties

$2.10 1.82 € Chorale 2 parties PDF SheetMusicPlus

Unison chorus, Three-part mixed chorus - Digital Download SKU: C7.CGA391 Composed by Sue Ellen Page. General. With Flute, Triange/Finger Cymbals. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA391. Published by Chorister's Guild - Digital (C7.CGA391). UPC: 749193004432.Taking for her inspiration the refrain used by Helen Kemp in her presentation on children's choir methods, Sue Ellen Page has composed an effective setting with additional text by her husband, Eric. This is one of four anthems commissioned by Westminster Choir College for the second Festival of Singing Children to be premiered in May 1987 in Princeton, New Jersey. The addition of percussion instruments and flute give a colorful spirit to the anthem. The changing meters should not be difficult to teach, and the changing keys help build to a stunning climax. Composer: Page, Sue Ellen Text Author: Johnson, Eric D. and Kemp, Helen.
Body, Mind, Spirit, Voice

$2.10 1.82 € PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
Debussy - The Girl with the Flaxen Hair for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$18.00 15.64 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration   2 1 1 1 1   2 2 2 1 1   Timp   Glock   Perc            Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam   Piano   Strings
It Is Not Death to Die - Orchestration

$75.00 65.17 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.508511 By Blake Shelton. By Alan Chang, Amy Foster-Gillies, and Michael Buble. Arranged by Eric Burger Music. Contemporary. Score and parts. 35 pages. Eric Burger Music #6635943. Published by Eric Burger Music (A0.508511). A beautiful and lush arrangement of the Michael Bublé hit for dance or show. Home was the second single released from It's Time on March 28, 2005. It was Bublé's first single released in the United Kingdom. The single was a hit, topping the Billboard Adult Contemporary chart in the United States while peaking at number 31 in the United Kingdom. Includes score and vocal part with lyrics. I have also published a lower key version more appropriate for female vocalist.
Home
Ensemble Jazz
Blake Shelton
$60.00 52.14 € Ensemble Jazz PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
It Is Not Death to Die
Chorale SATB

$2.25 1.96 € Chorale SATB PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1350509 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Singer/Songwriter. 89 pages. Michael Gene Drake #935321. Published by Michael Gene Drake (A0.1350509). Jamaica - from the CD SAZZUNK, is a Tropical composition featuring a vocalist but this arrangement has the melody written for Trumpet solo. Simple Tropical Rhythm accents for the horns in the background augment and compliment the flavor for the melody. The soring solos are transcribed so hang on to your hat as it ends with a wild and crazy line for everyone to play! Modulations of the melody push it into new levels of heat followed by a more blazing hot solo at the end!LYRICSI’ve gone away, far away, to find my love in Jamaica,The sky was red, like my love, She’s gone away to the island,I’ll look for her, in the wind,That’s where she left her love for me,And though it might take for ever,My love for her flows endlessly,Chasin’ all my dreams, as far as they may go,You’re the one I love and you’re the one I need.I’ve gone away far away, to find my love in Jamaica,She was to me loves breath of live,Without her I’m not whole,I was to her, I thought the same,She left me amidst the game,Is there no hope for a man, Who’s lost his love to the wind 
Jamaica
Ensemble Jazz
Michael Drake
$35.00 30.41 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017161_TN1 1st Trombone. By Michael Buble. By Alan Chang and Amy Foster. Arranged by W. Scott Ragsdale. Jazz; Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017161_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017161_TN1). UPC: 038081348322.Michael BublA(c) sang this hit song and now it's time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the BublA(c) arrangement with his terrific adaptation of this great tune. Vocal range is from F below middle C up to third space C and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune. (3:44).
Everything: 1st Trombone
Trombone (partie séparée)
Michael Buble
$3.00 2.61 € Trombone (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017161_SB String Bass. By Michael Buble. By Alan Chang and Amy Foster. Arranged by W. Scott Ragsdale. Jazz; Pop. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017161_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017161_SB). UPC: 038081348322.Michael BublA(c) sang this hit song and now it's time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the BublA(c) arrangement with his terrific adaptation of this great tune. Vocal range is from F below middle C up to third space C and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune. (3:44).
Everything: String Bass
Contrebasse (partie séparée)
Michael Buble
$3.00 2.61 € Contrebasse (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017161_GC Guitar Chords. By Michael Buble. By Alan Chang and Amy Foster. Arranged by W. Scott Ragsdale. Jazz; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017161_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017161_GC). UPC: 038081348322.Michael BublA(c) sang this hit song and now it's time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the BublA(c) arrangement with his terrific adaptation of this great tune. Vocal range is from F below middle C up to third space C and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune. (3:44).
Everything: Guitar Chords
Guitare (partie séparée)
Michael Buble
$3.00 2.61 € Guitare (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017161_TX1 B-flat Tenor Saxophone. By Michael Buble. By Alan Chang and Amy Foster. Arranged by W. Scott Ragsdale. Jazz; Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017161_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017161_TX1). UPC: 038081348322.Michael BublA(c) sang this hit song and now it's time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the BublA(c) arrangement with his terrific adaptation of this great tune. Vocal range is from F below middle C up to third space C and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune. (3:44).
Everything: B-flat Tenor Saxophone
Saxophone (partie séparée)
Michael Buble
$3.00 2.61 € Saxophone (partie séparée) PDF SheetMusicPlus






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