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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.5 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1186808 By Various. By David Lindsay-Abaire and Jeanine Tesori. Arranged by Anita Cracauer. Broadway,Musical/Show. Octavo. 18 pages. Custom Arrangements, LLC #786431. Published by Custom Arrangements, LLC (A0.1186808). An enchanting, heartwarming number from Shrek the Musical. The lyrics are about dreams of being a hero and rescuing a princess, fighting against self-doubt to reach the perfect happy ending. The arrangement features an opening solo and a climactic three part final chorus.  Appropriate for any high school, community, or church choir. Performance time is approximately 3:20.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/2 Trumpets/1 Trombone/Alto, Tenor Sax) are available as a separate package and includes a full score.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
Who I'd Be
Chorale 3 parties
Various
$2.99 2.62 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1186805 By Various. By David Lindsay-Abaire and Jeanine Tesori. Arranged by Anita Cracauer. Broadway,Musical/Show. Octavo. 17 pages. Custom Arrangements, LLC #786428. Published by Custom Arrangements, LLC (A0.1186805). An enchanting, heartwarming number from Shrek the Musical. The lyrics are about dreams of being a hero and rescuing a princess, fighting against self-doubt to reach the perfect happy ending. The arrangement features a tenor solo and a climactic three part final chorus.  Appropriate for any high school, community, or church choir. Performance time is approximately 3:20.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/2 Trumpets/1 Trombone/Alto, Tenor Sax) are available as a separate package and includes a full score.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
Who I'd Be
Chorale SATB
Various
$2.99 2.62 € Chorale SATB PDF SheetMusicPlus

Oboe Solo - Level 4 - Digital Download SKU: A0.1306905 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Classical. Individual part. 3 pages. Benzaiten Editions #896235. Published by Benzaiten Editions (A0.1306905). Hey! Are you a oboist who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) • oboe sheet music The Benzaiten Editions Oboe Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating oboe sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work.  About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music.
Rondo Alla Turca (Turkish March) • oboe sheet music
Hautbois (partie séparée)

$2.99 2.62 € Hautbois (partie séparée) PDF SheetMusicPlus

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.892632 Composed by Benj Pasek and Justin Paul. Arranged by Anita Cracauer. A Cappella. Octavo. 15 pages. Custom Arrangements, LLC #6510501. Published by Custom Arrangements, LLC (A0.892632). From the musical Edges, this ballad is an early gem of the now famous songwriting duo Pasek & Paul. The lyrics are about finding one's path in life--perfect for a graduation ceremony or other special event. The arrangement features a substantial solo and an a cappella section.  Appropriate for any high school, community, or church choir. Performance time is approximately 3:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/3 Tpt/2 Tbn/Bass Trombone/Alto, Tenor, & Bari Sax) are available as a separate package and includes a full score.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
Like Breathing
Chorale 3 parties

$3.99 3.5 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.892631 Composed by Benj Pasek and Justin Paul. Arranged by Anita Cracauer. A Cappella. Octavo. 16 pages. Custom Arrangements, LLC #6503247. Published by Custom Arrangements, LLC (A0.892631). From the musical Edges, this ballad is an early gem of the now famous songwriting duo Pasek & Paul. The lyrics are about finding one's path in life--perfect for a graduation ceremony or other special event. The arrangement features a substantial male solo and an a cappella section.  Appropriate for any high school, community, or church choir. Performance time is approximately 3:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/3 Tpt/2 Tbn/Bass Trombone/Alto, Tenor, & Bari Sax) are available as a separate package and includes a full score.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
Like Breathing
Chorale SATB

$3.99 3.5 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1212928 Composed by Stephen Schwartz. Arranged by Anita Cracauer. Broadway,Musical/Show. Octavo. 14 pages. Custom Arrangements, LLC #810124. Published by Custom Arrangements, LLC (A0.1212928). From Stephen Schwartz's Children of Eden, this song is an ode to the creative drive within each of us. It's a great show opener, with a musical intensity to match the message of the text. Appropriate for any high school, community, or church choir. Performance time is approximately 2:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/2 Trumpets/2 Trombone/Alto, Tenor, Bari Sax) are available as a separate package and includes a full score.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
The Spark Of Creation
Chorale SATB

$2.99 2.62 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1212925 Composed by Stephen Schwartz. Arranged by Anita Cracauer. Broadway,Musical/Show. Octavo. 11 pages. Custom Arrangements, LLC #810121. Published by Custom Arrangements, LLC (A0.1212925). From Stephen Schwartz's Children of Eden, this song is an ode to the creative drive within each of us. It's a great show opener, with a musical intensity to match the message of the text. Appropriate for any high school, community, or church choir. Performance time is approximately 2:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/2 Trumpets/2 Trombone/Alto, Tenor, Bari Sax) are available as a separate package and includes a full score.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
The Spark Of Creation
Chorale 3 parties

$2.99 2.62 € Chorale 3 parties PDF SheetMusicPlus

Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
The Tale Of The Slightly Miffed Dancing Bear

$7.95 6.97 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Bass Voice,Drums,Guitar,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.892627 Composed by Civilla Martin, Charles Gabriel. Arranged by Anita Cracauer. Christian. Score and parts. 19 pages. Custom Arrangements, LLC #6477843. Published by Custom Arrangements, LLC (A0.892627). This is the full score and all instrumental parts for the choral arrangement of His Eye Is On The Sparrow. The instrumentation is for piano, synth, guitar, bass, drums, 2 trumpets, 2 trombones, 1 alto saxophone, and 1 tenor saxophone.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
His Eye Is On The Sparrow - Score and Parts for Choral Arrangement

$80.00 70.15 € PDF SheetMusicPlus






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