Organ - Level 2 - Digital Download SKU: A0.918926 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. Score. 2 pages. Jubal's Lyre Music Publishers #6637969. Published by Jubal's Lyre Music Publishers (A0.918926). This easy, contemplative introduction of the Advent and Christmas hymn O Come, O Come, Emmanuel (VENI EMMANUEL) will inspire your congregation to sing with greater zeal and fervor. Beginning organists will be able to learn it quickly and use it for many years. Advanced organists will find it to be a useful addition to their repertoire. The setting can also be played as a prelude or during the offering. For more music and information, visit

Concert Band - Level 3 - Digital Download SKU: A0.1431962 Composed by Pyotr Illyich Tchaikovsky. Arranged by Donald J. Young. Classical,Contest,Festival,Folk. 73 pages. T.U.X. People's Music #1012439. Published by T.U.X. People's Music (A0.1431962). A lesser-known symphonic piece from Tchaikovsky, this adaptation serves as a great introduction for performers and audiences to a largely unknown operatic overture from the composer's oeuvre.

Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1277295 Composed by Felix Bartholdy Mendelssohn. Arranged by Glauco Fernandes. Chamber,Classical,Wedding. 8 pages. Glauco Fernandes #868992. Published by Glauco Fernandes (A0.1277295). **Title:** Enchanting Saxophone Quartet Arrangement with Piano for Felix Mendelssohn's Wedding March**Introduction:**Step into the timeless beauty of Felix Mendelssohn's Wedding March like never before! We proudly present an exclusive arrangement of this iconic composition, meticulously crafted for a saxophone quartet with piano. This sheet music promises to infuse enchantment into any wedding ceremony.**Discover the Unique Arrangement:**Our rendition of the Wedding March captures its essence while offering fresh and captivating interpretations. The saxophone quartet creates a rich and immersive sound, sure to touch the hearts of both the couple and the guests.**Reasons to Choose Our Sheet Music:**- **Enchanting Sound:** The saxophone quartet arrangement conjures a unique and captivating atmosphere, adding a touch of magic to wedding ceremonies.- **Musical Accessibility:** Designed to cater to musicians of varying skill levels, this arrangement ensures a splendid performance that encourages everyone to contribute, regardless of expertise.- **Personalized Expression:** The arrangement has been carefully designed for individualized expression, empowering musicians to infuse personal nuances and artistic flair.**How to Acquire:**Elevate your upcoming wedding ceremony with a unique musical experience. Secure your copy now of the enchanting saxophone quartet arrangement with piano of Felix Mendelssohn's Wedding March. This sheet music promises to create enduring, heartwarming musical memories.**Search Keywords:**Sheet music Wedding March Mendelssohn, Saxophone Quartet Arrangement with Piano, Emotional Wedding Music, Purchase Wedding Sheet Music, Saxophone Quartet Performance.Seize the opportunity to elevate the atmosphere of your wedding with our captivating Wedding March saxophone quartet arrangement. Acquire it now and turn your ceremony into an unforgettable, melodious celebration!

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.781969 Composed by R.E. Winsett and Robert E. Winsett. Arranged by Aaron Hettinga. Contemporary,Country,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Aaron Hettinga #6013107. Published by Aaron Hettinga (A0.781969). This 70's-era gospel standard is presented here in a TTBB Men's Quartet (or Men’s Chorus) arrangement much in the style as performed by the Oak Ridge Boys. Besides the vocal parts, this arrangement also includes the chord changes throughout (with guitar fretboards) and notated piano introduction.

Bassoon,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1379594 By Henry Purcell. By Henry Purcell. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Early Music,Irish,Traditional. 3 pages. Arezzo Music #964299. Published by Arezzo Music (A0.1379594). Purcell z 646 a new irish tune French Horn and Bassoon sheet music for beginnersEmbark on a musical journey with Henry Purcell's 'A New Irish Tune' through this specially crafted French Horn and Bassoon sheet music designed for beginners. Immerse yourself in the rich harmonies and melodic beauty of Purcell's composition, tailored to provide an accessible and enjoyable playing experience for those new to the world of French Horn and Bassoon. This arrangement captures the essence of the original piece while offering a gentle introduction to the art of ensemble playing. Whether you're a novice or a seasoned player, discover the joy of creating beautiful music with this beginner-friendly adaptation of Purcell's timeless work.purcell z 646 a new irish tune French Horn and Bassoon sheet music for beginners

Acoustic Guitar,B-Flat Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1229518 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 8 pages. Andre_Nusa #825336. Published by Andre_Nusa (A0.1229518). This intermediate guitar quartet arrangement of the second movement of Mozart's Piano Concerto No. 27 is a beautiful and enchanting piece that highlights the delicate and romantic side of Mozart's music. The arrangement begins with a gentle and flowing introduction that sets the tone for the piece played by the woodwinds. The guitar provides a beautiful harmonic accompaniment. The melody is simple yet beautiful, with a graceful and flowing quality that is characteristic of Mozart's music. Instrumentation: Acoustic guitar, flute, oboe and clarinet. The piece is suitable for intermediate players. The sheet music includes standard notation and tablature.

Organ - Level 2 - Digital Download SKU: A0.1312825 By Jubal's Lyre Music. By William B. Bradbury. Arranged by Martin Dicke. Christian,Lent,Religious,Sacred,Traditional. Score. 5 pages. Jubal's Lyre Music Publishers #901660. Published by Jubal's Lyre Music Publishers (A0.1312825). Here is a quiet and meditative setting of the hymn Just as I Am, without One Plea (WOODWORTH) in Eb and D major. Featuring flutes and string pipes, it may be used as a hymn introduction or as attendant music in the Divine Service. For more music and information, visit

Choir Sacred 2 Trumpets, 2 Trombones, Timpani, 3-5 Octaves of Handbells - Digital Download SKU: JX.00-GCMR9610A Composed by Jack Noble White. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Sacred. Part(s). 15 pages. H. W. Gray #00-GCMR9610A. Published by H. W. Gray (JX.00-GCMR9610A). English.Since it was first published in 1976, Jack Noble White's FIRST SONG OF ISAIAH has been sung by millions of people worldwide. Now we commemorate the 20th anniversary of this phenomenal anthem with a new FESTIVAL EDITION! Replacing the original piano, bass and drums with organ, brass quartet, timpani and handbells, the FESTIVAL EDITION also adds an extended choral and instrumental introduction, suitable for procession, as well as a Coda. The composer has added notes outlining various performance options. For festival or general use. (Editor's Note: THE FIRST SONG OF ISAIAH (Festival Edition) is compatible with the 1976 edition.).

Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-22083 Arranged by Thomas Fettke. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Easter; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-22083. Published by Jubilate Music Group - Digital (JX.00-22083). English. Psalm 118:1-2, Psalm 14-24, Matthew 28:1-10, John 20:1-18, Acts 10:34-43.Here's what your congregation wants to hear on Easter morning, an inventive blend of old and new! The introduction quotes the gospel favorite, Low in the Grave He Lay. The choir enters singing Tom Fettke's original fanfare, Alleluia! Christ Is Risen! The congregation joins the choir in singing Jesus Christ Is Risen Today and Christ the Lord Is Risen Today. Fettke's fanfare returns to close this festal anthem with invigorating energy! The brass and percussion accompaniment is stellar! Don't miss this one! Suggested scriptures: Psalm 118: 1-2 & 14-24, Matthew 28: 1-10, John 20: 1-18, Acts 10: 34-43.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1210386 Composed by Anna Sosenko. Arranged by Scott S. Stewart. 20th Century,Contemporary,Jazz,Singer/Songwriter,Standards. Score. 6 pages. Scott S. Stewart #808117. Published by Scott S. Stewart (A0.1210386). The cabaret-ballad “Darling, Je Vous Aime Beaucoup�, words and music by Anna Sosenko was composed in 1935.  The romantic and bi-lingual lyrics about an English lad who had fallen in love with a Parisian girl became immensely popular with Allied servicemen during WW II.  Sosenko was also the manager of singer-pianist, “the incomparable Hildegarde� (Hildegarde Loretta Sell) who adopted the song as her theme song, and gave it its popularity.  This arrangement is in a simple cabaret ballad style for solo voice and pianist. Performance time: 3:55+-  An excellent introduction piece to cabaret style, the French language, women composers, the first of single-name entertainers, a song that deserves its place in the Great American Songbook - is worth a place on your repertoire list.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.879363 Composed by Ruth Stevenson Alling, Dennis Frayne. Arranged by Ruth Stevenson Alling, Dennis Frayne. Children,Concert,Folk,Standards,Traditional. Score. 3 pages. Presto! It's Music Magic Publishing #6247351. Published by Presto! It's Music Magic Publishing (A0.879363). Hot Cross Buns is a children’s song and nursery rhyme. In this very beginner piano version it is played first on three black keys with the right hand, and then adding the two-note harmony with the left hand. An excellent first piano piece! Can be taught by rote, or as an introduction to reading music notation off the page (pre-reading).

French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Brass Ensemble - Level 3 - Digital Download SKU: A0.988139 Composed by Jan Pieterszoon Sweelinck. Arranged by Alexander S. Ford. Baroque,Renaissance. Score and parts. 11 pages. A.S. Ford #4802439. Published by A.S. Ford (A0.988139). A lively late renaissance piece that makes a great fanfare, introduction, or church postlude. No part is particularly difficult except for finding the entrances in the flowing texture. .

Concert band - Beginning - Digital Download SKU: IZ.CBS1615-S Composed by Daniel Jones. Score. 11 pages. Imagine Music - Digital #CBS1615-S. Published by Imagine Music - Digital (IZ.CBS1615-S). 9 x 12 in inches.Reflections on a German Folk Song is based on the traditional round Himmel und Erde, which directly translated meansHeaven and Earth, however the common English title is Music Alone Shall Live. While teaching music for SaydelCommunity School District in Des Moines, Iowa, I taught the round to elementary students and concluded that the folk tunewould lend itself well to young instrumentalists. Consequently, I set out to arrange the round for emerging band.After an introduction based on motives and rhythms of the round, the tune is initially played by an alto saxophone solo (oroboe). After a transition from the key of F Major to E-Flat Major, the band divides into three groups to play the three-voiceround. The entire round is repeated twice, exhibiting a lengthy crescendo and eventual diminuendo caused by the threeinstrument groupings ending their voices in the round.Having students perform a simple, yet lyrical round provides for a variety of educational opportunities. Similar to youngvocal ensembles, performing a round helps students to securely play with a group that is doing something different thanother sections of the ensemble, which ultimately assists in the transition to playing within a smaller, individual section orindependent part. Reflections on a German Folksong contains simplistic rhythms, which allows students to primarily focuson phrasing, articulation, tone quality and dynamics.