Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Violin Solo - Level 2 - Digital Download SKU: A0.1233203 Composed by Folk Tune. Arranged by Sandy McIntire. Celtic,Folk,Instructional,Irish,Multicultural,Traditional,World. 3 pages. Sandy McIntire #828819. Published by Sandy McIntire (A0.1233203). Campbell's Farewell to Red Gap is a fiddle tune originating in the British Isles that is often played by old-time fiddlers in the U.S. This arrangement is the first in McIntire's series, Introduction to Fiddling. The tune is arranged at the Easy Intermediate level in A Mixolydian (two sharps), and it is accompanied by information about key signatures, modes, and tips on fiddling for those new to this style of playing. The tune starts with an imitation of a bagpipe's drone and it includes the chords for other instruments to play along.

Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.

2-part choir - Digital Download SKU: LX.15-1924H Composed by Stephen L. Lawrence. Sing Out Series. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/1924H. Published by Heritage Music Press (LX.15-1924H). UPC: 000308096354.Yes, it's Santa's New Year's resolution: He's going on a diet! The opening narrative introduction quickly moves into a '50s style rock feel, so appropriate for these absolutely hilarious lyrics!

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823891 Composed by John Zundel (1815–1882). Arranged by Richard Giszczak. Christmas,Easter,Praise & Worship,Sacred,Wedding. Individual part. 3 pages. Singing Winds Music Company #6692255. Published by Singing Winds Music Company (A0.823891). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 4 variations.The hymn tune name is BEECHER. The words There's a Wideness in God's Mercy are associated with Lent.  The words Love Divine, All Loves Excelling are appropriate for Advent or Weddings.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882259 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723761. Published by Adrian D Biggs (A0.882259). Agnus dei for SSA Women’s Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. 

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882263 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726149. Published by Adrian D Biggs (A0.882263). Agnus dei for SSA Women’s Chorus, Violin Solo, and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Violin Solo introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Piano Solo - Level 4 - Digital Download SKU: A0.1506513 By Raluca Bojor. By Traditional. Arranged by Raluca Bojor. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score. 5 pages. Raluca Bojor #1081878. Published by Raluca Bojor (A0.1506513). Here's a happy, light-hearted, advanced gospel piano arrangement of the traditional children's hymn He's Got the Whole World In His Hands. It starts out with a swing-style introduction, paving the way to the familiar tune. Throughout this arrangement you will hear the main melody presented in different registers and textures. Towards the end, you will hear a sneaky modulation from G major to E flat major which will lift the hearts of your listeners! LISTEN to the full performance below!Product details:• sheet music PDF• five (5) pages long• level: advanced• key of G major with a modulation to E flat major• performance time 2'11DOWNLOAD the sheet music today!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939986 Composed by César Zumel. Christian,Sacred,Wedding. Octavo. 2 pages. César Zumel #3224713. Published by César Zumel (A0.939986). For a wedding, just S. Paul's letter to Corintians, the most requested lyric. Charming enough for the most important day. It is usual that in many weddings is read the letter of S. Paul to Corintians. Why only read and not sung? If you have sung in a wedding with low energy, this song can change that, easy to understad, sing and act. If you are married you will refresh your own wedding.From musical point of view, progresive energy is built up from introduction soft on the basis of El amor as obstinato. After that bass solo and choir answers. Next step is soprano melody acompanished by choir obstinato. Finally an unisono reinforce the main melody. Just for a ceremony it fits all requeriments.

Small Ensemble Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823936 Composed by Samuel S. Wesley (1810–1876). Arranged by Richard Giszczak. Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #6851183. Published by Singing Winds Music Company (A0.823936). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S. al Fine.The hymn tune name is AURELIA. The words The Church's One Foundation are for general use.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882267 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 10 pages. Adrian D Biggs #5728919. Published by Adrian D Biggs (A0.882267). Agnus dei for SSA Women’s Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Versions with piano accompaniment are also available.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823815 Composed by Traditional Dutch Melody. Arranged by Richard Giszczak. Multicultural,Praise & Worship,Sacred,Traditional,World. Individual part. 3 pages. Singing Winds Music Company #6605369. Published by Singing Winds Music Company (A0.823815). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S. al Fine.The hymn tune name is IN BABILONE.

2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4319611. Published by Simon Peberdy (A0.757072). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available).Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1244648 By Plymouth Church. By Words: Frederick W. Faber / Music: Lizzee S. Tourjee. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #839601. Published by Leatherman Music Services (A0.1244648). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.