String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1471888 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 19 pages. Sarah Cellobat Chaffee #1049520. Published by Sarah Cellobat Chaffee (A0.1471888). *INSTRUMENTATION: 2 VIOLINS & CELLO*Bad Romance is truly a song that needs no introduction! Released in 2009 on Lady Gaga's third EP, The Fame Monster, the song was an electropop extravaganza inspired by German house and techno music. With its catchy synth hooks, edgy music video, and memorable (if sometimes nonsensical) lyrics, Bad Romance quickly captured the ears of people around the world; it went on to win Grammy and Billboard awards, an 11x Platinum certification, and has become one of the best-selling singles of all time. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello string trio will be perfect for parties, cocktail hour, receptions, solo & ensemble contest, or any other occasion you need to get your audience singing along. Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.844241 Composed by Anthony Newley and Leslie Bricusse. Arranged by Gerhard Guter. Film/TV. Score and parts. 101 pages. Gerhard Guter #3874875. Published by Gerhard Guter (A0.844241). Gene Wilder’s 1971 performance of this song in Willy Wonka & the Chocolate Factory won the hearts of boys and girls dreaming of endless worlds of candy and fantasy. Gerhard Guter’s swinging jazz waltz rendition for big band with solo alto or bass vocalist breathes new life into this beloved tune. The introduction sets up a repeating harmonic pattern, which returns at various points during the arrangement, which gradually picks up steam and swing, unfolding in a lush cadence as the vocalist launches into the poignant lyric. Saxophone writing draws upon the usage of trills, across-the-barline quadruplets, and harmonized flourishes. Unison piano and (optional) vibraphone parts will bring to mind the musical code for entering Willy Wonka’s Chocolate Room. The orchestration benefits from a variety of dynamic shadings and the use of bucket mutes for the trombones and cup mutes for the trumpets. Dramatic moments are emphasized with mallets. Solo changes are provided for scat vocal, vibes, guitar, and piano. Vocal (alto or bass), Five saxes (2 altos, 2 tenors, 1 bari), eight brass, piano/bass/drums, and optional guitar and vibraphone. Top brass notes are C6 trumpet and A4 trombone. Demo produced, programmed, and performed by Gerhard Guter. Vocal performed by Aimee Nolte. 

Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.

B-Flat Trumpet,Bass Guitar,Drum Set,Electric Guitar,String Synthesizer,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1267220 By Donna Summer. By Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco. 44 pages. Kathleen McGuire #859859. Published by Kathleen McGuire (A0.1267220). SCORE AND SET OF PARTS TO ACCOMPANY THE WOMEN'S CHORAL ARRANGEMENTA Donna Summer hit from post-disco / new wave era (1983), She Works Hard for the Money is more than a fun pop piece. The song tells a story of a hard-working blue-collar woman, based on inspiration Summer found after the 25th Annual Grammy Awards ceremony (23 Feb 1983) when she attended an after-party. She encountered a restroom attendant named Onetta Johnson (whose name is mentioned in the song) whom she found sound asleep - despite a blaring TV - exhausted from working long hours.Summer related the story in an interview: I looked at her and my heart just filled up with compassion for this lady, and I thought to myself: God, she works hard for the money, cooped up in this stinky little room all night. Then I thought about it, and I said, She works hard for the money... She works hard for the money...This is it! This is it! I know this is it! The arrangement opens with an a cappella introduction in full harmony. The melody moves between the altos and sopranos, with each part otherwise providing rhythmic support (echoing the instrumental accompaniment). The sopranos divide into 3 parts occasionally, allowing some high voices (A-flat) to shine. There are no solos in this arrangement - your women all have opportunity to sing this powerful, true story that serves more broadly as an allegory for women's rights and socioeconomic hardship. The arrangement is a show-stopper, bound to get audiences clapping and even up out of their seats! Provided: Conductor's Score and Set of Band Parts: Trumpet in B-flat, Tenor Sax, Synth (Strings), Electric Guitar, Bass Guitar, Drum Set. Provided separately: SSAA Choral Arrangement - Piano Vocal Score.

Piano Solo - Level 2 - Digital Download SKU: A0.1185554 Composed by Kim S. Bean. Children,Classical,Contemporary,Contest,Festival,Instructional. Score. 4 pages. Kim S. Bean #785222. Published by Kim S. Bean (A0.1185554). 4 pages, solo piano piece in the key of A harmonic minor, in 6/8 time.  Spiritoso e brillante.  Great for recitals and introduction to the key of A minor especially as this piece opens with a 3 octave descending A harmonic minor scale.  Ornaments and articulations like appoggiaturas, staccatos, accents, along with ascending and descending passages make this an exciting piece in any recital or even just for fun!  Damper pedal is used in various places throughout.

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1451983 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031300. Published by Con Spirito Music (A0.1451983). Written by Henry Williams Baker (1821-1877) and titled “The Lord Shall Give His People the Blessing of Peace,” the text of “O God of Love, Give Peace Again” was published in the 1861 edition of the landmark English hymnal, Hymns Ancient and Modern. Baker, who is perhaps best remembered for his hymn “The King of Love My Shepherd Is,” was chairman of the committee that prepared that hymnal. Because war is a constant in the world, Baker's text is always relevant. Stanza 1 is an entreaty that God would “make wars throughout the world to cease.” Stanza 2 asks that God recall his “works of old,” for only by God's hand can peace be given again. Stanza 3 extends this thought by asking “Whom shall we trust but thee, O Lord? Where rest but on thy faithful word?” and noting that “none ever called on Thee in vain.” A fourth verse, omitted in some hymnals, ends on the hopeful note that as saints and angels are bound “in holy love,” so we might also be bound to them and to one another in love and peace. In this original setting of Baker’s text, stanza 1 is sung by unison voices, stanza 2 by unison women, stanza 3 by unison men, and stanza 4 in parts following a recapitulation of the introduction and a modulation to the relative major key.  ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Euphonium Solo - Level 2 - Digital Download SKU: A0.1499673 Composed by G. F. Handel, J. Halvorsen. Arranged by Wesley S. SIlva. Classical. Individual part. 14 pages. Wesley S. Silva #1075739. Published by Wesley S. Silva (A0.1499673). Passacaglia, originally composed by George Frideric Handel and later arranged for violin and viola by Johan Halvorsen, is a beautiful and timeless piece of classical music. Known for its rich harmony and expressive melody, this arrangement offers a wonderful introduction to classical music for beginners. Its elegant and flowing structure makes it an ideal choice for those looking to explore the classical genre while still being approachable for early learners. The piece captures the grandeur and emotion of classical music, providing a rewarding experience for musicians at the beginner level.

Piano,Violin - Level 2 - Digital Download SKU: A0.1499679 Composed by G. F. Handel, J. Halvorsen. Arranged by Wesley S. SIlva. Classical. 14 pages. Wesley S. Silva #1075745. Published by Wesley S. Silva (A0.1499679). Passacaglia, originally composed by George Frideric Handel and later arranged for violin and viola by Johan Halvorsen, is a beautiful and timeless piece of classical music. Known for its rich harmony and expressive melody, this arrangement offers a wonderful introduction to classical music for beginners. Its elegant and flowing structure makes it an ideal choice for those looking to explore the classical genre while still being approachable for early learners. The piece captures the grandeur and emotion of classical music, providing a rewarding experience for musicians at the beginner level.

Concert Band - Level 3 - Digital Download SKU: A0.1090152 Composed by Andrew W. Sharrock. Contest,Festival,Instructional,Standards,Traditional. Score and parts. 34 pages. T.U.X. People's Music #694330. Published by T.U.X. People's Music (A0.1090152). With driving march rhythms and light syncopation, Andrew Sharrock's march for second-year band is a perfect introduction to march form and style, in which every section gets to play an important part!

Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6194993. Published by Pharaoh Publications (A0.935391). Christmas Medley for Marimba Trio . . . . . . . . . . . . . . arr. Dan HeslinkThis medley combines three of the most favored Carols celebrating the miracle of Christ’s birth. Angels We Have Heard On High encapsulates the birth of Jesus Christ as narrated in the Gospel of Luke. The flowing second part of this carol portrays the shepherds’ wonder as they encounter a multitude of angels singing and praising.  The spiritual renewal brought about by the birth of the Christ child is given in What Child Is This? Sung to the tune of the traditional English song Greensleeves, its haunting quality has made it one of the most popular of Christmas carols. And focusing on the immediacy of the Child’s entrance into the world, Away in a Manger has become the most loved of all American Christmas carols.  The medley opens with an eight-measure introduction that immediately establishes the Christmas spirit, and then moves on to Angels We Have Heard on High. The binary form of this section should suggest to the performers two contrasting manners of execution, one involving brisk, rhythmic strokes and the other more legato in nature. At the second indicated rehearsal number What Child Is This? introduces a new key and new meter for new melodic content. The score shapes these phrases with dynamic changes, which should be observed with care. The dynamic arches and divided eighth note passages will enhance the impetus of a rolling ternary meter  The medley’s final selection, Away in a Manger, begins at measure sixty-seven. A light and delicate approach to execution should create an innocent, child-like characterization. The final cadence of this selection is expanded to a bolder conclusion. Players and conductor may wish to experiment with a dead stroke on the last soft note, to artistically suggest that the music may be experienced for a moment even after it is concluded.  This medley will be especially effective programmed on a winter holiday concert. Duration is 2:21. The arranger, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.  

Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1379588 By Henry Purcell. By Henry Purcell. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Early Music,Irish,Traditional. 3 pages. Arezzo Music #964293. Published by Arezzo Music (A0.1379588). Purcell z 646 a new irish tune Oboe and Bassoon sheet music for beginnersEmbark on a musical journey with Henry Purcell's 'A New Irish Tune' through this specially crafted violin and cello sheet music designed for beginners. Immerse yourself in the rich harmonies and melodic beauty of Purcell's composition, tailored to provide an accessible and enjoyable playing experience for those new to the world of violin and cello. This arrangement captures the essence of the original piece while offering a gentle introduction to the art of ensemble playing. Whether you're a novice or a seasoned player, discover the joy of creating beautiful music with this beginner-friendly adaptation of Purcell's timeless work.purcell z 646 a new irish tune Oboe and Bassoon sheet music for beginners

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. 19 pages. Artist of Note, Inc. #1073248. Published by Artist of Note, Inc. (A0.1496732). Jazz Hodie (On this Day Earth Shall Ring)PERSONENT HODIE arr. Ken Litton (ASCAP) Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph  (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. Note: the String Bass/Electric Bass part is included!Also available in a Hymn Sheet Version that includes everything needed for a small ensembe and/or the worshiping congregation.All this from the places you go for the best in downloadable resources:Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.

Piano Solo - Level 2 - Digital Download SKU: A0.1105812 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Davide Bizzarri. Celtic,Children,Film/TV,Irish,Medieval. Score. 3 pages. Davide Bizzarri #709040. Published by Davide Bizzarri (A0.1105812). Here you have the piano part of this piece, it's not original but it's a good sustain for the voice. This arrangement comes with three part of violin, the third very easy. The key after the introduction has been changed to G major, so it's more suitable for children vocal range, and I think it works very well. You can find Score and other instrumental part of this arrangement.