Ed. Dan Damon - Digital Download SKU: H1.8607DP Composed by And Short Songs), At Your Altars (Chants, and Refrains. Arranged by And Short Songs), At Your Altars (Chants, and Refrains. Hymnal Supplements. General Worship. Hymn Collection. 127 pages. Hope Publishing - Digital #8607DP. Published by Hope Publishing - Digital (H1.8607DP). Various; Edited by Dan Damon.This collection, edited by Dan Damon, provides 98 short songs by various authors and composers that can be easily learned and memorized quickly. Most are arranged for four-part singing, but may also be sung in unison or by a single voice, making them suitable for individual prayer as well as corporate worship. Each hymn includes a 'suggested use' and the indexes include short biographical sketches of the hymn writers, some of which are published here for the first time. Dan's Introduction, sets out the way to use the pieces intelligently. Essential reading.

Piano Solo - Level 3 - Digital Download SKU: A0.1199273 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 12 pages. Christopher Alexander #798336. Published by Christopher Alexander (A0.1199273). An easy-going ballad that seemingly picks up its pace after the melody's introduction.  The repetitive tuplets mimic the waters gently traveling through the brooks.  We travel along, going wherever the waters may take us.  The transition and key change amplifies the nature of this work, now requiring the right to perform the melody and tuplet patterns simultaneously.  This song is a work of serenity that will calm you and your audience at your next performance.

Piano Solo - Level 3 - Digital Download SKU: A0.1024529 Composed by Amy Gordon. 20th Century,Contemporary. Score. 11 pages. Amy Gordon #4638257. Published by Amy Gordon (A0.1024529). Crystal is a three-movement vibraphone and piano duet (Adagio, Moderato, and Presto) centered around the suspended chord, which does not clearly define a major or a minor tonal world. Similar to Marginalia, Crystal relies on tonally ambiguous harmonies such as the second and seventh.It begins and ends with a dissonant, bell-like vibraphone idea, referencing chord clusters often used in Balinese Gamelan.Adagio employs a rhythmic canon between the vibraphone and the left and right hand piano parts. Parallel sevenths and cross-rhythms are the building blocks of this movement.Moderato uses a repeating rhythmic ostinato throughout the movement, which is first introduced by the vibraphone and then taken on by the piano.Presto opens with a folk-like melody in the vibraphone and then leads into a more lyrical, quartal melody. It uses the parallel sevenths and cross-rhythms found in the first movement. The coda basically repeats the piece’s introduction with slightly less dissonant vibraphone chords. Throughout the entire piece, it is never firmly established whether the piece is in major or minor.For more information, visit www.amygordonmusic.com.