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String Orchestra - Level 3 - Digital Download SKU: A0.921069 Composed by George Frideric Handel. Arranged by Michael D. Blostein. Baroque,Graduation,Wedding. Score and parts. 27 pages. Michael D. Blostein #2845645. Published by Michael D. Blostein (A0.921069). Widely performed as a solo composition, this work is one of Handel's finest. Originally for two oboe soloists with string accompaniment, this arrangement has been modified for only strings. Solo parts are in divisi first violin parts, appropriate for solo players or the section. The key has been lowered to A, allowing it to sit very nicely for developing performers. A wide variety of tempi fit musically, making this an excellent choice for any group.
Solomon, Introduction to Act III, Entrance of the Queen of Sheba
Orchestre à Cordes

$35.00 30.4 € Orchestre à Cordes PDF SheetMusicPlus

Guitar - Digital Download SKU: S9.Q15702 Over one Theme of Mozart. Composed by Fernando Sor. This edition: Sheet music. Edition Narciso Yepes - guitar - Wolfgang Amadeus Mozart. Guitar Archive. Downloadable. Op. 9. Schott Music - Digital #Q15702. Published by Schott Music - Digital (S9.Q15702). Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
Introduction and variations
Guitare

$11.99 10.41 € Guitare PDF SheetMusicPlus

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109799 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 24 pages. B. L. Dugan #712165. Published by B. L. Dugan (A0.1109799). Advancing brass players will find Quartet No. 3 both challenging and rewarding. At ~ 4:00, it is one of the longer quartets in Dauprat's Opus 8 set of 6 quartets. A slow, solemn opening is followed by a lyrical 3/4 section and closes with a rousing 6/8 dance-like section which accelerates to the close. Performers and audiences alike will enjoy this gem from the late Classical era. It is suitable for festivals, recitals, concerts, church services and other special occasions.
Quartet No. 3, Opus 8: Introduction-Andante-Allegro
NA
$20.00 17.37 € PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
Saxophone Soprano et Piano

$19.95 17.33 € Saxophone Soprano et Piano PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.881254 Composed by Gary Powell Nash. Contemporary. Score and parts. 175 pages. Gary Powell Nash #4727399. Published by Gary Powell Nash (A0.881254). During the 2006-2007 academic year, Nash was fortunate to travel to Ghana, Spain and Vietnam. These experiences were quite profound and resulted in Nash composing new works that reflect those experiences. KORA’S SONG AND DANCE (2009) for symphonic wind ensemble is his first large ensemble composition written under this premise. Kora is a 21 stringed musical instrument from West Africa and KORA'S SONG AND DANCE is largely based on the tune Diabate’ by singer/songwriter Vieux Farke’ Toure’ of Mali. Diabate’ is also the name of well known kora musician, Toumani Diabate’ in which Toure’ dedicated the song to. KORA’S SONG AND DANCE uses melodies that are derived from the drone motif in Toure’s Diabate. Diabate’ is a medium tempo song with the drone motif occurring throughout and improvised melodies on top of the drone. KORA’S SONG AND DANCE begins with a slow introduction, featuring the alto sax and marimba. The rest of the ensemble gradually enters and builds to the end of the intro, transitioning to the next section by way of metric modulation. The next section builds with layers of instrumental textures, much like the intro and concludes with an English horn and piano duet. This particular pattern of musical events repeats, transitioning back to slow music, reminiscent of the intro and then ends big by going back to the faster tempo.
Kora's Song and Dance
Orchestre d'harmonie

$80.00 69.47 € Orchestre d'harmonie PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.1233203 Composed by Folk Tune. Arranged by Sandy McIntire. Celtic,Folk,Instructional,Irish,Multicultural,Traditional,World. 3 pages. Sandy McIntire #828819. Published by Sandy McIntire (A0.1233203). Campbell's Farewell to Red Gap is a fiddle tune originating in the British Isles that is often played by old-time fiddlers in the U.S. This arrangement is the first in McIntire's series, Introduction to Fiddling. The tune is arranged at the Easy Intermediate level in A Mixolydian (two sharps), and it is accompanied by information about key signatures, modes, and tips on fiddling for those new to this style of playing. The tune starts with an imitation of a bagpipe's drone and it includes the chords for other instruments to play along.
Campbell's Farewell to Red Gap
Violon

$3.50 3.04 € Violon PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.918924 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. Score. 3 pages. Jubal's Lyre Music Publishers #6637975. Published by Jubal's Lyre Music Publishers (A0.918924). Your congregation will enjoy this bright and cheerful introduction to the Christmas hymn Of the Father’s Love Begotten (DIVINUM MYSTERIUM). Inspired by the Toccata in E Minor for organ by Johann Pachelbel (1653-1706), it alternates joyfully cascading descending arpeggios with serene statements of the melody of the hymn in the lower register. Use it to introduce the singing of the hymn, as prelude music, or during the offering. For more music and information, visit www.jubalslyre.com/music.
Of the Father's Love Begotten (Hymn Prelude for Organ)
Orgue
Jubal's Lyre Music
$2.99 2.6 € Orgue PDF SheetMusicPlus

Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
The Monk's Turned Topsy-Turvy

$1.99 1.73 € PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
The Monk's Turned Topsy-Turvy
Ensemble de Clarinettes

$25.00 21.71 € Ensemble de Clarinettes PDF SheetMusicPlus

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823891 Composed by John Zundel (1815–1882). Arranged by Richard Giszczak. Christmas,Easter,Praise & Worship,Sacred,Wedding. Individual part. 3 pages. Singing Winds Music Company #6692255. Published by Singing Winds Music Company (A0.823891). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 4 variations.The hymn tune name is BEECHER. The words There's a Wideness in God's Mercy are associated with Lent.  The words Love Divine, All Loves Excelling are appropriate for Advent or Weddings.
25B. There's a Wideness in God's Mercy (BEECHER)

$2.00 1.74 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939986 Composed by César Zumel. Christian,Sacred,Wedding. Octavo. 2 pages. César Zumel #3224713. Published by César Zumel (A0.939986). For a wedding, just S. Paul's letter to Corintians, the most requested lyric. Charming enough for the most important day. It is usual that in many weddings is read the letter of S. Paul to Corintians. Why only read and not sung? If you have sung in a wedding with low energy, this song can change that, easy to understad, sing and act. If you are married you will refresh your own wedding.From musical point of view, progresive energy is built up from introduction soft on the basis of El amor as obstinato. After that bass solo and choir answers. Next step is soprano melody acompanished by choir obstinato. Finally an unisono reinforce the main melody. Just for a ceremony it fits all requeriments.
El amor (Carta de S. Pablo)
Chorale SATB

$5.00 4.34 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1506513 By Raluca Bojor. By Traditional. Arranged by Raluca Bojor. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score. 5 pages. Raluca Bojor #1081878. Published by Raluca Bojor (A0.1506513). Here's a happy, light-hearted, advanced gospel piano arrangement of the traditional children's hymn He's Got the Whole World In His Hands. It starts out with a swing-style introduction, paving the way to the familiar tune. Throughout this arrangement you will hear the main melody presented in different registers and textures. Towards the end, you will hear a sneaky modulation from G major to E flat major which will lift the hearts of your listeners! LISTEN to the full performance below!Product details:• sheet music PDF• five (5) pages long• level: advanced• key of G major with a modulation to E flat major• performance time 2'11DOWNLOAD the sheet music today!
He's Got the Whole World In His Hands
Piano seul
Raluca Bojor
$5.99 5.2 € Piano seul PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$15.50 13.46 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus


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