Organ - Intermediate - Digital Download SKU: XA.9798889833031 Composed by Mark Sedio. General. Christian. Score. 48 pages. Augsburg Fortress - Digital #9798889833031. Published by Augsburg Fortress - Digital (XA.9798889833031). ISBN 9798889833031. 9 x 12 inches.With great variety and creative sparkle, Mark Sedio’s fourth volume in the Come and Praise series offers several short pieces ideal for hymn introductions or interludes along with some alternate hymn harmonizations. Also included are three extended hymn tune variations and his original piece Scherzo Piccolo, which is a light and rhythmically charming piece. Extremely useful with a great mix of tunes and styles.

Baritone Horn TC,Bass Voice,Continuo,Soprano voice,Violin - Digital Download SKU: A0.1478386 By Arturo Escorza. By Ignacio Jerusalem. Arranged by Manuel José Quirós. Baroque,Chamber,Early Music,Sacred. 27 pages. Arturo Escorza #1055770. Published by Arturo Escorza (A0.1478386). Recitative in duet Ea, feliz bajel introduction and andante Nave dichosa - Duet for Soprano and Bass by Ignacio Jerusalem and Manuel José QuirósExperience the rich musical heritage of viceregal baroque Hispanic America with this exquisite duet for soprano and bass, featuring Ea, feliz bajel and Nave dichosa by the renowned Ignacio Jerusalem, known as the Musical Miracle and master of chapel at Mexico City Cathedral. This collection also includes a recitative by Manuel José Quirós, master of chapel at Guatemala City Cathedral.Commemorating the Nativity of Our Redeemer, this piece is perfect for historical performances. The full score and parts for Violin 1, Violin 2, and Continuo are meticulously transcribed to preserve the authenticity and beauty of the original composition.The work is structured as follows:1. Recitative - Ea, feliz bajel (according to the source: This recitative was changed for being somewhat extravagant. This introduction was replaced by another one with violins, also a duet, which is put in its place. Composed by Manuel José Quirós. Nevertheless, I decided to include it.)2. Introduction - Ea, feliz bajel (The introduction with violins.)3. Andante - Trova: Nave DichosaThis duet is an ideal choice for performers looking to explore the intricate and emotive music of the Baroque period in Hispanic America.Summary:Title: Ea, feliz bajel and Nave dichosa - Duet for Soprano and Bass by Ignacio Jerusalem and Manuel José QuirósInstrumentation: Soprano, Bass, Violin 1, Violin 2, Continuo.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797741 Composed by Josef Ivanovici. Arranged by Derek Hasted. Romantic Period. Score and parts. 21 pages. Derek Hasted #4363453. Published by Derek Hasted (A0.797741). THE DANUBE WAVES - for THREE GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This isn’t just one little Waltz - the original work was, in fact, 4 Waltzes played end to end. The first one is perhaps the most famous, but the others are charming too. Here we have all four plus an introduction too.My guitar trio arrangement is based on a facsimile of an original piano reduction with extra countermelodies to thicken the texture.This composition has been arranged by many people to be played on piano or by full orchestra, and quite often one or more of the waltzes is omitted, or they are played in a different order or a different number of times. It’s fair to say there are probably a dozen variants! More than that, each arranger seems to take it upon themselves to write an introduction. In keeping with that tradition, I have penned an introduction too... it’s a mysterious, slightly slow, statement of the first theme, which, as the first Waltz starts, comes alive at tempo.In this particular arrangement, I’ve made sure everyone has the tune at some point - with about five minutes of music here, it’s not right that some parts are in the limelight and others aren’t - music is for sharing! At phrase boundaries, the roles of tune, countermelody and accompaniment all move round.In concert, one might consider omitting one of the Waltzes if time is at a premium.

Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Published by DR GARY D BELSHAW (A0.796594). Conductor's Score. 24 pages, letter format sheets. Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The set of parts is also available right here in Sheet Music Plus.

Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.

Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.

Easy Piano - Level 1 - Digital Download SKU: A0.1318994 Composed by Ludwig van Beethoven. Arranged by Alex E. 19th Century,Children,Classical,Sacred,Traditional. Score. 3 pages. Müller Publishing company #907593. Published by Müller Publishing company (A0.1318994). Ode to Joy - Easy Piano Sheet MusicExplore the majestic Ode to Joy by Beethoven with this sheet music specially adapted for beginner piano players. Developed to be an educational tool within classrooms, this sheet music features large notation and chord symbols to facilitate learning.**Sheet Music Highlights:**1. **Adapted for Beginner Piano:** The notes have been simplified to ensure that even beginners can enjoy Beethoven's masterpiece.2. **Ideal for the Classroom:** Perfect for educational use, this sheet music encourages collaborative practice and provides an engaging introduction to classical music.3. **Large Notation and Chord Symbols:** The notation is designed for clear and easy reading, with added chord symbols to assist in harmonic understanding.**Why Choose This Sheet Music?**- **Educational and Inspirational:** Developed with the educational environment in mind, this sheet music is an exciting introduction to classical music.- **Easy to Read:** The notes are presented clearly, and the chord symbols provide additional support for harmonic comprehension.Don't miss the opportunity to enhance your musical practice with the easy piano sheet music for Ode to Joy. Whether you are a beginner student or an educator seeking an engaging educational tool, this sheet music offers an accessible and inspiring introduction to Beethoven's brilliance.

Piano Solo - Level 3 - Digital Download SKU: A0.565608 By Sharon Wilson. By Oliver Holden and William Shrubsole. Arranged by Sharon Wilson. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 5 pages. Sharon Wilson #4980641. Published by Sharon Wilson (A0.565608). This piano solo arrangement creates a powerful medley by incorporating two classic hymn tunes associated with the lyrics All Hail the Power of Jesus' Name. After a commanding introduction setting a majestic tone, the first tune, CORONATION by Oliver Holden, is presented followed by an interlude restating the introduction. After the short interlude, the tune MILES LANE by William Shrubsole is presented and then concludes with a return to the introduction theme and final ending of CORONATION.This joyful and uplifting arrangement is a treasured addition to the church pianist's worship repertoire and especially enjoyed when used as an opening praise selection, a special music, or a postlude.This arrangement is one of the 16 piano solos in the collection Hymn Favorites, Book 4.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Easy Piano - Level 1 - Digital Download SKU: A0.1184514 Composed by Chauncey Olcott, Ernest R Ball, and George Jr. Graff. Arranged by Joan Bujacich. Celtic,Holiday,Irish,Standards,Traditional. Score. 6 pages. Joan Bujacich #784238. Published by Joan Bujacich (A0.1184514). When Irish Eyes Are Smiling, Alpha Notes, EASY PIANO, LYRICS and INTRODUCTION!  Arranged by Joan Bujacich for Solo Piano on the Elementary Level and great for adult students, too! Clean notation.  Includes full traditional Introduction and lyrics. This classic Irish tune is happy and great for Saint Patrick's Day and throughout the year. This version includes the beautiful introduction which was not done in the popular Bing Crosby's version but done bythje celebrated irish singer,  John McDermott, and others. Ms. Bujacich also has a Flute and Piano Version and a Junior/Intermedaite solo piano version available here on Sheet Music Plus. Be sure to explore all her other great arrangements. She goes a step beyond others to give you clean, musical arrangements that feel good and sound great for all levels of players.

Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.

Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1318996 Composed by Ludwig van Beethoven. Arranged by Alex E. 19th Century,Children,Classical,Sacred,Traditional. Score. 3 pages. Müller Publishing company #907595. Published by Müller Publishing company (A0.1318996). Ode to Joy - Easy Piano Sheet Music with Note NamesExplore the majestic Ode to Joy by Beethoven with this sheet music specially adapted for beginner piano players. Developed as an educational tool for classrooms, this sheet music features large notation, chord symbols, and the added benefit of note names on the heads of the musical figures to facilitate learning.**Sheet Music Highlights:**1. **Adapted for Beginner Piano:** The notes have been simplified to ensure that even beginners can enjoy Beethoven's masterpiece.2. **Ideal for the Classroom:** Perfect for educational use, this sheet music encourages collaborative practice and provides an engaging introduction to classical music.3. **Large Notation, Chord Symbols, and Note Names:** The notation is designed for clear and easy reading, with added chord symbols and note names on the heads of the musical figures to assist in harmonic and note understanding.**Why Choose This Sheet Music?**- **Educational and Inspirational:** Developed with the educational environment in mind, this sheet music is an exciting introduction to classical music.- **Easy to Read:** The notes are presented clearly, and the chord symbols, along with note names, provide additional support for harmonic and note comprehension.Don't miss the opportunity to enhance your musical practice with the easy piano sheet music for Ode to Joy that includes note names. Whether you are a beginner student or an educator seeking an engaging educational tool, this sheet music offers an accessible and inspiring introduction to Beethoven's brilliance.

Organ - Level 3 - Digital Download SKU: A0.1435222 Composed by Basque c. 18th cent. and Lynn L. Petersen. Arranged by Lynn L. Petersen. Advent,Christian,Christmas,Religious,Sacred. Score. 10 pages. Lynn L. Petersen #1015307. Published by Lynn L. Petersen (A0.1435222). Introduction, modulation, and accompaniment options for the hymn tune GABRIEL’S MESSAGE.  Includes an 8-measure hymn introduction provided in two keys (F minor and G minor), a 7-measure interlude with modulation from F minor to G minor, and an alternate hymn accompaniment for one stanza in two keys (F minor and G minor).  The introduction and accompaniment are independent and may be inserted or repeated as desired.  Material from the introduction may also serve as an interlude between stanzas.  The score is written for organ on three staves, with left and right hands playing on one manual and the pedal part on the bottom staff.

This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur

C Instrument - Level 2 - Digital Download SKU: A0.1476010 By Aretha Franklin, Barbra Streisand, Jimmy Hendrix, Mariah Careh, and Patti LaBelle. By Robert Burns. Arranged by Barry McCormick. Celtic,Christmas,Folk,Instructional,Irish,Traditional. Lead Sheet / Fake Book. 3 pages. B. McCormick #1053577. Published by B. McCormick (A0.1476010). Auld Lang Syne - Lead Sheet and Chord Sheet Our “Auld Lang Syne” Lead Sheet offers a concise yet expressive way to perform this timeless Scottish folk song. Here’s what you’ll find: Lead Sheet: Introduction Variation: We’ve crafted a short introduction using the last two bars’ melody, infusing a fresh harmonic structure for added variation. Melody and Harmonic Clarity: The Lead Sheet captures the essence of “Auld Lang Syne,” allowing singers and instrumentalists to interpret it with authenticity. Chord Sheet: Accompanying Chords: Guitarists and pianists can follow the chord symbols for seamless accompaniment. Suggested Strumming Pattern: We’ve included a recommended strumming pattern to enhance the song’s rhythmic feel. Feel free to adapt it to your style! Glossary of Scot’s Terms: Dive deeper into the song’s cultural context with our Chord Sheet’s glossary, explaining traditional Scottish terms used in the lyrics. A Brief History: “Auld Lang Syne” was written down by Robert Burns in 1788 to preserve the Scottish language and culture after Scotland and England had formed the UK in 1707. Burns decided to travel around the country to collect and publish old Scots poetry and songs, ensuring that this bit of Scotland’s spoken history wouldn’t fade from memory. Who is this For? Musicians and Singers: Solo Performers: Use the Lead Sheet for heartfelt renditions. Ensemble Players: Collaborate with others to create a harmonious performance. Educators and Curious Learners: Music Teachers: Introduce students to Scottish folk music and its linguistic nuances. Raise your voices and hearts with ‘Auld Lang Syne.’ Explore our Lead Sheet and Chord Sheet, celebrating tradition and connection!