Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.532815 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Standards. Score and parts. 25 pages. Musik Fabrik Music Publishing #37187. Published by Musik Fabrik Music Publishing (A0.532815). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The thème of this set of variations was probably originally written by the 19th century Flute Virtuosos Paul-Agricole Génin (although it may also be of traditional original) and was used as a subject for variations by such composers as Bosch, Liszt and Arban, among others. Demersseman wrote a number of versions of this work, including an orchestration for wind band.

Strings - Digital Download SKU: S9.Q4563 Composed by Edward Elgar. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 47. Ernst Eulenburg & Co. GmbH - Digital #Q4563. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4563). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1109799 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 24 pages. B. L. Dugan #712165. Published by B. L. Dugan (A0.1109799). Advancing brass players will find Quartet No. 3 both challenging and rewarding. At ~ 4:00, it is one of the longer quartets in Dauprat's Opus 8 set of 6 quartets. A slow, solemn opening is followed by a lyrical 3/4 section and closes with a rousing 6/8 dance-like section which accelerates to the close. Performers and audiences alike will enjoy this gem from the late Classical era. It is suitable for festivals, recitals, concerts, church services and other special occasions.

Concert Band - Level 5 - Digital Download SKU: A0.1396296 By Trevor Denyer. By Guiseppi Verdi. Arranged by Trevor Denyer. 19th Century,Opera,Romantic Period. 112 pages. Trevor Denyer #892768. Published by Trevor Denyer (A0.1396296). This arrangement was written especially for the Band of the Surrey Yeomanry for an upcoming performance with a choir. It will serve as a suitably uplifting item to start the concert.It is a decent representation of Verdi's intentions with this short piece.As usual with my arrangements, print the parts double-sided including any title pages, and the page turns will work.

Concert Band - Level 5 - Digital Download SKU: A0.881254 Composed by Gary Powell Nash. Contemporary. Score and parts. 175 pages. Gary Powell Nash #4727399. Published by Gary Powell Nash (A0.881254). During the 2006-2007 academic year, Nash was fortunate to travel to Ghana, Spain and Vietnam. These experiences were quite profound and resulted in Nash composing new works that reflect those experiences. KORA’S SONG AND DANCE (2009) for symphonic wind ensemble is his first large ensemble composition written under this premise. Kora is a 21 stringed musical instrument from West Africa and KORA'S SONG AND DANCE is largely based on the tune Diabate’ by singer/songwriter Vieux Farke’ Toure’ of Mali. Diabate’ is also the name of well known kora musician, Toumani Diabate’ in which Toure’ dedicated the song to. KORA’S SONG AND DANCE uses melodies that are derived from the drone motif in Toure’s Diabate. Diabate’ is a medium tempo song with the drone motif occurring throughout and improvised melodies on top of the drone. KORA’S SONG AND DANCE begins with a slow introduction, featuring the alto sax and marimba. The rest of the ensemble gradually enters and builds to the end of the intro, transitioning to the next section by way of metric modulation. The next section builds with layers of instrumental textures, much like the intro and concludes with an English horn and piano duet. This particular pattern of musical events repeats, transitioning back to slow music, reminiscent of the intro and then ends big by going back to the faster tempo.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Organ - Level 3 - Digital Download SKU: A0.918924 By Jubal's Lyre Music. By Anonymous. Arranged by Martin Dicke. Advent,Christian,Christmas,Holiday,Sacred. Score. 3 pages. Jubal's Lyre Music Publishers #6637975. Published by Jubal's Lyre Music Publishers (A0.918924). Your congregation will enjoy this bright and cheerful introduction to the Christmas hymn Of the Father’s Love Begotten (DIVINUM MYSTERIUM). Inspired by the Toccata in E Minor for organ by Johann Pachelbel (1653-1706), it alternates joyfully cascading descending arpeggios with serene statements of the melody of the hymn in the lower register. Use it to introduce the singing of the hymn, as prelude music, or during the offering. For more music and information, visit www.jubalslyre.com/music.

Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.

Violin Solo - Level 2 - Digital Download SKU: A0.1233203 Composed by Folk Tune. Arranged by Sandy McIntire. Celtic,Folk,Instructional,Irish,Multicultural,Traditional,World. 3 pages. Sandy McIntire #828819. Published by Sandy McIntire (A0.1233203). Campbell's Farewell to Red Gap is a fiddle tune originating in the British Isles that is often played by old-time fiddlers in the U.S. This arrangement is the first in McIntire's series, Introduction to Fiddling. The tune is arranged at the Easy Intermediate level in A Mixolydian (two sharps), and it is accompanied by information about key signatures, modes, and tips on fiddling for those new to this style of playing. The tune starts with an imitation of a bagpipe's drone and it includes the chords for other instruments to play along.

2-part choir - Digital Download SKU: LX.15-1924H Composed by Stephen L. Lawrence. Sing Out Series. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/1924H. Published by Heritage Music Press (LX.15-1924H). UPC: 000308096354.Yes, it's Santa's New Year's resolution: He's going on a diet! The opening narrative introduction quickly moves into a '50s style rock feel, so appropriate for these absolutely hilarious lyrics!

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823891 Composed by John Zundel (1815–1882). Arranged by Richard Giszczak. Christmas,Easter,Praise & Worship,Sacred,Wedding. Individual part. 3 pages. Singing Winds Music Company #6692255. Published by Singing Winds Music Company (A0.823891). This arrangement is set for 25-Bell (or larger) Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 4 variations.The hymn tune name is BEECHER. The words There's a Wideness in God's Mercy are associated with Lent.  The words Love Divine, All Loves Excelling are appropriate for Advent or Weddings.

Small Ensemble Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823936 Composed by Samuel S. Wesley (1810–1876). Arranged by Richard Giszczak. Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #6851183. Published by Singing Winds Music Company (A0.823936). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S. al Fine.The hymn tune name is AURELIA. The words The Church's One Foundation are for general use.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882267 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 10 pages. Adrian D Biggs #5728919. Published by Adrian D Biggs (A0.882267). Agnus dei for SSA Women’s Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Versions with piano accompaniment are also available.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.939986 Composed by César Zumel. Christian,Sacred,Wedding. Octavo. 2 pages. César Zumel #3224713. Published by César Zumel (A0.939986). For a wedding, just S. Paul's letter to Corintians, the most requested lyric. Charming enough for the most important day. It is usual that in many weddings is read the letter of S. Paul to Corintians. Why only read and not sung? If you have sung in a wedding with low energy, this song can change that, easy to understad, sing and act. If you are married you will refresh your own wedding.From musical point of view, progresive energy is built up from introduction soft on the basis of El amor as obstinato. After that bass solo and choir answers. Next step is soprano melody acompanished by choir obstinato. Finally an unisono reinforce the main melody. Just for a ceremony it fits all requeriments.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882259 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723761. Published by Adrian D Biggs (A0.882259). Agnus dei for SSA Women’s Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.