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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.    The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre

$31.50 26.79 € Orchestre PDF SheetMusicPlus

French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
Cor

$3.50 2.98 € Cor PDF SheetMusicPlus

Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.1237679 Composed by Thomas Morley. Arranged by Wendolien Krul. Chamber,Classical,Early Music,Renaissance,Traditional. Score. 4 pages. Wendolien Krul #833180. Published by Wendolien Krul (A0.1237679). Discover the beautiful sheet music of composer Thomas Morley (1557-1602) with our arrangement for Il Lamento (The sorrowful Complaint), the fifth part of the enchanting series 9 Fantasies for Two.Originally written for 2 viola da gambas, it's carefully crafted into a unique arrangement for 2 tenor saxophones. This allows saxophonists of all levels to enjoy Morley's enchanting music.Il Lamento takes you on a poignant and emotionally rich musical journey. With its masterful melodies and expressive harmonies, Morley evokes a sense of longing and melancholy. This piece offers an excellent opportunity for more expressive freedom and exploration of the most beautiful way to play the melody, as there are no precise indications in the original work.Our sheet music is of high quality, thoughtfully compiled, with clear notation that allows for artistic interpretation. This empowers you to explore and express your own unique musicality while playing Thomas Morley's music.Don't miss this chance to immerse yourself in the masterpieces of this renowned composer. Get your copy of the sheet music for Il Lamento today and let the enchanting sounds of Morley come to life on your tenor saxophone.
Il Lamento (from "9 Fantasies for 2")
2 Saxophones (duo)

$5.99 5.1 € 2 Saxophones (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 4 - Digital Download SKU: A0.1410464 By Gabriel Faure. By Gabriel Faure. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 18 pages. Andrew Lamb #992881. Published by Andrew Lamb (A0.1410464). 🎶 Euphonium Solo: Lamento from La Chanson du Pêcheur, Op. 4/1 by GABRIEL FAURÉ 🎶This arrangement of Lamento by Gabriel Fauré for Euphonium and Piano 🎹 captures the poignant beauty of the original composition.🎶 The melancholic melodies and rich harmonies resonate through the euphonium, while the piano provides a supportive backdrop.🎵 Suitable for advanced players, this arrangement offers a challenging yet rewarding musical experience.🌟 Perfect for concerts or recitals, it's sure to captivate audiences with its emotional depth and expressive qualities. Dive into the timeless allure of Fauré's masterpiece with this arrangement!🎼 Please like and subscribe for more videos and music arrangements.
Gabriel Fauré | Lamento | for Euphonium
Euphonium, Piano (duo)
Gabriel Faure
$6.00 5.1 € Euphonium, Piano (duo) PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.999683 Composed by Rebecca Lou. Children,Christian,Instructional,Praise & Worship,Sacred. Octavo. 3 pages. Rebecca Lou #6057971. Published by Rebecca Lou (A0.999683). But this I call to mind, and therefore, I have hope.  The Love of the Lord is always there for me! His mercies never end.  They're new each morning for me.  The Lord is all I need.  I'll trust in Him!  The promising, hopeful words of Lamentations 3:21-26 are sung so beautifully in this easy melody by children. There's no better way to learn Biblical truths than by singing.  Sing along with sweet children's voices as you learn these encouraging truths!Join the many who are learning new Scripture verses through singing Scripture Songs for Dancing in His Arms!
His Mercies Are New Every Morning! Lamentations 3
Chorale Unison

$4.99 4.24 € Chorale Unison PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1337725 By Christina Aguilera. By Johan Ludvig Aberg, Paul Rein, Pauli Kaj Olavi Reinikainen, and Rudy Amado Perez. Arranged by Pax Ressler. Pop. 14 pages. Pax Ressler #923492. Published by Pax Ressler (A0.1337725). This is an intermediate arrangement of “Ven Conmigo (Solamente Tú“ (as performed by Christina Aguilera) for TTBB chorus and piano. The full score is included.Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search “Pax Ressler†on Sheet Music Direct, Sheet Music Plus, or visit their website, paxressler.com.
Ven Conmigo (solamente Tu)
Chorale TTBB
Christina Aguilera
$1.99 1.69 € Chorale TTBB PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre

$100.00 85.06 € Orchestre de chambre PDF SheetMusicPlus

Piano - Digital Download SKU: LV.23097 Composed by Mrs. E. A. Parkhurst. Memorial works, Military officers, Civil War--Union. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23097). Our Lamented Hero. General Scott's Funeral March. By Mrs. E.A. Parkhurst. Published 1866 by Horace Waters, 481 Broadway in New York. Composition of through-composed with piano instrumentation. Subject headings for this piece include Memorial works, Military officers, Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Our Lamented Hero. General Scott's Funeral March
Piano seul
Mrs E
$5.99 5.1 € Piano seul PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
Ensemble de cuivres

$13.00 11.06 € Ensemble de cuivres PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1133924 Composed by Gabriel Marie. Arranged by Paul Wood. Baroque. Score and parts. 21 pages. MyMusicScores.com #734049. Published by MyMusicScores.com (A0.1133924). Gabreil Marie studied at the Conservatoire de Paris and had an active life in the musical circles of Paris. He is now mainly known for La Cinquantaine (The Golden Wedding), for cello and piano composed in 1887. La Cinquantaine is the second in a collection of two pieces for cello and piano. The first piece in the set is this Lamento. It's a short and beautiful piece that should be played more often. Here is an arrangement for cello and string orchestra. The PDF file contains the score and all instrumental parts.
Marie Lamento for Cello and String Orchestra
Orchestre à Cordes

$14.99 12.75 € Orchestre à Cordes PDF SheetMusicPlus






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