Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.747011 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869499. Published by Keith Terrett (A0.747011). Arranged for Recorder Quartet  Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869409. Published by Keith Terrett (A0.747005). Arranged for Brass Quartet, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.957830 Composed by Krystal J. Grant. Contemporary,Sacred,Spiritual,Standards. Octavo. 8 pages. Krystal Folkestad #3072467. Published by Krystal Folkestad (A0.957830). 2min. Oliver Goldsmith's epic poem The Deserted Village laments the decline of rural life. One section from the 18th-century work depicts the praxis of the village preacher. A compassionate man, akin in character to Victor Hugo’s later bishop, the preacher welcomes sinners and gently walks alongside them toward godliness. This choral setting flows peacefully through the vignette and emphasizes the preacher’s daily actions that express his love for his neighbors. (2017)

Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884800 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 6 pages. Jonathan Prentice #5857211. Published by Jonathan Prentice (A0.884800). Cleopatra's exquisitely beautiful aria from Act 3 of Handel's Julius Caesar. She laments both the loss of the battle against the forces of Tolomeo, and, so she thinks, the death of Julius Caesar. (Here in Eb Major).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794080 Composed by Richard Rodgers. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6102045. Published by DAVID LEE GINGRAS (A0.794080). Ten Cents a Dance is a popular song in which a taxi dancer laments the hardships of her job. It was written by Lorenz Hart and Richard Rogers for the 1930 musical Simple Simon. Numerous artists have recorded the song, but we patterned this arrangement after Michelle Pfifer's version from the 1989 movie The Fabulous Baker Boys, the first song she sang in the movie after becoming the trio's singer. This is a relatively simple version, it sounds great and is fun to play - we hope you like it!

Digital Download SKU: A0.1070754 Composed by Teresa OConnell (BMI). Children,Pop. Accompaniment. Duration 152. Teresa O'Connell (BMI) #6057141. Published by Teresa O'Connell (BMI) (A0.1070754). This is the digital backing track for Teresa O'Connell's The No Snow Blues(sheetmusicplus.com item #769053). It also works for the cold weather version The Snowman Blues by Teresa OConnell (BMI).  The No Snow Blues is sung by kids who live in a warm climate and are lamenting the permanent lack of snow.  No snowmen, snowball fights, sledding, or snow forts.  What's a kid to do?  The No Snow Blues is a great way to teach Twelve Bar Blues, while allowing your students to channel their inner Elvis. Add simple, fun movement, maybe a soloist, and a few simple props or costume pieces and you have a crowd-pleasing hit.  Guaranteed easy to learn and fun to sing!  .

Choral Choir (SATB) - Digital Download SKU: A0.953933 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 10 pages. Lyrical Publishing #2881153. Published by Lyrical Publishing (A0.953933). One of the most haunting love songs from Ireland. In Andrew J. Boyle’s interpretation the shifting temperament of the song has been given special attention – the conflict between optimism and foreboding. The text of the song, which tells of a heartsick young girl longing to be reunited with her lover, is known in Irish collections from the mid-18th century. In early versions the object of the girl’s affections was an Irish highwayman who was hanged in 1750 for pursuing his ‘trade’ on the Curragh. It has had various titles, including The Lamenting Maid and – particularly in Scottish versions – The Winter it is Past.   

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.504388 By Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift. By Irving Berlin. Arranged by Alpin Smart (transcription for voice and guitar). Children,Christmas,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #116196. Published by SmartWorks Publications (A0.504388). Irving Berlin's evergreen hit - still the biggest-selling single of all time in Bing Crosby's velvet croon from the movie, White Christmas! And, still as lovely a song as ever, from the master of such greats as Puttin' on the Ritz, and innumerable smash hits! This version (from the original) includes the verse, lamenting the palm trees swaying in the California sun and 'longing to be up north!'.

Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271338 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and part. 28 pages. Gordon Cherry #863733. Published by Gordon Cherry (A0.1271338). Bartok's Romanian Christmas Songs, also known as Román népi karácsonyi énekek, written in 1915 is a delightful collection of piano pieces that celebrate the festive spirit of Christmas in Romania. Composed by Béla Bartók, a renowned Hungarian composer and ethnomusicologist, these songs showcase his deep appreciation for folk music traditions. In this enchanting repertoire, Bartók captures the essence of Romanian holiday customs through rich harmonies, lively rhythms, and colorful melodies. The music reflects the warmth and joy of the Christmas season, incorporating traditional Romanian folk elements with Bartok's distinct compositional style. From playful dances to heartfelt laments and exuberant carols, the Romanian Christmas Songs evoke a sense of community, spirituality, and cultural heritage. With their vibrant and captivating nature, these compositions continue to be cherished and performed during the holiday season, spreading festive cheer and celebrating the enduring beauty of Romanian musical traditions.Ralph Sauer has beautifully arranged 19 of these glorious songs in two sets of 9 and 10 songs for Trombone and Piano. They are appropriate for advanced performers and each set is about 5 minutes in length totaling 10 minutes for the entire work.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.928274 By Ed Sheeran. By Ed Sheeran. Arranged by Simon James. Pop. Score and parts. 20 pages. DML #6858555. Published by DML (A0.928274). Small Bump was the 5th single from the album + (plus) the debut studio album by English singer-songwriter Ed Sheeran. The song is about Sheeran's close friend and laments a stillborn baby five months into the pregnancy. This arrangement is a combination Ed Sheeran’s guitar part and the bass part to give a complete accompaniment for one guitar. The original key was G minor but here it is in E minor an easy key to use on the guitar, if you want G minor simply use a capo at the 3rd fret (which is what Ed Sheeran nearly always does to find the best key for his voice).

Small Ensemble Clarinet,Voice - Level 3 - Digital Download SKU: A0.1033044 Composed by David Miller. Blues,Jazz. Score and parts. 21 pages. David A B Miller #6026741. Published by David A B Miller (A0.1033044). This is a fun piece for 3 bass clarinets and voice. It's written as a blues, as if the singer is lamenting never getting good parts to play on the bass clarinet, but it all comes out right in the end! It's a rhythmic blues shuffle, and is fully notated for classical players. It shows off the bass clarinet at its best, is fun to play, and will please an audience. The voice part lies easily in a baritone range, and could be sung by a male or female vocalist. .