Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.747011 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869499. Published by Keith Terrett (A0.747011). Arranged for Recorder Quartet  Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.747005 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869409. Published by Keith Terrett (A0.747005). Arranged for Brass Quartet, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.957830 Composed by Krystal J. Grant. Contemporary,Sacred,Spiritual,Standards. Octavo. 8 pages. Krystal Folkestad #3072467. Published by Krystal Folkestad (A0.957830). 2min. Oliver Goldsmith's epic poem The Deserted Village laments the decline of rural life. One section from the 18th-century work depicts the praxis of the village preacher. A compassionate man, akin in character to Victor Hugo’s later bishop, the preacher welcomes sinners and gently walks alongside them toward godliness. This choral setting flows peacefully through the vignette and emphasizes the preacher’s daily actions that express his love for his neighbors. (2017)

Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

C Instrument - Level 2 - Digital Download SKU: A0.1309631 By Renato Borghetti & Yamandu Costa. By Harvey Marques and Renato Becker Borghetti. Arranged by Marcelo Borba. Folk,Jazz,Latin,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #898799. Published by Marcelo Borba (A0.1309631). Partitura da icônica música de Veco Marques e Renato Borghetti, SÉTIMA DO PONTAL. Leadsheet - Melodia e acordes. Renato Borguetti é um renomado músico brasileiro conhecido por sua maestria na gaita-ponto, um instrumento muito difundido na região Sul do Brasil. Ele é um dos principais expoentes da música regionalista e tradicional do sul do Brasil, especialmente no estado do Rio Grande do Sul.Renato Borguetti nasceu em Porto Alegre, no Rio Grande do Sul, em 1958. Ele começou a tocar gaita-ponto na infância e se destacou como músico desde cedo. Sua música é fortemente influenciada pelas tradições musicais gaúchas e sulistas, incorporando elementos do folclore e da cultura local em sua obra. Ele é conhecido por sua capacidade de combinar tradição e inovação em sua música.Borguetti é amplamente reconhecido e respeitado em todo o Brasil e internacionalmente. Ele recebeu diversos prêmios e honrarias por suas contribuições à música brasileira. Além de sua carreira musical, Borguetti também se envolve em atividades educacionais, lecionando e promovendo oficinas para músicos aspirantes.Sheet music for the iconic song SÉTIMA DO PONTAL in Leadsheet style - Melody and chords.Renato Borguetti is a renowned Brazilian musician known for his mastery of the harmonica, an instrument widespread in the southern region of Brazil. He is one of the main exponents of regionalist and traditional music from southern Brazil, especially in the state of Rio Grande do Sul.Renato Borguetti was born in Porto Alegre, Rio Grande do Sul, in 1958. He started playing harmonica as a child and stood out as a musician from an early age. His music is strongly influenced by Gaucho and Southern musical traditions, incorporating elements of folklore and local culture into his work. He is known for his ability to combine tradition and innovation in his music.Borguetti is widely recognized and respected throughout Brazil and internationally. He has received numerous awards and honors for his contributions to Brazilian music. In addition to his musical career, Borguetti also engages in educational activities, teaching and hosting workshops for aspiring musicians.

Choral Choir (SATB) - Digital Download SKU: A0.953933 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 10 pages. Lyrical Publishing #2881153. Published by Lyrical Publishing (A0.953933). One of the most haunting love songs from Ireland. In Andrew J. Boyle’s interpretation the shifting temperament of the song has been given special attention – the conflict between optimism and foreboding. The text of the song, which tells of a heartsick young girl longing to be reunited with her lover, is known in Irish collections from the mid-18th century. In early versions the object of the girl’s affections was an Irish highwayman who was hanged in 1750 for pursuing his ‘trade’ on the Curragh. It has had various titles, including The Lamenting Maid and – particularly in Scottish versions – The Winter it is Past.   

Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271338 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and part. 28 pages. Gordon Cherry #863733. Published by Gordon Cherry (A0.1271338). Bartok's Romanian Christmas Songs, also known as Román népi karácsonyi énekek, written in 1915 is a delightful collection of piano pieces that celebrate the festive spirit of Christmas in Romania. Composed by Béla Bartók, a renowned Hungarian composer and ethnomusicologist, these songs showcase his deep appreciation for folk music traditions. In this enchanting repertoire, Bartók captures the essence of Romanian holiday customs through rich harmonies, lively rhythms, and colorful melodies. The music reflects the warmth and joy of the Christmas season, incorporating traditional Romanian folk elements with Bartok's distinct compositional style. From playful dances to heartfelt laments and exuberant carols, the Romanian Christmas Songs evoke a sense of community, spirituality, and cultural heritage. With their vibrant and captivating nature, these compositions continue to be cherished and performed during the holiday season, spreading festive cheer and celebrating the enduring beauty of Romanian musical traditions.Ralph Sauer has beautifully arranged 19 of these glorious songs in two sets of 9 and 10 songs for Trombone and Piano. They are appropriate for advanced performers and each set is about 5 minutes in length totaling 10 minutes for the entire work.

Digital Download SKU: A0.1070754 Composed by Teresa OConnell (BMI). Children,Pop. Accompaniment. Duration 152. Teresa O'Connell (BMI) #6057141. Published by Teresa O'Connell (BMI) (A0.1070754). This is the digital backing track for Teresa O'Connell's The No Snow Blues(sheetmusicplus.com item #769053). It also works for the cold weather version The Snowman Blues by Teresa OConnell (BMI).  The No Snow Blues is sung by kids who live in a warm climate and are lamenting the permanent lack of snow.  No snowmen, snowball fights, sledding, or snow forts.  What's a kid to do?  The No Snow Blues is a great way to teach Twelve Bar Blues, while allowing your students to channel their inner Elvis. Add simple, fun movement, maybe a soloist, and a few simple props or costume pieces and you have a crowd-pleasing hit.  Guaranteed easy to learn and fun to sing!  .

Small Ensemble High Voice,Low Voice,Medium Voice,Multi-Percussion,Piano - Digital Download SKU: A0.733079 Composed by James Wagner. 20th Century,Opera. Score and parts. 104 pages. Ayotte Custom Musical Engravings #3017785. Published by Ayotte Custom Musical Engravings (A0.733079). For more than a year after abdicating the throne of Russia, Nicholas and his family have been under house arrest. The opera opens with the former Czar lamenting his fall from power and precarious circumstances. His wife, Anexandra, consoles him and they sing of their undying love in the duet, One Love Forever.One by one, the children awake and join them on stage. Anastasia dramatically portrays a dream she has just had. Then, in an upbrat song of hope she explains her optimistic outlook in My Name Is Anastasia. The ensemble joins her at the end, assuring one another they will all soon be rising up to life again. To while away the time, the family pretends they are at the French Ambassador's New Year's Ball.At the height of the ensuing waltz, Comrade Sladislav, Captain of the Red Guard, and a band of revolutionary guards burst it. Sladislav harangues Nicholas and the family. Then, in the vindictive Song of the Revolution, he extols the greatness of la Révolution as the family watches in fear. Nicholas and Alexandra remind each other of their one love forever and the children look for dawn in darkest night. The Captain then marches the family down to the cellar (off-stage), ostensibly to await transport. Thus trapped, they are easy prey for the revolvers of Sladislav and his men. The self-satisfies revolutionary reemerges and makes his closing statements before exiting.Scored for piano and percussion. Dramatis Personæ:Anastasia (soprano) Comrade Sladislav (baritone) Nicholas (baritone) Alexandra (contralto) Olga (soprano) Maria (mezzo-soprano) Alexis (mezzo-soprano) Guards (2 tenors and a baritone)  

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884800 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Opera. 6 pages. Jonathan Prentice #5857211. Published by Jonathan Prentice (A0.884800). Cleopatra's exquisitely beautiful aria from Act 3 of Handel's Julius Caesar. She laments both the loss of the battle against the forces of Tolomeo, and, so she thinks, the death of Julius Caesar. (Here in Eb Major).

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.504388 By Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift. By Irving Berlin. Arranged by Alpin Smart (transcription for voice and guitar). Children,Christmas,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #116196. Published by SmartWorks Publications (A0.504388). Irving Berlin's evergreen hit - still the biggest-selling single of all time in Bing Crosby's velvet croon from the movie, White Christmas! And, still as lovely a song as ever, from the master of such greats as Puttin' on the Ritz, and innumerable smash hits! This version (from the original) includes the verse, lamenting the palm trees swaying in the California sun and 'longing to be up north!'.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.989230 Composed by Mary Ann Joyce. Concert,Contemporary. Score. 4 pages. Mary Ann Joyce-Walter #6207637. Published by Mary Ann Joyce-Walter (A0.989230). Housman’s poem is about the nature of life, here represented by the cherry tree. The poet feels he does not have enough time to appreciate this beautiful world, because, like all living things, he will die.  The first stanza is a description of the cherry tree in its spring-time splendor. It is as 'wearing white for Eastertide as if it is celebrating a religious festival. In the second stanza, the mood shifts from the tree to the poet himself, as he thinks about the inevitability of death. He, a twenty-year old, estimates that he has about fifty years left to live. The final stanza expresses the poet's feeling that fifty more years does not give him enough time to enjoy the beauties of nature. He decides that he will look at the cherry tree not only when it is hung with bloom, but also in winter when it is hung with snow.  The poet thus celebrates the beauties of nature in all seasons, but also poignantly laments the inevitable passage from youth to old age and death, the seasons of his own life.I composed this setting of Loveliest of Trees to celebrate the 86th birthday of Joyce Hope Suskind, beloved friend, brilliant musician and composer par excellence.