EUROPE
6615 articles
USA
43035 articles
DIGITAL
25769 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
25769 partitions trouvées


Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 14 pages. Kevin G. Pace #878991. Published by Kevin G. Pace (A0.1287904). A wonderful, sacred choral arrangement for mixed choir.  Music by Kevin G. Pace.  Text by Kathryn W. Hales. I often wonder if I’d been there On the shores of Galilee, Would I have stopped and listened toA stranger I happened to see,A man called Jesus, from Nazareth,Whose words right from the startMight come to my ears as something sweet’Would I have had a believing heart?Chorus:A believing heart, a special giftOf faith that I might seeEternal truths from God above,That I might say and do and beA willing servant committed toThe Master’s work below;A believing heart, a willing mind,To Him I’d like to show.I often wonder if I’d been thereIn another time and place,Would I have listened to Alma’s words:Or with a multitude seen the faceAnd touched the feet of Jesus Christ,Of His people been a part?From pages of Book of MormonI learn of those with believing hearts.I often wonder if I’d been thereIn Ohio or Missouri,Would I have listened to Joseph Smith,Or a jeering scorner beBecause of tradition or fear of men,Would I have quickly turned apart?Or would I have stayed and heard his words?Would I have had a believing heart?And now I live in the latter daysGod’s message I have always knownThroughout my days of mortal life,Gospel truths from parents at home,Or from missionaries bold and strong,Yet I must still choose to testify.
A Believing Heart, sacred music for choir
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow.  The second and third movements are most like a blues work.  The first movement is a rondo format, is not particularly bluesy.  A Les Paulâ„¢ guitar would play particularly well in this movement.  The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound.  The final movement is happy, upbeat, and lively good time blues.  In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum.  A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound.  The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also.  The music is partially fingered leaving the player the opportunity to interpret the part.  The work is after the fashion of Chicago style blues of the 1960’s.  The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands.  It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period.  Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality.  The orchestral part is not particularly challenging.  The concerto is approx. 17 minutes in length.
Concerto for Electric Guitar and Orchestra
Orchestre

$19.95 17.12 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1438322 By John Legend. By John Stephens and Toby Gad. Arranged by Deniz Inan. Pop,Singer/Songwriter,Wedding. Score. 6 pages. Deniz Inan #1018345. Published by Deniz Inan (A0.1438322). ? Official Website? YouTube Playlist - Pop Songs, Film Music, Anime Soundtracks? Albums? Subscribe to my Youtube ChannelDear friends,today, I am thrilled to share with you my interpretation of John Legend's iconic ballad, 'All of Me.'  As a pianist and music enthusiast, I've infused this timeless melody with my own creativity and passion, resulting in a heartfelt solo piano rendition that I'm eager to share with you. In this performance, I've taken the liberty to explore the emotional depths of 'All of Me,' infusing it with soulful improvisations and delicate nuances. Each note resonates with the love and longing expressed in the original composition, while also reflecting my own musical journey and interpretation.As you listen, I invite you to immerse yourself in the raw emotion and intimacy of this piano rendition. Whether you're a fan of John Legend's work or simply appreciate soul-stirring music, I hope you enjoy my arrangement.Stay tunedDeniz Inan.
All Of Me
Piano seul
John Legend
$7.99 6.86 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028951 Composed by Emanuel Serra. Contemporary,Sacred,Spiritual. Octavo. 17 pages. Emanuel Serra #4762513. Published by Emanuel Serra (A0.1028951). For SSAATTBB choir, piano, strings, solo viola, solo F. Horn. from Requiem pro Hostiis CorruptelaeThis Requiem's Pater Noster was first composed in 2015 as the Korean translation of the Lord's Prayer - (Joonime Gido ) and recorded ì£¼ë‹˜ì˜ ê¸°ë„ in 2016 by a combination of singers and instrumentalists from Korea, Canada, the U.S., and the Netherlands, performing together over the internet, under the banner name Serra Requiem Internet Ensemble. It was then mixed and released as a digital single online. The current arrangement resets the prayer in Latin and expands the instrumentation to SSAATTBB choir, piano, strings, solo viola and solo French horn. The Korean version was first performed live for a memorial Mass for victims of the 2014 Sewol ferry sinking and their surviving families, in Jeju, S. Korea in 2017, and in 2018 became the seed work for Requiem Missa Hostiis Corruptelae, a mass for victims of corruption in our time. The digital release remains posted online to listen for free at serramusicmusic.bandcamp.com.
Pater Noster - from Requiem pro Hostiis Corruptelae
Chorale SATB

$12.00 10.3 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
Alice In Wonderland
Orchestre
Jud Conlon Chorus
$70.00 60.07 € Orchestre PDF SheetMusicPlus

Brass Quintet - Level 2 - Digital Download SKU: A0.775258 Composed by Jean Schwartz, William Jerome. Arranged by Bill Wilson. 20th Century. 16 pages. Alexander Wilson #4604229. Published by Alexander Wilson (A0.775258). Day By Day in Every Way I'm Getting Better Day By Day, by lyricist William Jerome and master Tin Pan Alley composer Jean Schwartz, is a slightly wistful song. In fact it might be mistaken, by a listener only looking at the title and listening to the instrumental music, as a song about recovery from a failed romance. However, the song is not at all about romance - instead it is about a psychological technique for self-healing promoted by a French psychologist, Émile Coué, that gained popularity in the early 1900's. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:13. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
Day By Day in Every Way
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Day in Every Way I'm Getting Better Day
$4.00 3.43 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Strings Bass Clarinet,Bass Voice,Celesta,Clavinova,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Flute,Glockenspiel,Harp,Horn,Medium-High Voice,Oboe,Organ,Percussion,Piano and Keyboard,Piccolo,Synthesizer,Trombone,Tuba - Digital Download SKU: A0.1148127 By Amphibia Cultural Legacy. By Amphibia Cultural Legacy. Broadway,Comedy,Musical/Show,New Age,Singer/Songwriter,Standards. 5 pages. Amphibia Cultural Legacy #748302. Published by Amphibia Cultural Legacy (A0.1148127). Dancing Everywhere is a cover based on Do You Know? (你知é“å—) remixed with additional instruments by Amphibia Cultural Legacy. The track, released in 2021, combines the original beats and lyrics of Do You Know? with an infusion of new sounds that create a unique and enjoyable listening experience. Amphibia Cultural Legacy has created a modern rendition that brings a fresh perspective to this classic tune.The remix features new instrumentation, including strings, horns, and percussion, adding depth and texture to the song. The introduction features an upbeat tempo and lively brass section that immediately grabs the listener's attention. That leads to the familiar melody of Do You Know?, which is given new life through enhanced production values and seamlessly blended soundscapes.The vocals on Dancing Everywhere are delivered precisely by the talented singer, who demonstrates her range while maintaining the catchy hooks of the original track.
Dancing Everywhere
Amphibia Cultural Legacy
$10.00 8.58 € PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.991615 Composed by Antonis Koundourakis. 20th Century,Contemporary,Instructional,World. 1 pages. ANTONIOS KOUNDOURAKIS #3409551. Published by ANTONIOS KOUNDOURAKIS (A0.991615). This short solo violin piece by the songwriter and composition student Antonis is a study of the traditional Chinese music! It is providing an opportunity for the violin student and the violin performer to play music that is not written in the Western Harmony style, the empty intervals of fifths and fourths that prevail in the pentatonic style create a strange impression to the western ear, but this piece is also ment to explore their soothing qualities as well and to evoke images of the Chinese countryside, taking the player and the listener along on a journey! It also explores special techniques and articulation for the violin. Please excuse the computer's awful rendition of the glissandos in the mp3 version! If you are interested in listening to the modern Pop-Rock music of Antonis search for his Spotify album Moments of TruthEnjoy the piece!  .
Chinese Mountains short piece for Solo Violin
Violon

$5.00 4.29 € Violon PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
Flowers for Dorothy
Piano seul

$3.99 3.42 € Piano seul PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.617518 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Chamber,Christian,Praise & Worship,Religious,Sacred. Score and part. 10 pages. The Lanier Company #5753875. Published by The Lanier Company (A0.617518). HOW GREAT THOU ART is an arrangement by world renowned Composer, Gary Lanier, for Flute and Piano of an old Swedish Folk melody. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (10 pages with cover). A mp3 Piano Accompaniment is also available, listed as: HOW GREAT THOU ART (Piano Accompaniment for Flute) Music Review: This very famous hymn always sounds good in whatever form it is arranged. Its simplicity and great harmony has always reminded about God's greatness. The music arrangement here is simply superb and is just enough to move the listeners closer to God. This is one of the best arrangements I have heard for piano and flute.
HOW GREAT THOU ART (For Flute and Piano with ScorePart)
Flûte traversière et Piano

$8.99 7.71 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Flute,Marimba,Oboe,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.778217 Composed by John McAllister. Contemporary,Instructional,Standards. Score and parts. 7 pages. John McAllister #6481007. Published by John McAllister (A0.778217). Seven Modes, Seven Duets is a duet series for wind (band) instruments. The duets have been written to be a comfortable range for any of the instruments (minus horn part, which is free due to the range issues). Each mode has it’s own unique sound and special effort has been made to accentuate the colors from each district combination of notes and the harmonies they produce (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian). The duets are mostly on an average high school level player, but can be a great challenge for younger players. More advanced musicians may find use specifically in the exploration of melody/harmony in each particular mode.  Best instruments for use:FluteOboe Clarinet Bass Clarinet Bassoon Trumpet Trombone Baritone Tuba Mallets (xylophone, marimba, bells if players 8vb)
Seven Modes, Seven Duets - C Treble Transposition

$2.50 2.15 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1370325 Composed by John McAllister. 21st Century,Contest,Festival,Instructional,March,Patriotic. 58 pages. John McAllister #954701. Published by John McAllister (A0.1370325). Compton Bridge Road is a musical journey inspired by the scenic drive along Compton Bridge Road in Inman, South Carolina. The undulating hills stretching endlessly beneath the warm embrace of the setting sun served as the impetus for this composition. Written for the Chapman High School Band, the march captures the essence of the picturesque landscape surrounding the school.The piece is loosely characterized as a pastoral march, reflecting the intention to infuse harmonies and melodies that resonate with the spirit of Americana. Drawing inspiration from how Aaron Copland's music mirrors the landscapes it depicts, the composition aims to create a sonic representation of the visual beauty of Inman.Not adhering strictly to traditional march conventions, the piece incorporates a lush trio section, enhancing the overall sense of grandeur and tranquility. While Compton Bridge Road may deviate from the conventional march style, it remains a valuable educational tool, providing opportunities for students to explore different musical elements and forms within the context of a march. This composition offers a refreshing perspective, allowing musicians to expand their understanding of the genre while maintaining essential march style and structure.
Compton Bridge March - for Concert Band
Orchestre d'harmonie

$45.00 38.62 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.778240 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 53 pages. John McAllister #6691135. Published by John McAllister (A0.778240). Rondo for Band is a great, fun piece for developing band. It is composed in the most basic of Rondo forms with a ABACA.... aaand done form. It continually comes back to the catchy and syncopated main theme. In the non-A tutti sections, smaller groupings of instruments get a chance to shine (woodwinds, low brass, etc). Playing this piece could also be a great chance to begin teaching students about musical form, with rondo being the easiest to understand. Then you can slap Mozart's Rondo Alla Turca on the speakers and BAM, music history!
Rondo for Band - a piece for young concert band
Orchestre d'harmonie

$30.00 25.74 € Orchestre d'harmonie PDF SheetMusicPlus

Low Brass Ensemble Euphonium,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1375248 Composed by Jacques Offenbach. Arranged by John McAllister. 19th Century,Broadway,Chamber,Contest,Festival,Musical/Show,Opera. 17 pages. John McAllister #959867. Published by John McAllister (A0.1375248). Offenbach's iconic Can Can, originally from his operetta Orpheus in the Underworld, is a lively and exuberant dance piece that epitomizes the joie de vivre of 19th-century Parisian cabaret culture. Renowned for its infectious rhythm and playful melodies, this arrangement for low brass ensemble captures the energetic spirit of the Can Can, showcasing the versatility and dynamic range of the brass instruments. With its toe-tapping beats and vibrant harmonies, this rendition promises to delight audiences with its irresistible charm and timeless appeal.This arrangement if for five low brass (4 trombone or baritones and one tuba or bass trombone).
Can Can - for five low brass

$8.00 6.87 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale