Piano Solo - Level 4 - Digital Download SKU: A0.1472604 By David S. Abramsky. By w: Saint Dallán Forgaill (attrib.), m: Irish folk tune 'Slane'. Arranged by David S. Abramsky. Celtic,Christian,Christmas,Irish,Lent,Wedding. Score. 4 pages. David S. Abramsky #1050253. Published by David S. Abramsky (A0.1472604). By request of several viewers of the YouTube video, I have arranged Be Thou My Vision for solo piano.This beautiful piano piece weaves the beloved and centuries-old Slane melody into, at first, a peaceful section, then transforms it into an exciting, God-glorifying, section after a key change.  Returning to the final part of the melody, the arrangement settles down into a calming conclusion that leaves the listener very satisfied.  Even with this original arrangement, the hymn's original sentiment is entirely clear to the listener.

Piano Solo - Level 2 - Digital Download SKU: A0.1400601 Composed by Dmitri Shostakovich. Arranged by Thomas Ling. 20th Century,Instructional. Score. 2 pages. Thomas Swee Chin #983799. Published by Thomas Swee Chin (A0.1400601). In Dmitri Shostakovich's Six Children's Pieces, the mechanical doll is depicted through whimsical and playful music that captures the imagination. The mechanical doll movement is characterized by its mechanical precision and lively tempo, evoking the image of a toy coming to life.The music begins with a light and sprightly melody, reminiscent of the delicate movements of a mechanical doll. Shostakovich utilizes staccato rhythms and precise articulation to mimic the mechanical motions of the doll, creating a sense of mechanical precision and charm.As the piece progresses, the music may feature playful and quirky melodies, reflecting the unpredictable nature of the mechanical doll's movements. Sudden shifts in dynamics and tempo add excitement and intrigue, as if the doll is performing a series of whimsical tricks or dances.Despite its mechanical nature, Shostakovich infuses the music with warmth and humor, allowing the listener to connect emotionally with the character of the mechanical doll. The music may contain moments of humor or mischief, inviting the listener to join in the playful antics of the mechanical doll.Overall, Shostakovich's depiction of the mechanical doll in Six Children's Pieces is a delightful and charming musical portrayal that captures the magic and wonder of childhood imagination. Through its lively melodies and playful rhythms, the mechanical doll comes to life in a whimsical and enchanting musical world.

Easy Piano - Level 2 - Digital Download SKU: A0.1327713 By Traditional. By Traditional and Traditional Carol. Arranged by Darek. Advent,Christmas,Religious,Sacred,Traditional. Score. 102 pages. Darek #915757. Published by Darek (A0.1327713). BEST CHRISTMAS COLLECTION (50 CAROLS) - Easy Piano Sheet Music For Beginner PianistsSheet Music for Piano or Keyboard in Easy Arrangements for Beginner Pianists. The Best and Most Famous 50 Christmas Carols. Easy Sheet Music | Christian Carol Arrangement | Sheet Music Christmas Collection | Various Traditional Carols | Holiday Carol Songs | Christmas Music Album | Christmas Carol Book | Christmas Carols for Piano Beginners | Festive Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy Version for Pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners Included: Chords, Lyrics, Fingering and a simplified YouTube tutorial. Song List:1.  Angels from the Realms of Glory2.  Angels We Have Heard on High3.  As with Gladness Men of Old4.  Auld Lang Syne5.  Away in a Manger6.  Bring a Torch, Jeanette, Isabella7.  Calm on the Listening Ear of Night8.  Carol of the Bells9.  Christ Was Born on Christmas Day10. Christmas is Coming11. Come, Thou Long-Expected Jesus12. Coventry Carol13. Deck the Halls14. Ding Dong Merrily on High15. Gloucestershire Wassail16. Go Tell It on the Mountain17. God Rest Ye Merry, Gentlemen18. Good Christian Men, Rejoice19. Good King Wenceslas20. Hark the Herald Angels Sing21. He Has a Red, Red Coat22. Here We Come A-caroling23. I Heard the Bells on Christmas Day24. I Saw Three Ships25. Infant Holy, Infant Lowly26. It Came Upon a Midnight Clear27. Jingle Bells28. Jolly Old Saint Nicholas29. Joy to the World30. Lo, How a Rose E’er Blooming31. Christmas Tree32. Come, All Ye Faithful33. Come, Little Children34. Holy Night35. Little Town of Bethlehem36. Once in Royal David’s City37. Pat-a-Pan38. Sans Day Carol39. Silent Night40. Sussex Carol41. The Boar's Head Carol42. The First Nowell43. The Friendly Beasts44. The Holly and the Ivy45. Twelve Days of Christmas46. Up on the Housetop47. We Three Kings48. We Wish You a Merry Christmas49. What Child is This50. While Shepherds Watched Their Flocks

Jazz Combo - Level 3 - Digital Download SKU: A0.930356 Composed by Music: Joel Evans, Lyrics: Lisa Aschmann. Film/TV,Holiday,Jazz,Love,Pop. Score and parts. 4 pages. One Hundred Percent Pub. Co. #3436801. Published by One Hundred Percent Pub. Co. (A0.930356). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Roberta Donnay, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby.  Look for the YouTube video! Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world. Lisa Aschmann is a prolific professional songwriter, singer, educator and author. She has recorded six CDs of her own and has had hundreds of songs recorded by major artists in almost every genre, including bluegrass, jazz, country, folk, inspirational, pop, and R&B. Her book, 1000 Songwriting Ideas is published by Hal Leonard.

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1315325 Composed by Hans Zimmer. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 8 pages. Anna Lapwood #904071. Published by Anna Lapwood (A0.1315325). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! When I was a teenager, my dad and brother would often choose the films we’d watch. When they chose Pirates of the Caribbean I was a bit sceptical at first because I thought it might be too scary, but I quickly fell in love with the film and its soundtrack – it became my favourite film series and I ended up listening to the soundtrack almost every day on the walk to and from school. In the films, the character of Davy Jones plays an iconic organ on his ship, the Flying Dutchman – I think it’s one of the most well-known organ references in contemporary cinema, and so it is one of my most requested pieces. I I also love the fact that Hans Zimmer includes a little nod to Bach’s Toccata in D minor, another piece which sits at the top of my request list. In the film, the start and end of this piece is played by a musical locket, perfectly replicated by the Celeste stop on the organ, although if a Celeste stop isn’t available then a soft 8’ flute would do the job!  - Anna Lapwood.

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361623. Published by O'Meara Music (A0.803906). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal harps. Dynamics are clearly marked. 

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930353 Composed by Music: Joel Evans, Lyrics: Lisa Aschmann. Holiday,Jazz,Love,Traditional. 3 pages. One Hundred Percent Pub. Co. #3436775. Published by One Hundred Percent Pub. Co. (A0.930353). https://youtu.be/UMAznKo6xM0For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Roberta Donnay, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Look for the YouTube Video too! Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Lisa Aschmann is a prolific professional songwriter, singer, educator and author. She has recorded six CDs of her own and has had hundreds of songs recorded by major artists in almost every genre, including bluegrass, jazz, country, folk, inspirational, pop, and R&B. Her book, 1000 Songwriting Ideas is published by Hal Leonard.

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361625. Published by O'Meara Music (A0.803904). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal Harps. Dynamics are clearly marked. 

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.930349 Composed by Music by Joel Evans, Lyrics by Lisa Aschamnn. Arranged by Larry Dunlap. Christmas,Film/TV,Jazz. Score and parts. 5 pages. One Hundred Percent Pub. Co. #3406803. Published by One Hundred Percent Pub. Co. (A0.930349). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. This Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Love Songs, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes.  From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.

Jazz Combo - Level 3 - Digital Download SKU: A0.930351 Composed by Music: Joel Evans, Lyrics: Lisa Aschmann. Film/TV,Holiday,Jazz,Love. Score and parts. 4 pages. One Hundred Percent Pub. Co. #3436683. Published by One Hundred Percent Pub. Co. (A0.930351). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. This Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, as sung by Roberta Donnay, which is available on iTunes, Amazon & CDBaby. Joel's extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Lisa Aschmann is a prolific professional songwriter, singer, educator and author. She has recorded six CDs of her own and has had hundreds of songs recorded by major artists in almost every genre, including bluegrass, jazz, country, folk, inspirational, pop, and R&B. Her book, 1000 Songwriting Ideas is published by Hal Leonard.

Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478341 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1055722. Published by Tracy Dean McCallum (A0.1478341). https://tracymccallum.com/Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.

Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.