C Instrument - Level 2 - Digital Download SKU: A0.1474127 Composed by Jacqueline Sadler. Celtic,Folk,Irish,Multicultural,Singer/Songwriter,Traditional,World. Lead Sheet / Fake Book. 2 pages. Soft Pedal Life #1051754. Published by Soft Pedal Life (A0.1474127). From Heart's Desire to Heart's Content is a new song, composed in the vein of a traditional folk song. In four verses and a bridge, the singer presents a tale of love found and lost. It is presented here in lead sheet form, allowing performers to make their own decisions about instrumentation and arrangement. Pronouns may of course be changed to suit the performer.Heart's Desire and Heart's Content are two very real towns in Newfoundland, Canada. They are 10km apart.

Choral (SSAA) - Level 2 - Digital Download SKU: A0.891498 By John Denver. By John Denver. Arranged by Matt Astle. Rock. Barbershop Quartet. 5 pages. Matt Astle Music #6235051. Published by Matt Astle Music (A0.891498). John Denver's classic love song is arranged for women's barbershop quartet. This is an easy arrangement, approachable by most quartets, and there's even an optional cut to make it shorter and simpler for occasions like Singing Valentines.In this quartet version, one purchase entitles you to four copies for the quartet.Learning tracks available from Matt Astle at mattastle@outlook.com. Women's chorus, men's quartet and chorus, and mixed quartet and chorus versions also available on SheetMusicPlus.com. More information and custom arrangements available at facebook.com/mattastlemusic.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.789141 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock,Wedding. 8 pages. RayThompsonMusic #396415. Published by RayThompsonMusic (A0.789141). Arranged standard saxophone quartet: SATB Melody shared amongst S A and T Guitar solo given to tenor sax This is the title track A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership. The album includes the song A Hard Day's Night, with its distinctive opening chord,[6] and Can't Buy Me Love, both transatlantic number-one singles for the band. Several of the songs feature George Harrison playing a Rickenbacker 12-string electric guitar, a sound that was influential on the Byrds and other groups in the folk rock movement.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Small Ensemble Dulcimer,Flute,Harp,Violin,Voice - Level 3 - Digital Download SKU: A0.797366 Arranged by Evelyn Castiglioni, Mary Radspinner, and Nancy Bick Clark. Celtic,Concert,Folk,Holiday. Score and parts. 111 pages. Afghan Press Music for the Harp #4829703. Published by Afghan Press Music for the Harp (A0.797366). 31 traditional and original airs, dance tunes, and songs for harp with melodies, descants, and harmonies for C instruments. This great collection of solos and ensembles was compiled for the October 12, 2014 concert to benefit Dreama Powell, esteemed and honored past president of the Scottish Harp Society of America.Contains: All Earth Dreams â€“ Voice and harp, Banish Misfortune* â€“ Melody, descant, harmony, and harps 1 and 2, Cairn Tune â€“ Harp solo, Down the Brae â€“ Melody with harp accompaniment, Dreama’s Dance â€“ Harp solo, The Earl of Lauderdale â€“ Harp solo, Elterwater Quickstep â€“ Harp solo, Eriskay Love Lilt â€“ Voice and harp, The Fallen Chief â€“ Harp solo, Fanny Poer â€“ Melody, flute, harmony, and harps 1 and 2, Flowers of Edinburgh â€“ Harp solo, For Aye, Herb â€“ Harp solo, Gretchen’s Red Rose â€“ Harp solo with optional descant, Hackett’s Schottische â€“ Harp solo, Isabella Burke â€“ Harp solo, The Keel Row â€“ Flute, hammered dulcimer, cello, and harp accompaniment, Lament for MacGregor of Ruaro â€“ Harp solo, Land O’ the Leal* â€“ Melody, descant, harmony, and harp accompaniment, Loch Maree â€“ Harp solo, Mrs. Fleming of Moness â€“ Harp solo, Niel Gow’s Lamentation for James Moray â€“ Harp solo, Nights of Gladness â€“ Harp solo, O Can Ye Sew Cushions â€“ Voice and harp, Peace Lullaby â€“ Harp solo with optional harp descants, Peggie’s Wedding â€“ Harp solo with optional melody, descant, & harmony, The Sack of Mail â€“ Harp solo, Simple Gifts* â€“ Score, melody, descant, harmony, and harps 1 and 2, Sitting in the Stern of a Boat â€“ Harp solo, Skye Boat Song* – Score, melody, descant, harmony, and harps 1, 2, and 3, The Slumbering Minstrel â€“ Harp solo, Star in the East â€“ Harp solo or 3 harps.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1038152 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 9 pages. Kevin G. Pace #643083. Published by Kevin G. Pace (A0.1038152). A beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: In God’s holy presence I will yet abide. As I show a pure heart, He will be my Guide. Praying daily through his Son whisperings arise, Promising a future day when I will view his eyes. In God’s holy presence, at his throne of grace, I will look upon Him, gazing at his face. Knowing of my weaknesses He’ll help purge my heart. As I trust true covenants, we’ll never be apart. In God’s holy presence I will shed a tear, With his arms around me and his love so near. Giving all my gratitude for his precious plan, I will kneel in thankfulness for Father’s Son of Man. In God’s holy presence He will make me whole. He will claim his offspring as I give my soul. Knowing I am his blessed child grants me greater sight. As I offer all I have, He’ll be my heavn’ly light.

Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.891497 By John Denver. By John Denver. Arranged by Matt Astle. Rock. Octavo. 5 pages. Matt Astle Music #6235049. Published by Matt Astle Music (A0.891497). John Denver's classic love song is arranged for women's barbershop chorus. This is an easy arrangement, approachable by most choruses, and there's even an optional cut to make it shorter and simpler. In this chorus version, each copy is sold separately, with a minimum of 10 copies. Learning tracks available from Matt Astle at mattastle@outlook.com. Women's quartet, men's quartet and chorus, and mixed quartet and chorus versions also available on SheetMusicPlus.com. More information and custom arrangements available at facebook.com/mattastlemusic.

Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Piano - Level 3 - Digital Download SKU: A0.1417926 By Sandy and Richard Riccardi. By Richard Riccardi. Arranged by Richard Riccardi. 21st Century,Broadway,Comedy,Jazz,Musical/Show,Standards. Score (Chords/Lyrics). 2 pages. Richard Riccardi #999467. Published by Richard Riccardi (A0.1417926). Let's Sleep Under the Stars(a love song for old people)Lyrics by Sandy RiccardiLet's sleep under the starsI don't need anything but you, Venus, and MarsAnd perhaps a little vodka to help me relaxAnd some Pepto Bismol to prevent those reflux attacksLet's sleep under the starsI don't need anything but you, Venus, and MarsBut you should bring a Breathe Right strip to help you not snoreAnd also Viagra if you plan to scoreBetter bring our mouth guards to stave off our TMJSo we won't be grinding as we gaze at the Milky WayPills for restless leg syndrome, gout and hypertensionDepression and anxiety and lots more I won't mentionLet's sleep under the starsI don't need a doggone thing but you, Venus, and MarsMelatonin for meFor you BenadrylsThe stars and the planets and a truckload of pillsWe don't need muchWe don't need very muchTo sleep under the starsLet's sleep under the stars, under the stars.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876426 Composed by Joe Procopio. Pop. Score. 2 pages. JoeCopio Music LLC #2036577. Published by JoeCopio Music LLC (A0.876426). THE FEVER’S YOU By Joe Procopio THE FEVER’S YOU is a pop song written by one who is trying to describe the feeling of being so deeply in love that it feels like a fever. What’s more, the song is written as though it was composed by someone who is suffering a slight fever so that the lyrics, the melody and chord changes are a little bit frenzied and frenetic. The song is also recorded in a special way with very high frequencies that are easily heard by pets but can only be heard by people as unusual brightness. THE FEVER’S YOU can be found in a fuller version on a CD entitled PETHOVEN - PET MUSIC by Joe Procopio. PETHOVEN is special music for pets and people. THE FEVER’S YOU on the CD is called ALWAYS TOGETHER. The printed sheet music here is shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1456628 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,Classical,Contemporary,Instructional. Score. 19 pages. DaCapo Primary Music #1035700. Published by DaCapo Primary Music (A0.1456628). The Chocolate collection of songs was written by John Ashton Thomas, DaCapo’s composer-in-residence until his untimely death in 2021. John worked as a composer, arranger, orchestrator, conductor, pianist and teacher in the UK and USA.  Words are by Tracey Mathias. Tracey wrote the lyrics for most of John’s DaCapo projects as well as several songbooks. She writes novels for children and young adults, and is the author of the fantasy series Assalay for readers aged 10-14 and of Silence is also a Lie, a love story and political thriller for young adults.There are five songs in the collection including:Chocolate’s mystical god QEthical issues in Two children, one piece of chocolateThe Chocolate MagicianSome fun with a scatterbrained Granny and her chocolate fountain called Granny’s Chocolate FloodA reggae feel with Hot chocolate DreamsThey can be purchased (and performed) individually or as a collection.You can find more DaCapo pieces for piano and children's chorus at DaCapo Music Shop

Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Choral (TTBB) - Level 2 - Digital Download SKU: A0.891494 By John Denver. By John Denver. Arranged by Matt Astle. Rock. Barbershop Quartet. 5 pages. Matt Astle Music #6235035. Published by Matt Astle Music (A0.891494). John Denver's classic love song is arranged for men's barbershop quartet. This is an easy arrangement, approachable by most quartets, and there's even an optional cut to make it shorter and simpler for occasions like Singing Valentines. In this quartet version, one purchase entitles you to four copies for the quartet. Learning tracks available from Matt Astle at mattastle@outlook.com. Men's chorus, women's quartet and chorus, and mixed quartet and chorus versions also available on SheetMusicPlus.com. More information and custom arrangements available at facebook.com/mattastlemusic.