Piano,Violin - Level 4 - Digital Download SKU: A0.1169867 Composed by David Zippel and Matthew Wilder. Arranged by Wendy Hellmann. Broadway,Children,Film/TV,Musical/Show,Pop. 14 pages. Gwendolyn Hellmann #770232. Published by Gwendolyn Hellmann (A0.1169867). This arrangement of I'll Make a Man Out of You from Disney's Mulan is a fun, challenging piece for solo violin and piano. It is written in the original keys of E minor and F Minor. This is a great piece to reinforce syncopated rhythms and the use of low 4th fingers. The piano accompaniment is truly an accompaniment and does not double the melody except at the very end.  The PDF download contains both a full score and a set of individual parts - Violin and Piano. The violin part is formatted on 2 pages to avoid any page turns.

Small Ensemble - Level 3 - Digital Download SKU: A0.831698 Composed by Bryan Daly. Arranged by Chris North. Contemporary. Score and parts. 31 pages. Danetre Music #5873259. Published by Danetre Music (A0.831698). The theme from the popular children's TV show. The music is scored as follows: Soprano Cornet, Cornet 1-3, Tenor Horn 1-2, Trombone 1-2, Baritone / Euphonium 1-2, E flat Bass, B flat Bass, Drum Kit & Glockenspiel. Extra parts are included for French Horn 1-2, Trombone 1-2 (bass clef) 1-2, Baritone 1-2 (bass clef), and Tuba / Bass Trombone.  Approx. Grade 2/3 level ( but Soprano Cornet a little more demanding). Duration 1:32.

Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935296. Published by Phil Beaman (A0.1350487). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350489 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935298. Published by Phil Beaman (A0.1350489). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1349238 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933983. Published by Phil Beaman (A0.1349238). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349242 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933987. Published by Phil Beaman (A0.1349242). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933985. Published by Phil Beaman (A0.1349240). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1350510 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935322. Published by Phil Beaman (A0.1350510). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low B to 4th space E2 pages score, 1 page @ part,  2:05 minutes.

Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935323. Published by Phil Beaman (A0.1350511). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low A to 4th line D2 pages score, 1 page @ part,  2:05 minutes.

Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935311. Published by Phil Beaman (A0.1350499). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933989. Published by Phil Beaman (A0.1349244). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1349255 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 2 scores. 4 pages. Phil Beaman #934000. Published by Phil Beaman (A0.1349255). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, low B to 4th space E 2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933995. Published by Phil Beaman (A0.1349249). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A below staff to D middle line2 pages score, 1 page @ part,  2:05 minutes.