String Orchestra - Level 2 - Digital Download SKU: A0.1151145 Composed by Johann Sebastian Bach. Arranged by R.C.Coleman. Baroque. Score and parts. 147 pages. R C Coleman #751325. Published by R C Coleman (A0.1151145). A. Corelli Sarabanda H. Schein Allemande and Tripla J.S. Bach 13 pieces from Wilhelm Friedemann Bach Klavierbüchlein, Johann Peter Kellners collection and other sources R. C. Coleman strings quartet transcription.

Violin Solo - Level 3 - Digital Download SKU: A0.1348921 Composed by Giuseppe Colombi. Arranged by Zoltan Paulinyi. Baroque,Early Music. 12 pages. Zoltan Paulinyi #933656. Published by Zoltan Paulinyi (A0.1348921). Among the Giuseppe Colombi’s (Modena, 1635-1694) facsimiles consulted at the Italian Estensi Library, there are 6 pieces in 3 types of scordatura for solo violin. Dr Zoltan Paulinyi's edition is ready for performance because it fixes dozens of mistakes in the manuscript: accidentals, notes, repetitions. The manuscripts facsimiles are also printed in this edition.(In Portuguese). Dentre os fac-símiles de Giuseppe Colombi (Modena, 1635-1694) consultados na biblioteca italiana Estensi, destacam-se 6 peças em 3 tipos de scordatura para violino solo. Esta edição de Dr. Zoltan Paulinyi está pronta para apresentação porque corrige dezenas de imprecisões do manuscrito (acidentes, notas e repetições). O fac-símile dos manuscritos encontra-se anexado nesta edição.

Piano Accompaniment, Trumpet - Easy/Beginner - Digital Download Composed by Wolfgand Amadeus Mozart, Anonymus. Arranged by Frederic Quinet. Classical Period, Repertoire, Children's Music. Individual Part, Score, Set of Parts. 5 pages. Published by Frederic Quinet

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526279 By Old Dominion. By Brad Tursi, Josh Osborne, Matthew Ramsey, Trevor Joseph Rosen, and Trevor Rosen. Arranged by Sarah Cellobat Chaffee. Contemporary,Country,Pop,Wedding. 8 pages. Sarah Cellobat Chaffee #6346335. Published by Sarah Cellobat Chaffee (A0.526279). One Man Band, a sweet and catchy country love song about not wanting to navigate life alone anymore, was released as a single by country band Old Dominion in 2019, and it soon rose up the Billboard charts and was certified gold by the RIAA. This beautiful arrangement for violin and cello duet maintains the heartfelt lyricism and gentle country rock feel of the original, for a chart that's sure to get your audience singing along! Originally written for a wedding ceremony, this arrangement will also be perfect for proposals, receptions, cocktails, parties, or any other occasion on your books. Rated advanced-intermediate mainly for some tricky rhythms throughout, this chart will be learnable for students and sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

Guitar - Beginning- Intermediate - Digital Download Composed by Jerry Silverman. Folk. E-book. 352 pages. Mel Bay Publications - Digital Sheet Music #95489EB. Published by Mel Bay Publications - Digital Sheet Music

Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.727769 Composed by Bela Bartok. Arranged by Emily Gray. 20th Century,Folk. Score and parts. 23 pages. Emily Gray #1767809. Published by Emily Gray (A0.727769). Bartok's Romanian Folk Dances are arranged here for B-flat clarinet and alto clarinet. All six of the Folk Dances are included here. This edition includes score and parts.

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.727770 Composed by Bela Bartok. Arranged by Emily Gray. 20th Century,Folk. Score and parts. 23 pages. Emily Gray #1767811. Published by Emily Gray (A0.727770). Bartok's Romanian Folk Dances are arranged here for B-flat clarinet and bass clarinet. All six of the Folk Dances are included here. This edition includes score and parts.

Woodwind Ensemble,Woodwind Trio E-Flat Clarinet - Level 4 - Digital Download SKU: A0.727772 Composed by Bela Bartok. Arranged by Emily Gray. 20th Century,Folk. 32 pages. Emily Gray #1767815. Published by Emily Gray (A0.727772). Bartok's Romanian Folk Dances are arranged here for clarinet trio (2 B-flat clarinets and alto clarinet.) All six of the Folk Dances are included here. This edition includes score and parts.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #3578839. Published by RayThompsonMusic (A0.553726). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite

Oboe Solo - Level 1 - Digital Download SKU: A0.1176661 Composed by Robert Schumann. Arranged by Langanho. Children,Folk,Romantic Period,Wedding. Individual part. 1 pages. Avery Lynn Jordan #776734. Published by Avery Lynn Jordan (A0.1176661). This adaptation was dedicated for oboe and chords, where the essence of the work was extracted, but made easier to suit the music student, getting them into the classical repertoire. The work in question is the third song: Der Einsiedler, from Schumann's collection 3 Gesänge Op. 83, where during 1849 and 1850 he produced them, composing them in the spring of 1850.

Oboe Solo - Level 1 - Digital Download SKU: A0.1176664 Composed by Robert Schumann. Arranged by Langanho. Children,Folk,Romantic Period,Wedding. Individual part. 1 pages. Avery Lynn Jordan #776737. Published by Avery Lynn Jordan (A0.1176664). This adaptation was dedicated for oboe, where the essence of the work was extracted, but made easier to suit the music student, getting them into the classical repertoire. The work in question is the third song: Der Einsiedler, from Schumann's collection 3 Gesänge Op. 83, where during 1849 and 1850 he produced them, composing them in the spring of 1850.

Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music

Organ - Level 3 - Digital Download SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce (A0.836716). For many years I have enjoyed playing the simpler manualiter chorale preludes of Zachau and J. G. Walter in the old Peters edition many organists will be familiar with. Then there are the delightful little preludes of Ernst Pepping which I first heard as a teenager in a recording by E. Power Biggs. I had something of a cross between these two influences in mind for this new set of English preludes. There are some finger-twisting moments here and there, but by and large these manuals-only pieces are meant to be shorter, more direct, and simpler (in concept, if not execution!) than my larger sets of preludes. The hymns dealt with here represent a useful mix of liturgical purposes and include Holy, Holy, Holy!, Come, Thou Almighty King, When Morning Gilds the Skies, Lift Up Your Heads, Ye Mighty Gates, All Things Bright and Beautiful, Beneath the Cross of Jesus, The Church’s One Foundation, and Christ the Lord is Risen Today. As always, sources and timings are included and the score prints in landscape format.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir