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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1398989 By Kris Kristofferson. By Kris Kristofferson. Arranged by Christopher Alexander. Comedy,Country,Jazz,Pop. 16 pages. Christopher Alexander #982266. Published by Christopher Alexander (A0.1398989). Originally written by the prolific singer-songwriter Kris Kristofferson, this tune has been covered by many artists since its 1970 release.  Famed country music and comedian Ray Stevens brought his stylings to a new interpreation of the song, complete with contrasting musical styles and different meanings to each of the lyrics within the song.  Your chorus will have the time of their lives performing this song at your next pops concert.  It is highly recommended to watch the Ray Stevens music video of this song (available on YouTube) to get a firm grasp of how to perform the many comedic moments without losing momentum of the song.  Some solos parts have been revised to become more suitable for today’s audiences, but nonetheless will still be entertaining.
Help Me Make It Through The Night
Chorale SATB
Kris Kristofferson
$2.25 1.97 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1413189 Composed by Hugo Yasha. Classical,Medieval. 7 pages. Hugo Yasha #995144. Published by Hugo Yasha (A0.1413189). PT-BRO Herói de Mil Faces é uma composição para quarteto de cordas inspirada no livro de Joseph Campbell. A música acompanha a ideia de uma jornada do herói, em momentos de aventura e mudança. A obra vem com partituras para todos os instrumentos do quarteto, facilitando a execução. É uma peça interessante para apresentações e para quem gosta de explorar conceitos através da música.ENHero With a Thousand Faces is a string quartet piece inspired by Joseph Campbell's book. The music reflects the concept of a hero's journey, with moments of adventure and change. It includes scores for all quartet instruments, making it easy to perform. This piece is great for performances and for those who like to explore concepts through music.
O Herói de Mil Faces (Hero With a Thousand Faces)
Quatuor à cordes: 2 violons, alto, violoncelle

$5.00 4.38 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.1253119 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Chamber,Classical,Folk,Religious. Octavo. 14 pages. CanSing #846872. Published by CanSing (A0.1253119). Espero Ter a Dita-SATB a cappella with divisi. The combination of the traditional poem which expresses the longing to see Mary in heaven and Blok-Wilson's original composition provides a compelling and meaningful addition to choral performance programs. Its prayerful and uplifting nature makes it suitable for moments of reflection, introspection, or as part of a larger narrative within the concert program.   The piece was written for the St Patrick’s Regional High School touring choir for their summer tour to Portugal July, 2023.  www.gerdablokwilson.ca A combinação do poema tradicional, que expressa o anseio de ver Maria no céu, e a composição original de Blok-Wilson proporciona uma adição cativante e significativa aos programas de  performance coral.   Sua natureza orante e inspiradora torna-a adequada para momentos de reflexão, introspecção ou  como parte de uma narrativa mais ampla dentro do programa do concerto.   A peça foi escrita para o coro itinerante da St Patrick's Regional High School para sua turnê de verão em Portugal em julho de 2023. www.gerdablokwilson.ca.
Espero Ter a Dita
Chorale SATB
Gerda Blok-Wilson
$2.25 1.97 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.944701 Composed by João F. Ferreira. Contemporary,Standards. Score and parts. 18 pages. Joao F. Ferreira #6350195. Published by Joao F. Ferreira (A0.944701). [EN] entropy (noun) measure of the disorder of a system; measurement of the amount of energy that is not converted into mechanical work; disorder or unpredictability;The concept of entropy is an apparent concept: the moment of coexistence with the plane of musical composition suggests a perfidious disposition. It is a disorder that is not at all incoherent, and therefore assumes the status of false. The order apparently felt at the beginning of the work is being disfigured by disorder over time, leading to a shift away from control in musical and theatrical writing, rather than increasing stability in electronics.Tape: this score includes one media download link.[PT] entropia (s. f.) medida da desordem de um sistema; medida da quantidade de energia que não é convertida em trabalho mecânico; desordem ou imprevisibilidade; O conceito de entropia é um conceito aparente, na medida em que o momento de coexistência com o plano da composição musical sugere uma disposição perfídia. Trata-se de uma desordem que não é de todo incoerente, e por consequência assume a qualidade de falsa. A ordem aparentemente sentida no início da obra vai sendo desconfigurada pela desordem ao longo do tempo, levando a um afastamento do controlo na escrita musical e teatral, ao invés da estabilidade crescente na electrónica. Tape: esta partitura inclui um link para o download de ficheiros áudio.
False Entropy
2 Clarinettes (duo)

$11.99 10.51 € 2 Clarinettes (duo) PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 Composed by Renato Tagliabue. Contemporary. Score and parts. 4 pages. Renato Tagliabue #6442851. Published by Renato Tagliabue (A0.724831). COME FARFALLA - Lirycs by Evelina FerrariCi sei, ma ancora nessuno può vederele belle tue ali coi loro colori;nascosta tra le foglie spuntate sul ramo,aspetti il tuo momento per volare in libertà.Sì, ti aprirai e ti mostrerai,tu così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Il tuo mondo finir dovrà,ma nuovo e più bello, tu sai , comincia già .Chiusa la mente, non trova la via;il cuore è triste e pace non ha,ma Il bruco sa che poi lui rinascerà e,come una farfalla, finalmente volar potrà.Sì, ti aprirai e ti mostreraitu, così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Tutto cambia ed anche per tequalcosa di nuovo e più bello comincia già.-----------------------------Like ButterflyYou are there, but still no one can seeyour beautiful wings with their colors;hidden among the leaves sprouted on the branch,wait for your moment to fly freely.Yes, you will open up and show yourself,you so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Your world will have to end,but new and more beautiful, you know, it already begins.Closed the mind, it does not find the way;the heart is sad and has no peace,but the caterpillar knows that then he will be reborn and,like a butterfly, it will finally fly.Yes, you will open up and show yourselfyou, so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Everything changes and for you toosomething new and more beautiful is already beginning.
COME FARFALLA - Like butterfly - for Soprano (or Tenor) and mixed quintet

$12.90 11.31 € PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052411. Published by Marcos Fernandez-Barrero (A0.1474794). This is a transcription for alto saxophone of the ‘Toccata for Clarinet and Piano’ done by the composer himself. The original work was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends._________________________________________________Esta es una transcripción para saxofón alto de la ‘Toccata for Clarinet and Piano’ realizada por el compositor. La obra original fue escrita en 2007 y dedicada a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
Toccata for Alto Saxophone and Piano
Saxophone Alto et Piano
Marcos Fernandez-Barrero
$14.95 13.11 € Saxophone Alto et Piano PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1474791 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052407. Published by Marcos Fernandez-Barrero (A0.1474791). ‘Toccata for Clarinet and Piano’ was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends.________________________________________________‘Toccata for Clarinet and Piano’ fue escrita y dedicada en 2007 a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
Toccata for Clarinet and Piano
Clarinette et Piano
Marcos Fernandez-Barrero
$14.95 13.11 € Clarinette et Piano PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestre

$14.90 13.07 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
TE DEUM - Score Only
Orchestre

$24.99 21.91 € Orchestre PDF SheetMusicPlus






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