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Instrumental Duet,Piano Cello,Fiddle,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1365309 By Elton John. By Elton John and Tim Rice. Arranged by Matheus Felix. Broadway,Film/TV,Musical/Show. 6 pages. Matheus Felix #949627. Published by Matheus Felix (A0.1365309). Arranjo de Can You Feel The Love Tonight para Violino, Violoncelo e Piano Cifra:Neste tocante arranjo, a icônica balada Can You Feel The Love Tonight de Elton John ganha uma nova dimensão ao ser habilmente adaptada para uma formação instrumental única: violino, violoncelo e piano cifra. O violino, com sua voz expressiva, interpreta a melodia apaixonada, transmitindo a emotividade e a ternura da canção original.O violoncelo, com sua profundidade sonora e ressonância, contribui para a riqueza harmônica da peça, adicionando camadas de emoção que envolvem os ouvintes. O piano cifra, com sua capacidade de sustentar acordes e criar uma base sólida, une-se aos instrumentos melódicos, formando um conjunto coeso e harmonioso.A interpretação destes talentosos músicos eleva a beleza lírica da composição, destacando os momentos mais emocionantes da canção. As transições suaves entre os instrumentos e a habilidade em criar um equilíbrio sonoro proporcionam uma experiência auditiva envolvente, convidando os ouvintes a se perderem na magia da música.Este arranjo de Can You Feel The Love Tonight respeita a essência romântica da canção original enquanto adiciona uma interpretação única e emocionante, criando uma atmosfera que ecoa o sentimento intemporal do amor.
Can You Feel The Love Tonight
Elton John
$9.99 8.52 € PDF SheetMusicPlus

String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.63 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
Last Night
Ensemble Jazz

$14.00 11.94 € Ensemble Jazz PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Bassoon & Piano
2 Bassons (duo)

$24.95 21.28 € 2 Bassons (duo) PDF SheetMusicPlus

Fiddle,Instrumental Solo,Mandolin - Level 2 - Digital Download SKU: A0.697607 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. Contemporary,Country,Folk,Instructional,Traditional. Individual part. 4 pages. Sandy McIntire #6039503. Published by Sandy McIntire (A0.697607). Will the Circle Be Unbroken is a gospel hymn composed by Charles Gabriel in 1907. It has since become a popular hymn and has passed into the music genres of folk, bluegrass, country, and old-time music. This arrangement is for early intermediate fiddle, violin or mandolin. Chords are also provided. Along with the original and popular versions of the tune, this file provides more information about the recording history of this hymn.Other titles in McIntire's Mountain Momma Fiddle Tunes include Whiskey Before Breakfast, Ragtime Annie, and West Fork Gals.
Will the Circle Be Unbroken?
Mandoline

$3.99 3.4 € Mandoline PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1231501 By Elvis Presley. By Francis Zambon. Arranged by Thomas Graf. Country,Pop,Rock. 10 pages. Thomas Graf - the-hit-factory.com #827208. Published by Thomas Graf - the-hit-factory.com (A0.1231501). Suspicious Minds is a 1968 song written and first recorded by the American songwriter Mark James. After this recording failed commercially, it was recorded by Elvis Presley with the producer Chips Moman. Presley's version reached No.1 on the US Billboard Hot 100.About this arrangement: Composed by: By Francis ZambonArranged by: Thomas H. GrafInstrumentation: Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
Suspicious Minds
Quatuor à cordes: 2 violons, alto, violoncelle
Elvis Presley
$15.00 12.79 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1117766 Composed by Juan Guerra González. Classical,Contemporary. Octavo. 15 pages. Juan Carlos Guerra Gonzalez #719307. Published by Juan Carlos Guerra Gonzalez (A0.1117766). La tierra sin nombre (SATB with Piano) Lilliam Armijo, poeta (El Salvador b. 1986) Juan Guerra González, música (El Salvador - USA, b. 1980) La tierra sin nombre es una obra que explora el drama de la migración y la añoranza de la patria, y como una persona que migra se convierte en algún momento en un ser sin patria. La obra cuenta con una apasionante parte de piano y ricas armonías que llevan al oyente a través de ese drama musical. La tierra sin nombre, is a work that explores the drama of immigration. It talks about homesickness, and how every person who migrates explores the idea of being without a homeland (at least for a small adaptation period) This work include rich choral harmonies and a balanced and beautiful piano part that will make the listener experience all those feelings. Check the world premiere in the following video: https://youtu.be/KGuB4EPV8AI?t=773.
La tierra sin nombre
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$45.95 39.19 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano.  The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Clarinet & Piano
Clarinette et Piano

$24.95 21.28 € Clarinette et Piano PDF SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.1019680 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. Individual part. 3 pages. Publicado por Ivan Lyran #3867725. Published by Publicado por Ivan Lyran (A0.1019680). Composta em 2018, a peça Enigmática Opus 44 para clarinete em si bemol é uma peça em três movimentos e cada movimento é construído em diferentes formações escalares. O primeiro movimento é modal, construído nos modos dórico e lídio. O movimento da peça tem sua melodia baseada na escala menor melódica de Fá. Essa escala é utilizada em toda a peça. Em outra composição, notas da sexta germânica como parte seguintes notas anexas à melodia, usando Lá bemol, Dó natural, Mi bemol e Fá sustentado. O uso dessas notas pode ser visto claramente no compasso 18. O terceiro movimento é baseado na escala octatônica D, usando as notas D, E, F, G, A bemol, B bemol, B natural e C sustenido. A peça traz todo um trabalho rítmico e em muitos momentos um lirismo muito interessante para o instrumentista.
Enigmática Opus 44 (1 mov.)
Clarinette

$1.99 1.7 € Clarinette PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.1022053 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score and parts. 28 pages. Fredrik Schwenk #6319885. Published by Fredrik Schwenk (A0.1022053). The present edition contains the work senza pressione, tre momenti musicali per violoncello e pianoforte, composed for the cellist Simon Schachtner in August and September 2020. The title indirectly refers to the work pression for violoncello solo by Helmuth Lachenmann, premiered in Como in 1970, and in a certain sense represents the Killmayer counter-variant of Lachenmann's highly artificial, avant-garde revolutionary aesthetic of the 1970s, and is primarily committed to the lightness of bowing.
senza pressione
Violon et Piano

$10.00 8.53 € Violon et Piano PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1365322 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Matheus Felix. Film/TV,Pop,Wedding. 11 pages. Matheus Felix #949643. Published by Matheus Felix (A0.1365322). Arranjo de Viva La Vida para Violino, Violoncelo e Piano Cifra:Neste empolgante arranjo de Viva La Vida, a energia épica da canção de Coldplay é reinterpretada com maestria para violino, violoncelo e piano cifra. O violino, desempenhando o papel principal, transmite a intensidade e a melodia cativante da música, proporcionando uma expressão emocional vívida e arrebatadora.O violoncelo, com suas linhas profundas e marcantes, contribui para a sonoridade grandiosa, adicionando uma dimensão emocional que ressoa com a narrativa épica da letra. O piano cifra, com seus acordes poderosos e arpejos dinâmicos, sustenta a estrutura da composição, intensificando a experiência auditiva.A interação vigorosa entre os instrumentos cria uma atmosfera imponente, refletindo a majestade e a determinação presentes em Viva La Vida. As transições dramáticas e os momentos de clímax destacam a complexidade da obra, mantendo a essência vibrante e impactante da música original.Este arranjo não apenas homenageia a obra-prima de Coldplay, mas também eleva a intensidade e a emotividade através da interpretação instrumental. Os músicos, com sua destreza técnica e paixão artística, guiam os ouvintes por uma jornada sonora emocionante, capturando a grandiosidade e a resiliência que caracterizam Viva La Vida.
Viva La Vida
Piano Trio: piano, violon, violoncelle
Coldplay
$9.99 8.52 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus






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