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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Baritone Horn & Piano

$24.95 21.66 € PDF SheetMusicPlus

French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for French Horn & Piano
Cor et Piano

$24.95 21.66 € Cor et Piano PDF SheetMusicPlus

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)

$2.00 1.74 € PDF SheetMusicPlus

Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Trombone & Piano
Trombone et Piano

$24.95 21.66 € Trombone et Piano PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.697648 Composed by American Folk Song. Arranged by Sandy McIntire. 20th Century,Country,Folk,Instructional,Traditional. 5 pages. Sandy McIntire #6236177. Published by Sandy McIntire (A0.697648). Wabash Cannonball is an American folk song that celebrates the scenic beauty and predicaments of the Great Rock Island train route. Roy Acuff of the Grand Ole Opry and Pete Seeger, among others, popularized the tune in the 20th Century. The Indiana University Marching Sycamores and Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band use it as a theme song.This old-time arrangement for Intermediate fiddle and violin features a train whistle (with instructions for how to play it) and chords. It is included in McIntire's series, Mountain Mommas Fiddle Tunes. Other tunes in the series include Whiskey Before Breakfast, West Fork Gals, Kitchen Girl, and The Big Rock Candy Mountain.
Wabash Cannonball
Violon

$5.50 4.78 € Violon PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.1022053 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score and parts. 28 pages. Fredrik Schwenk #6319885. Published by Fredrik Schwenk (A0.1022053). The present edition contains the work senza pressione, tre momenti musicali per violoncello e pianoforte, composed for the cellist Simon Schachtner in August and September 2020. The title indirectly refers to the work pression for violoncello solo by Helmuth Lachenmann, premiered in Como in 1970, and in a certain sense represents the Killmayer counter-variant of Lachenmann's highly artificial, avant-garde revolutionary aesthetic of the 1970s, and is primarily committed to the lightness of bowing.
senza pressione
Violon et Piano

$10.00 8.68 € Violon et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1183427 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783099. Published by Avery Lynn Jordan (A0.1183427). This is a reduction for woodwind quartet, with the intention of giving better practicity to groups that intend to play at weddings, and not only that, it can be used in several occasions, both by professionals and beginners, because it was adapted to be easy to perform. The Wedding March by Felix Mendelssohn was composed in 1842 to set the music for the play A Midsummer Night's Dream (Musik zu Ein Sommernachtstraum). It is a piece of music played during wedding ceremonies, at the moment of the bride's entrance, usually preceded by notes of Triumphal Clarins that emphasize the importance of this moment. Originally the piece is instrumental, having been performed at weddings in the version.
Wedding March by Mendelssohn for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson

$9.99 8.67 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Recorder Quartet Recorder - Level 1 - Digital Download SKU: A0.1183492 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Romantic Period,Wedding. Recorder Ensemble. 6 pages. Avery Lynn Jordan #783164. Published by Avery Lynn Jordan (A0.1183492). This is a reduction for recorder quartet with chords, with the intention of giving better practicity to groups that intend to play at weddings, and not only that, it can be used in several occasions, both by professionals and beginners, because it was adapted to be easy to perform. The Wedding March by Felix Mendelssohn was composed in 1842 to set the music for the play A Midsummer Night's Dream (Musik zu Ein Sommernachtstraum). It is a piece of music played during wedding ceremonies, at the moment of the bride's entrance, usually preceded by notes of Triumphal Clarins that emphasize the importance of this moment. Originally the piece is instrumental, having been performed at weddings in the version.
Wedding March by Mendelssohn for Recorder Quartet with Chords
Quatuor de Flûtes à bec

$9.99 8.67 € Quatuor de Flûtes à bec PDF SheetMusicPlus

Level 1 - Digital Download SKU: A0.1183389 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783060. Published by Avery Lynn Jordan (A0.1183389). This is a reduction for brass quartet, with the intention of giving better practicity to groups that intend to play at weddings, and not only that, it can be used in several occasions, both by professionals and beginners, because it was adapted to be easy to perform. The Wedding March by Felix Mendelssohn was composed in 1842 to set the music for the play A Midsummer Night's Dream (Musik zu Ein Sommernachtstraum). It is a piece of music played during wedding ceremonies, at the moment of the bride's entrance, usually preceded by notes of Triumphal Clarins that emphasize the importance of this moment. Originally the piece is instrumental, having been performed at weddings in the version.
Wedding March by Mendelssohn for Brass Quartet

$9.99 8.67 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1515695 By Kansas. By Kerry Livgren. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 6 pages. Timothy Stapay #1090049. Published by Timothy Stapay (A0.1515695). Kansas’s acoustic hit “Dust In The Wind” is a reflective song about the inevitability of mortality and the insignificant role every person plays in the bigger picture. It was written by guitarist Kerry Livgren, who was inspired by a Native American poem containing the line “For all we are is dust in the wind”.The music came from a picking exercise he was doing that his wife suggested he make a song out of. It was the last addition to the album. “Dust In The Wind” was a top 10 hit in the US and Canada in the spring of 1977 and remains the biggest hit of their career. Lyrics: I close my eyes Only for a moment, and the moment's gone All my dreams Pass before my eyes, a curiosity Dust in the wind All they are is dust in the wind Same old song Just a drop of water in an endless sea All we do Crumbles to the ground, though we refuse to see Dust in the wind All we are is dust in the wind Oh Now, don't hang on Nothin' lasts forever but the earth and sky It slips away And all your money won't another minute buy Dust in the wind All we are is dust in the wind (All we are is dust in the wind) Dust in the wind (Everything is dust in the wind) Everything is dust in the wind.
Dust In The Wind
Piano seul
Kansas
$8.99 7.81 € Piano seul PDF SheetMusicPlus






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