B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,Contemporary. 6 pages. Ali Hanna #857172. Published by Ali Hanna (A0.1264319). I wrote this piece as an epilogue (pun definitely intended) to a traumatic religious event that took place in February 2023. I won't go into details so I don't risk triggering anyone, but let's just say it was a lot. This is also the first piece I've written where the text isn't my own because my composition professor at the time challenged me to do so.The text of the first half of the piece comes from Mark Twain's poem Warm Summer Sun. It's intended to be an acceptance of the fact that the singer isn't the same person they once were. As the poem repeats, the singer begins to say goodbye to their old self and lay them to rest.The text of the second half of the piece comes from Madison Julius Cawein's poem Take Heart. I see this part as someone in the singer's life giving them hope to keep on living, and who that entity is can be interpreted in a number of ways. For me, it was the friends and professors around me that helped me keep going. I didn't talk to many people about what happened, but just seeing everyone's faces every day taught me that if they can continue living their lives, then so can I.I ended up adding the clarinet part after a moment of inspiration during my trip to the ICA ClarinetFest 2023 in Denver, Colorado. Voice and clarinet are my two passions, so I thought I would use Epilogue to put them together. This piece has yet to be premiered in its current form, but I hope to someday. If you would like to premiere it, please email me at alisonhanna29@gmail.com.

Piano and voice; flute - Digital Download SKU: LV.17937 Composed by H. R. Bishop. Courtship & love, War. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17937). Go My Love. A Rondo. Composed by H.R. Bishop. Published [n.d.] by John Cole in Baltimore. Composition of rondo with piano and voice; flute instrumentation. Subject headings for this piece include Courtship & love, War. First line reads Go my love nor believe that your Claribel's heart, For a moment will ask you to stay.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 20 pages. Stephen R Dalrymple #3070435. Published by Stephen R Dalrymple (A0.818201). Be With Me Today - original song by Stephen R Dalrymple (Worship Team Edition) CCLI Song # 7142179 music © 2005 (copyright registered in 'Sacred Songs 2000-2005’ collection) recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer based on Colossians 1:26-27 and Galatians 5:23-23 ♫ I was driving to school to begin a new job teaching in a public school in a new town. I was praying to be aware of God’s presence as I began my day. As I meditated on God’s presence, the words of this song began to come to mind. I pulled to the side of the road, found an old envelop, drew a staff and began writing. ♫ We are told the heavens cannot contain God; God is spirit; and there is nowhere we can go to escape His presence. Thus, every inhabitant on earth is continually within God’s physical presence. On the other hand, we are urged to ‘come into His presence.’ Also, Christ’s presence is continuously available to us through the presence of the Holy Spirit. Experiencing the presence of God is an act of the will, an act of faith. Remembering and experiencing His presence is life changing for everyday life. We are in His presence at work and school, at the market and while we are driving, in sorrow and in pleasure, in danger and in peace. ♫ I think of God’s presence when I lap swim. I cannot float in the air, but I can float in water. Just as the water of the swimming pool surrounds me and holds me afloat, so God’s presence is constantly surrounding and supporting me every moment of every day. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492952 Composed by Georges Bizet. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV,Opera. Score. 2 pages. Japan Duo Notes #1069643. Published by Japan Duo Notes (A0.1492952). Title: Intermezzo (from Carmen) by Georges Bizet – Flute Duet ArrangementDescription:Bring the timeless beauty of Georges Bizet’s Intermezzo from Carmen to your flute duet performances with this elegant arrangement. Taken from Bizet’s famous opera Carmen, the Intermezzo stands out with its serene and flowing melodies, providing a moment of calm and reflection amidst the opera’s intense drama. This flute duet version captures the delicate interplay between instruments, offering a balanced and expressive musical experience for both players.Key Features:Composer: Georges BizetArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 2 pagesPerfect for intermediate to advanced flutists, this arrangement allows both performers to explore Bizet’s nuanced phrasing and lyrical beauty. Ideal for recital performances, this piece will showcase your duo's ability to convey emotion and atmosphere through refined interpretation.Why Choose This Arrangement?Iconic Opera Music: Experience one of Bizet’s most beloved operatic pieces, adapted beautifully for flute duet.Expressive and Melodic: This arrangement brings out the lyrical charm and sensitivity of the Intermezzo.Performance-Ready: Suitable for concert performances, special events, and auditions, offering a polished and professional repertoire addition.Keywords: Bizet Intermezzo flute duet, Carmen flute arrangement, Georges Bizet flute music, classical flute duets, intermediate advanced flute duet, chamber music for flute, opera music for flute, Bizet flute duet sheet music.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.597574 By The Beatles. By John Lennon and Paul McCartney. Arranged by Flavio Regis Cunha. Contemporary. Octavo. 10 pages. Flavio Regis Cunha #6562161. Published by Flavio Regis Cunha (A0.597574). This is a BlackBird arrangement for SATB choir with piano accompaniment.  If you're a fan of the English band, we're sure you and your choir will like it.I had been doing poetry readings. I had been doing some in the last year or so because I've got a poetry book out called Blackbird Singing, and when I would read Blackbird, I would always try and think of some explanation to tell the people, 'cause there's not a lot you can do except just read the poem, you know, you read 10 poems that takes about 10 minutes, almost. It's like, you've got to, just, do a bit more than that. So, I was doing explanations, and I actually just remembered why I'd written Blackbird, you know, that I'd been, I was in Scotland playing on my guitar, and I remembered this whole idea of you were only waiting for this moment to arise was about, you know, the black people's struggle in the southern states, and I was using the symbolism of a blackbird. It's not really about a blackbird whose wings are broken, you know, it's a bit more symbolic. - Paul McCartney, Interview with KCRW's Chris Douridas, May 25, 2002 episode of New Ground (17:50 - 19:00)

Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491315 Composed by Edvard Grieg. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Christmas,Film/TV,Opera. Score. 3 pages. Japan Duo Notes #1068053. Published by Japan Duo Notes (A0.1491315). Title: Morning Mood (from Peer Gynt) by Edvard Grieg – Flute Duet ArrangementDescription:Experience the serene beauty of Edvard Grieg’s Morning Mood from Peer Gynt in this exquisite flute duet arrangement. Composed as part of Grieg’s incidental music for Henrik Ibsen’s play Peer Gynt, Morning Mood is celebrated for its evocative depiction of dawn and the peaceful start of a new day. This arrangement for two flutes captures the gentle, flowing melody and tranquil atmosphere of the original orchestral work, providing flutists with an opportunity to perform a piece of timeless classical elegance.Key Features:Composer: Edvard GriegArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 3 pagesThis flute duet arrangement of Morning Mood preserves the original’s delicate and atmospheric qualities, allowing both performers to explore its soothing melodies and rich harmonic textures. Ideal for recitals, chamber music performances, and serene concert settings, this arrangement brings Grieg’s evocative music to life in a new and intimate format.Why Choose This Arrangement?Authentic Adaptation: Translates Grieg’s beautifully orchestrated piece into a flute duet, capturing the essence of the original work while allowing for a fresh interpretation.Versatile and Serene: Perfect for a variety of performance settings, including recitals, chamber concerts, and peaceful musical moments.Musically Rewarding: Suitable for intermediate flutists, offering a blend of technical challenge and expressive opportunity.Add the tranquil beauty of Edvard Grieg’s Morning Mood to your flute duet repertoire with this thoughtfully arranged version. It’s a perfect choice for flutists looking to perform a piece that embodies the elegance and serenity of the morning.Keywords: Edvard Grieg, Morning Mood, Peer Gynt, flute duet, flute sheet music, classical music, Grieg arrangements, intermediate flute music, chamber music, recital music, serene flute duet.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Piano Solo - Level 5 - Digital Download SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.931153 Composed by S. Emmanuel. Christian,Contemporary,New Age. Octavo. 11 pages. S. Emmanuel Chambers #4323259. Published by S. Emmanuel Chambers (A0.931153). This piece is the conjunction of two common Christian prayers, Now I Lay Me Down to Sleep and the Lord's Prayer (Matthew 6:9-13). The text of this piece portrays the story of a mischievous young child as they prepare for bed, and are comforted by their parent before they fall asleep. Parts of the melody are quoted from Albert Hay Malottee's (1885-1964) The Lord's Prayer, and are act as a foundation in the low voices. The supporting foundation guides the child's troubled mind into a nullified state of contentment before falling tenderly to sleep. The moments of dissonance represent the child's tarriance of toiling between sleep and fear of the night as their parent consolidates their emotions with reason and assurance of celestial guidance.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Piano Solo - Level 3 - Digital Download SKU: A0.1371724 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. FRC Music #955951. Published by FRC Music (A0.1371724). Bach: Goldberg Variations, BWV 988: Var. 30 (as played by Víkingur Ólafsson) for PianoAdvanced Intermediate.Format: Concert, 9 x 12 inches.2 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.The transcendent rendition of Goldberg Variations, BWV 988: Var. 30 by Víkingur Ólafsson on the piano is nothing short of a musical masterpiece. In this sublime interpretation, Ólafsson navigates the intricate tapestry of Bach's composition with unparalleled skill and sensitivity.Var. 30, also known as the Quodlibet, is a culmination of the preceding variations, bringing together various melodic fragments in a harmonious convergence. Ólafsson's performance is characterized by a profound understanding of the emotional nuances embedded in the piece. His delicate touch and precise articulation illuminate the intricate counterpoint, allowing each note to resonate with a profound sense of purpose.The pianist's nuanced phrasing and dynamic control breathe life into the composition, creating a compelling narrative that unfolds with each passing measure. As Var. 30 progresses, Ólafsson's interpretative choices reveal a deep connection to the essence of Bach's work, capturing the essence of the Baroque era while infusing it with a contemporary flair.The juxtaposition of contrasting motifs within the Quodlibet showcases Ólafsson's virtuosity and musical insight. His ability to seamlessly transition between intricate passages and lyrical moments is a testament to his technical prowess and artistic sensitivity. The performance, under his deft guidance, transforms into a captivating journey that engages the listener on both intellectual and emotional levels.In conclusion, Víkingur Ólafsson's rendition of Goldberg Variations, BWV 988: Var. 30 stands as a testament to his extraordinary skill as a pianist and his deep appreciation for the musical genius of Johann Sebastian Bach. This interpretation is a compelling and enriching experience that transcends the boundaries of time, bringing the timeless beauty of Bach's work to contemporary audiences with grace and brilliance.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.

Piano Solo - Level 2 - Digital Download SKU: A0.1395919 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Laura Sullivan. Contemporary,Folk,Pop,Rock,Wedding. Score. 3 pages. Laura Sullivan #979294. Published by Laura Sullivan (A0.1395919). Laura Sullivan's arrangement of Taylor Swift's Invisible String for solo piano offers a captivating interpretation of this enchanting love song. Ideal for romantic occasions such as weddings, anniversaries, or intimate gatherings, this arrangement provides a charming musical backdrop for moments of connection and affection.With its accessible easy intermediate level, pianists of varying skill levels can easily enjoy playing this piece. Laura Sullivan's adaptation retains the essence of Swift's original composition while tailoring it to be a little shorter than the original for solo piano performance, ensuring that the heartfelt emotions and poignant melodies of Invisible String shine through.This arrangement maintains the song's accessibility while offering pianists a delightful rendition that is both enjoyable to play and captivating to listen to. Whether performed as background music for a romantic dinner, rehearsal dinner, first dance, walking down the aisle, or as a featured piece at a wedding ceremony, Invisible String by the super star Taylor Swift, arranged for solo piano by Laura Sullivan, adds a touch of elegance and sentimentality to any occasion.As a testament to love's enduring power and the beauty of serendipity, Invisible String resonates deeply with listeners. Sullivan's arrangement allows pianists to express the song's tender sentiments through their playing, creating a truly memorable musical experience for both performers and audiences alike.

Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harpsichord,Horn,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,Piccolo,Recorder,Suspended Cymbal,Synthesizer,Trumpet,Tuba - Digital Download SKU: A0.1297838 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Amphibia Cultural Legacy. Classical,Comedy,Jazz,Pop,Soul. 8 pages. Amphibia Cultural Legacy #887814. Published by Amphibia Cultural Legacy (A0.1297838). Count On Me is a heartwarming and uplifting cover performed by Amphibia Cultural Legacy, beautifully showcasing Connie Talbot's signature style. This rendition takes the beloved original to new heights, as it remixes elegantly with the orchestra's enchanting sounds and additional instruments.From the beginning, the sweet and gentle tone of Connie Talbot's voice takes center stage, delivering the heartfelt lyrics with a refined yet innocent charm. Amphibia Cultural Legacy's interpretation allows Connie's vocals to effortlessly soar above the rich, dynamic orchestration, giving the song a grand and cinematic quality.The delicate orchestral arrangement weaves together a tapestry of lush strings, majestic horns, and whimsical woodwinds, creating a magical backdrop that beautifully complements Connie's vocals. Throughout the song, these additional instruments add depth and emotion, enhancing the already profound message of friendship, support, and unwavering companionship echoed in the lyrics, You can count on me like 1, 2, 3, I'll be there.As the song progresses, Amphibia Cultural Legacy skillfully balances Connie's tender vocals with the soaring crescendos of the orchestra, creating moments of both intimate reflection and exhilarating grandeur. This contrast amplifies the emotions conveyed, captivating listeners and allowing them to truly connect with the uplifting and empowering message of the song.In this remarkable rendition of Count On Me, Amphibia Cultural Legacy brilliantly marries Connie Talbot's unique style with the timeless elegance of an orchestra and other additional instruments, resulting in a truly captivating musical experience.